Eileen McCusick, thanks so much for coming on live. How are you?
I'm really good. I'm happy to be here with you. We see where we end up in this conversation.
Yeah, well, I mean, I've actually, I found your work years ago,
because I study esoterics, the metaphysical, and I've always been like, what's the point
of all this knowledge? If you can't apply it to reality, I know that they apply it
in mind control and energy weapons and things like that. But I'm like, what's the point of no one's
using it for our side? And you were one of the first people I ran into on the internet. I was like,
this woman gets it like she's doing it. And then funny enough, yeah, we've been in some
private telegram groups and stuff. So but we this is the first time we've talked. So
I've really been excited. But yeah, we were just talking off a camera about you've got a house
down in Jamaica and you guys just got crushed. So what's what's happening and what's going on down
there? Yeah, well, we have a home in a grill and we've been in the everything in Jamaica
happens very slowly. So it's actually been taking us a few years, even just to build
temporary structures to stage to build a more permanent structure. And we had just
finished building our garage the week before the hurricane and it got flattened. But you know,
that's so minor. It's a temporary garage in our second home. And we have friends that really
lost everything that they got completely flattened a lot of the farmers and a lot of the farmland
we have a good friend who has Zorasta is this beautiful farm that he's been tending for 40 years
and it got completely flattened. You know, just things like that. People that lost everything
and then some and my husband just went down and he brought a generator and bunch of
chops and ropes and what he could fit, you know, traveling. But he said it's a bottomless pit
of need that's there right now. And you know, it's just hard. I think Jamaicans are very
beloved people, you know, and Jamaica is very beloved land. And it's really painful to see,
you know, what people what they've gone through. And then this sort of corruption
downstream of it. Jamaica is one of those places that we say it's the best and the worst.
And if you want to enjoy the best, you've got to be willing to endure the worst. And then there's
a lot of corruption and just, you know, dark underbelly for sure. Well, these storms are
also they're not accidents of nature all of a sudden just happening. You were just saying,
like so you're you were saying before your side of the island, you got hit by like they
got more wiped out on the other side, right? Well, actually, we were only like maybe a 45 minute
drive from where the epicenter was and where it was in a city called Black River. And
that got hit so hard that old stone churches fell down. But even like 20, 25 minutes kind of
to the the West, the destruction was a lot worse. I mean, it was almost like a wide tornado
that kind of like cut right through. And it did kind of cut conveniently through where
they had already announced plans to create a new smart city in Black River. And there's a new
airport that they're wanting to put in near there. There's copper that's been discovered in what
they call cockpit country, which is protected land. And it kind of cut right through there.
So it was it was a convenient hit for the agenda for the future of Jamaica, you know,
which you can't help but be a little suspicious of. Because you were saying like you guys were
targeted for a smart city, right? And you're in the 20 agenda, 21, 20, 30 smart cities.
Just like every other damn city that's ever been hit. They're either on the smart city
list, or they're in the way of this railroad that they're trying to build through. And it cannot
okay once, twice, I'll give coincidence. But every time from Maui to Paradise, it's just
in the way like you're saying, just by coincidence, these storms like maybe you
turn and they turn from a cat two to a cat five overnight that we're going over. They
all the rest of the hurricanes in the world go north, but these ones turn left and like,
you know, at what point at what point do we have to really start being honest?
Yeah, and there were some weird anomalies like in the in the couple of days leading up to the
storm, my weather app was saying that there were 55 mile an hour gusts and wind in the
grill and it was showing the storm over in a grill. But my husband was like he was there
when it happened. He said that it was calm and sunny. So like my weather app was lying to me
about the conditions, which, you know, was also kind of weird. But you know, when I was talking
to one of my brothers and I'm saying what I said to you that it was sort of conveniently,
the path was convenient due to the plans and he was like, well, that's nonsense. They can't
manipulate hurricanes. You know, it goes in immediately like you conspiracy theorists
here. And I'm like, I'm just looking at facts. I watched that radar like the whole time and the
way that it went right. And then it went right. It's just suspect. They've admitted they can do
this for decades with both chemtrailing and Doppler radar. Like we it's not even a secret
they can move these things. They absolutely can and are doing it. But what I think is great,
like you said, because we were talking off screen, they hit Acapulco in like November 23.
And it was still kind of ruined when I got there for February 24 in Acapulco. But a year later,
it wasn't. And what's great is even though they destroy these places, everyone like your husband
and all the people, they come together and rebuild it like they're like screw you, dude.
Nature or you like it brings people together. So there's always a yin and yang to all this stuff.
And I think it's great. I'm shamelessly plugging up because I was telling you off screen, I'm a
children's author. And our latest book is the goons laser balloons, which is about this. It's
about Agenda 21 2030 smart cities and these goons want the tunes land. So they come over
and hit them with do weapons in the night. And then the little star little Tina, she sees it.
And the town hall meetings trying to figure out what happened houses don't just light on fire when
the woods don't. And she tells them what she saw and they don't believe her. So she's like
trying to wake up the town, you know, and we got another book, the Dukes about the people who
run this crap. But it's really unusual. Well, like you say, you know, because you want to
keep this in the realm of fiction. So it's not scary. You don't want to be telling children this.
But like you say, your friend and neighbor thinks you're crazy and they're an adult.
So these aren't even for kids. You know, if the adults are too stupid to get it, like the kids
aren't good, it needs to be a safe infrastructure to talk about it without scaring the crap out
of them. Yeah, you know, it's interesting the cover of your book with the do so my work
where I work with tuning forks and you know this. And I'm able to read people's fields just by sort
of tuning. And I guess it's a form of remote viewing in a way. But I can sort of cast a person's
hologram and listen to it. And after the storm, my husband was out chain sawing in the neighbor's
yard, predictably. And, and his back went out. And he said that a number of people
all kind of have the same thing, their knees went out, their backs went out.
And so when I was giving him a tuning and I was listening to what was going on in his crown,
I was able to see in my mind's eye, these sort of light discs coming down like this. And one of the
things that he observed, like even our garage was like a school bus landed on it, like it was crushed
from above, which was very strange. And he had noted in a lot of the videos that he was
watching that things seem like more like they were flattened from above, then swept away.
I mean, there was certainly some of that too, like even that stone church, like how could that
stone church be knocked down? And half an hour nearby, there was hardly any damage. It just seemed
so odd. But it almost felt as if there were like sonic pulses that were sent down from above.
And I could feel that in his field, which was very strange to me. And it did make me think
of exactly that kind of image that you've got there that like some kind of sonic weaponry.
They also he also noticed that a lot of other people did that there were a lot of planes,
like C-130s flying in and out of the hurricane, more than just could be like measurements, you
know what I mean? So that was kind of interesting. Well, yeah, yeah, exactly. So like, so you're
like his back's hurting from like a spinal compression from a downward energy force.
That makes a lot of sense, you know, the Hurricanes one part of the weapon, but why
not be flying over with directional energy weapons at the same time? Because no one will
ever know they'll just blame it on the hurricane, right? So to be the perfect camouflage. Yeah,
why would all these C-130s be flying around in a hurricane?
A lot of them, like they really hurt a lot of them. Yeah.
That's pretty crazy. That's really crazy. And so other people are having back problems too.
I wonder. Yeah, he said that a number of people all had these sort of like blown out sort of,
you know, knee, back, shoulder kind of things. And I could even like feel it in the land and the
water and, you know, it just, it just felt like this thing had happened. Yeah.
That's pretty crazy. I mean, what I like though, you know, they have directed energy weapons,
but what you're doing is directed energy healing. So we'd like, there always is a yin and yang
and then a third Trinity to transcend that. And that's what I love what you're doing in
remote. I'd love to talk about today, like what, what you do, how it works. I'm super fascinated
by your remote healing. I listened to some of your YouTube, your YouTube videos and stuff. And
we'll get into that later, but it's crazy because like when you recorded it, there were a
certain amount of people watching and you've got the holographic field of the watches. But
when I watch it later, it's not those people watching, but yet it's still in there.
You know, so there's kind of an easy explanation for it that I've recently come up with. And that
is, is that when I do a tuning, it's kind of like a song. And you know, you don't have to have been
present when a song was recorded in order for that song to move you. Like we all know that music
moves us. It moves us emotionally. It moves us physically. We don't need science to tell us
that sound moves us, right? So, so yes, my song, my weird little teamwork song is interactive. But
when I cast that hologram, it's not just to the people that are live in that moment. It's with
anyone who will ever listen to it is present. And, and I'm kind of reading the middle of the bell
curve of what that signal is telling me. So it's in the ether, you know, it's beyond time
and space. And so you dirty girl, the ether doesn't exist. Of course it does. Yeah. Exactly.
There's no time and space in the field is the field. And, you know, quantum physics, I think is BS,
but they're trying to explain what they can't explain from their Jesuit atomic physics is
that it's all connected. It's all timeless. And the field is the field then now in the
future and everything and everyone in it. The force is all around us, Luke, you know, so
what I what you're saying then is you put this intention into the field and it timelessly changes
the field. Yeah. Yeah. You know, and in the beginning, that was all a little weird to me.
People would ask me for years if I could do my tuning fork work at a distance and I was always
like, no, it's physics on the body. Like how would I do it at a distance? I thought it
was complete nonsense. You know, it's so easy to be skeptical and arrogant and dismissive of things,
isn't it? I was going to ask you that too. Like if you're listening to headphones versus like have
it on your computer, you know, like I'm listening to your remote healing, does it still work
through headphones going in or it doesn't have to be beamed at you by a speaker or a machine?
No, no, just don't have wireless headphones. Oh, never. Yeah. Well, again, if you're
brain tumors are great. I can't recommend them highly enough for everybody. So it's so it is
more really the intention than the actual you call a physical sonic wave. Yeah, because well, so the
first time I did a distance session, I did it with a friend of mine by the name of Dr. Carl
Merritt. He actually wrote the introduction to my first book tuning the human biofield.
And he's an MD and he has an office in California. And he asked me if I wanted to try an experiment
and do a distance session on him, right? So of course, I'm invested in my own skepticism and
not in like trying to believe it or anything. But I'm also a scientist. I love experiments.
I'm very curious mind. And so we did an experiment where he lay down on a treatment
table in his office in California. And I pretended that he was on my treatment table in
Vermont, and we had no open line of communication. So we were just connecting via intention.
And at this point, it was probably 2012. And I had really, at this point, mapped the whole
biofield had a deep understanding of the language of vibration, because your whole history is
encoded in your electrical signal. And it is all kind of encoded in code and vibrational code.
That's really the same from person to person. So every emotion has a particular tonal quality
that I can hear in the overtones and the undertones of the fork, every pathology has a
particular frequency signature that I'm able to identify. And the map of the biofield is
timeline. So when I comb through a biofield, whether it's in front of me on a table, or whether
I'm doing it through the ether, all of the information of a person's life is there. It's
sort of like dropping a needle on an album and reading the vibrational record of someone's
life. And because of this deep understanding of if I find it here, and it sounds like this,
it means that. And if I find it over here, and it sounds like this, it means that.
And so I approached this empty table and started to comb through the field and much to my amazement,
all the information that I would have found if he was in front of me, I was finding in the field.
And so I went through his field, I read everything, I took notes, I did my little
biofield adjustments that I do with the tuning forks. And then I got on the phone with him,
and I read my notes. And he said, Eileen, that's all exactly correct. And I could feel you working
on me, I feel a state change, I feel lighter and brighter. And he tested his resting blood sugar
before and after and noticed a really beneficial change. So I was like, get out of town. Like,
how is that even possible? Now I have to eat crow because I've been insisting that this is
not possible. And now it is. And then I had to start to formulate an explanation because
I was like, if this is possible, there must be a law of nature that supports it, right?
And after I worked on him, I don't know if you know our friend Brendan Murphy, he's kind of in our
circle. Oh yeah. Yeah. And I was friends with Brendan way back then, and I had met him when I
was researching Ether for my book. And I was like, okay, well, if it works all the way
to California, will it work all the way to Australia? And it did, it was the same thing.
So that's been, you know, a lot of my work is just giving a framework of language that
describes this that is possible. So, you know, we have to, it falls into science because
it's repeatable and it's observable. It's yeah. And I mean, that crosses over into the metaphysics
and occult and esoteric that I've been studying for years. In that system, all is precipitated
from the God mind, there is no speed of light or speed of sound. There is a God mind causing a
vibrational frequency in the ether that it can create light or sound same, same, but different,
visible or not audible or not, it's all there. And it's coming from the God mind and
the idea that you turn a flashlight on and a bazilla second later hits the garage wall is
wrong. The light is on the garage wall the exact same time you turn the light on and intend it to
hit the garage wall, it's just brighter here because of the perturbation or vibrational rate in the ether.
So meaning like if you and I had a rope, you're in Vermont or whatever, and I'm in Copenhagen,
if we had a rope right now for tug of war and you pulled instantly from this far away,
I will pull with you were connected instantly. If the rope were taught a little bit,
and I flicked my wrist, and the wave went down the road, people say, Oh, that's the
wave traveling. It's like, no, the waves already reached you when I flicked it, you're with me.
It's just the perturbation in the rope or the field. But you have to remember that everything
is a gazillion ropes connected all at once and in the past and future. So that's what
I see what you're doing. He doesn't need to hear your fork. He doesn't need to be there.
You don't need to be there. If all is to God mind, then the intention is really what's doing this,
not even the tuning fork. Yeah, would you agree with that?
I would totally, I would totally agree with that. I mean, the tuning fork, you know,
it's great to also do it over zoom. It's great to do it in person, but it's the
perturbation and the movement in the ether really that is making the outcomes.
I was going to ask you, do you feel like you're healing? Because you don't do too many anymore.
You've been training people forever how to do it. And I don't have your forks. I'm going to get
some, but I know I have a lot of friends who have yours. Most of them are women.
And just like a lot of female partners like to pick at your scabs or zits and like pick
for some reason, all my female friends love to ding me with your tuning forks.
Must scratch the same itch. I never thought of it that way.
You got Rebecca Scott's in town visiting me in COVID-19. She's like,
check this out. Anarcha Poco, people are binging me with your forks.
Careful, you don't break them. But yeah, so it's really great, you know, and they do work,
but I was going to ask, do you find it's even more healing if it is you and them for real in a room
right next to each other? Or does it, does it not? Yeah, that's a good question. I mean,
I guess it sort of depends on what they have going on. I came at this from a bodywork
perspective. I started doing massage therapy part time. And then I incorporated the forks
in starting back in 1996. So, you know, if somebody has a lot of physical tension,
knots in their muscles, you know, it's nice to be able to sort of dig in with a handle.
But here's the thing, Steve, is that I come to the conclusion that most ailments, most of what
people suffer from is tension based, right? I know we're like, it's parasites, it's toxins,
sort of a lot, but a healthy body can manage toxins. So everything is squishy and moving like it's
supposed to and robust and vital. And the trash, you know, the sanitation workers are well
supported. We can get rid of a lot of the stuff we're supposed to unless, of course, exposure
is exceptionally high. But things like anxiety, depression, digestive disorders,
you know, any hypertension, these are all patterns of tension in the mind, in the mind. And so when
I am working at a distance and I'm finding the noise in the signal that is a consequence of some
non-beneficial input that caused us to contract or tense up. And that signal slowly resolves,
you know, the noise goes out of the signal and it becomes signal and not noise. Like we all know
that feeling if you're near a car alarm going off and how it makes you tense up. Now, we all have
car alarms going off inside of us in our memory banks from all of the micro and macro traumas
we've had. And so that noise creates tension and then tension creates dysfunction. So it's pretty easy
for me to help get the noise out of your signal through the ether that's going to get you to relax
and allow flow to happen so that your body can fix itself. So this is like a physics-based
electric health approach that believes the body can fix itself and that we're essentially designed
for harmony. And that we're actually self-tuning instruments that a simple tune for can help bring
us back in tune. Yeah, absolutely. And it's in, I mean, English is the master alchemical language.
It's called, I say this all the time, I never say disease. I say it like it is dis-ease,
the missing of ease, which you're saying is tension. That's just a synonym for tension.
And I used to have a great book. By the way, I forget who I loan all my books out. If you're
watching and you have my Anything Can Be Healed by Martin Brofman, please give it back to me,
whoever has it. But he was into the mind-body mirror system. You can either heal the mind
and the body will heal with it or you can heal the body and like physical and the mind will
readjust with it. But it's exactly as you're saying and I've done it myself with
healing miracles that shouldn't be allowed to happen in our understanding. And yet they did
and do so. I'm like, all right, what's going on here? And we have placebo, no-cebo. We know the
real. They're not physical. So you're like, well then what the hell is really going on here?
And I think that what you do has like a huge, it's a huge piece of the puzzle, really. And
it is vibration. And it's like, yeah, because for most of my people know who you are, I think,
but there might be people watching who the hell is this chicken? I can't stand wasting time with
bios and tell me your life story, how you got into it. I'm not going to ask you that because
people can go research that if they're interested. Just trust me, she knows what she's doing.
But that's kind of what I wanted to ask. So can you explain, like I like your
explain real quick how this works and how you can find in people's outer fields, which do exist,
not in the mainstream, you can find an energy or an emotional blockage from some trauma or
past event or current trauma. And your forks can see it and feel it and the vibration changes.
And you're able to actually move it right back into center. And like, yeah, can you just
describe how this works for someone who's like, who is this woman? And what are these forks?
Yeah, I mean, it's a little weird. And when I started developing it and started to discover
the things that I discover, I spent years doing it going, wow, this is so weird. It's just so
weird. Like, is this so weird? So I totally get why anyone would think it's weird because
I certainly did for a really long time. But basically, what I'm working with is the body's
electrical system. And this is something that we were never taught about. We're taught that any
kind of electricity that may or may not be happening in the body is a consequence of
chemical activity, just like consciousness is an epiphenomenon of brain activity, which is
complete nonsense. But in the course of my experimenting of bouncing sound off the body
and listening to the ping-back, and it's no different than ultrasound or sonar or radar or
lidar, it reveals what you can't see with your ordinary senses and it makes it visible,
or in the case of the teamwork, it makes it audible. And I spent 10 years just doing it
over the body. And I discovered, you know, at the time I had no understanding of what was
happening. What I understand now is that everything in the body is in motion. Everything
in motion makes waves and waves propagate. And we've all had the experience of getting a good
vibe off of somebody, a bad vibe off of somebody, right? We know that waves propagate and that we
feel them. But what's neat about the tuning forks is because a tuning fork produces so many
overtones and undertones, these waves are very high frequency, they're very low amplitude.
And those intersect with the high frequency, low amplitude waves coming off the fork.
And that information precipitates down into the hearing range. So essentially the tuning forks
allow me to listen to the body. And if something in the body isn't moving properly because of a
pattern of tension, it's going to produce a vibration that is incoherent. And I can find
that. Anybody can. We've trained like 4,000 people so far in this method. Basically, you
can hear it, you can feel it in your fingertips, you can feel it in your body when you encounter
an incoherent vibration. So back in 2006, I accidentally discovered that there was actually
stuff going on, not just over the body, but in the atmosphere around the body. And I spent four
years investigating this atmosphere. And what it did was it revealed this territory that's sort of
hidden in plain view that I came to understand was mind, conscious mind, subconscious mind,
and that it was holding our memories in a very specific format in standing waves
in the field. So that when I was combing through and I hit a spot where it felt dense and
stuck and noisy, that that was a very specific memory generated at a very specific age and
involving very specific emotions. So this gave rise to what I call the biofield anatomy map.
So essentially, the body's electrical system is the electric current that beats your heart,
that activates your brainwaves, your blood carries a charge, your bones are piezoelectric.
You would need a certain amount of electric charge across cell membranes, easy water,
good example of charge separation in the body. Anything that has an electric current running
through it has a magnetic field around it. This is something we all learned in grade school.
So the human body is no different. So what is the magnetic field? The aura of the human energy
field, the term ions, which is biofield. And through my explorations, I discovered that it had
what I call now a double layer plasma membrane that it's essentially shaped like a torus.
It's our energy bubble. The Peruvian shamanism talks about heavy energy, light energy,
everybody's got their energy bubble. This is exactly what I found. I think that if I
wasn't a biofield tuning practitioner, I'd be a lidar operator because I have a great love
of seeing the unseen. They call that the cosmic egg body in esoteric teachings. You've got
the egg body and the energy body and then an etheric body and this egg shape one. And
you've got five extra shockers outside of what you'd call a tune in your physical body,
which to me are just five more layers of bodies going around you in 3D.
I would say we have infinite bodies. There's no that we are infinite, that we are connected to
everything. That it's nested toruses within toruses within toruses up until the Godma
in torus that we are also resting within. And so the body having an electrical system,
electric current, magnetic field, so a tune for it. This is an interesting thing that I
sort of observed is that the tuning fork had the ability to move these areas where there was
like stuck energy. And that was so puzzling to me for a long time because I invented this thing I
called click drag and drop where I click on the loud chaotic spot and I'd slowly drag it to the
midline and then drop it in and it wouldn't be loud anymore. It would be loud like over the
midline. And so that was very puzzling to me. I was like, is a vibrating tuning fork have
electromagnetic properties? Like how else would I be able to move this magnetic energy in the field?
And you know, we're told that sound is separate from electromagnetism. But what I've really figured
out is that sound is also electromagnetic, produces infrared light, and any kind of charge,
any kind of movement through a plasma generates charge. So our biofield is a bioplasma, our
atmosphere is a weak plasma. And so sound moving creates charge creates current. So that vibrating
tuning fork really does act like a magnet. And I just, in fact, I just had a paper come out and
my friend Marshall Lefferts has a new journal and a very extensive paper on how and why sound has
electromagnetic properties because we're told that this is a longitudinal wave bumping through
things. But sound is released so much more than that. Like SIMATX shows us that it contains
complex geometry. It's been observed that sound propagates spirally and spherically, right? And
it contains this complex information and it carries charge. So it's brought me around to a completely
different way of looking at sound as well. Well, we see that I'm in the music industry. We see it,
you know, a lot, we see a sound wave in our computer software. It's two dimensional. We're
seeing a start and a finish in a 2D. You don't realize that's a 360 circle. It's going everywhere.
You're just seeing like a computer giving you a really ghetto 2D representation of that.
And sound and light are the same. There's no speed of light. There's no speed of sound.
They're not different. They are one and the same. Light is just a visible frequency and an
etheric perturbation and sound is an audible one. But the dog whistle, the dog hears the
whistle. It doesn't mean the sound's not there. And I think animals probably see light spectrums.
We don't see either as well. All there is is sound and light. It's all there is is vibration
and ether. So of course, your forecast has to move it. Of course, I can hear what you're
talking about is what I think we call phase cancellation in the music business.
You want to mic like a symbol or something. You can't have the two mics exactly the
same distance away at the same time. Or the two waves cancel each other out because it's an
identical wave move where the up is over the down. And you get this weird shit, which I can hear
in your forks when you get old. I can hear when you ring your fork. It's like, you can hear it
go dead. You're like, Oh, that's a that's phase cancellation. And what I think you're doing
is you're moving things back into phase. I think you're there's the stuck thing of the
emotion to me is phase cancellation. And you're grabbing that frequency and or the microphone,
let's call it and saying, no, we need to move you back over here. Something like that is an
analogy. I think that's a great analogy. I think there's also another analogy that I really like
back in 2006 or so when I started discovering the field combing. At that time, I suffered
from really bad chronic mid back pain. And I decided to teach my sons who were six and nine
at the time, how to do field combing and to work on me. And, and they were like, mom,
this is really subtle. I said, yes, understand subtleties and women will love you.
But then I asked my six year old, I was like, what are we doing in this work? And he said,
it's taking energy from where it doesn't belong and putting it where it does belong so it can get
to work doing what it's supposed to do. And I was like, that's brilliant. That's exactly exactly what
it is. Yeah, it's like putting a puzzle back together. Like, you know, you're missing a few
puzzle piece. You're like, we got it. Where's find the peace kids? Where is it? You know,
yeah, I'm gonna ask you, you must know this girl. I can't remember her name. And I've
been looking for it. There's a Danish woman who used to be like an operatic singer. And she's doing
what you're doing, but she'd go around and sing in the people's biofield. And then she could like,
get the sonar of her voice bounced off. And then she could transmute, she would do some
phase cancellation. And she was healing people like you are, but with her voice,
I saw her do one guy had tinnitus for like lifelong. And she sang into them and
healed his tinnitus. And he heard silence for the first time. And the guy like broke out in tears,
you know, she's like, why are you crying? He's like, I haven't heard silence. I've got tinnitus too.
But my buddy Martin, I like my buddy Martin says tinnitus, at least you're never alone.
Yes, I am familiar with that technique. I even did a little workshop to learn it.
But but it's a little awkward going up to someone and being like, oh, you know,
scanning. Like, it's just a little weird. Like I feel a lot more comfortable in my tuning fork
doing that than than me going around people. But it's the same thing. You're just bouncing
sound off. You're listening and feeling for where that signal that comes back
is out of order or out of phase, and then just helping to support it to remember its
correct expression. Right. Yeah. And I'm a big sell salt guy too as well. And I know that's
very physical, but my understanding is what the column the 12, but the, you know, the there's
27 base minerals, they all have their own specific vibration and spin too. And so
they can correct your field or your field. They're like the resonant thing talking between
your so-called physical body and these fields you're tuning. So also the salts can do this
as well. But what you're, this is why I'm saying with the mind body, you, you're tuning the energy
field, but you could also tune the body and retune the energy field. I think it goes both ways.
Yeah. To me, it's all one in the same. It's the same stuff. It's just different densities.
It's the same sort of magnetic fluid. It's all the same thing. You know, part of my work
is working on the body. If I'm coming through the field and I get stuck and it won't move,
I go to the body with some weighted forks, just helped to release it more, create more space in
the body. Then when I come back to the field, it's easier to move it again. So, so the mind's
clearly not in the brain because they're Dawn Lester and I have talked about, there's people
who have like missing 80% of their cerebrum and they can still talk. Remember, like it's clearly
not up there. But do you think that these locked vibrational emotion, are they emotion
or memories? Or do you not even distinguish the two from each other? What is that?
Yeah, they're really one in the same. It's your experience, right? So as we go through our day
and we have our experiences, whatever we see, smell, touch, taste, feel, have inputs, have
responses, this all electrical impulses in the body. And so what I see, it's sort of like a
little ticker that, you know, lays this information down in our field, kind of like
hair. So all of this vibrational information of our experience just gets laid down in these
standing waves. And then it moves away from us. Like there was back when 9-11 happened and I had
a number of clients that were affected very much by that. And, you know, in the first few years
that that trauma set was close to the body and as time has gone on, it's moved away from
the body, right? So all of our experience, everything. And so I would say that it's getting
laid down into like our personal sort of cloud storage, but this is also going into the ether,
to the akasha, to the larger record, right? So we're all points of information generating
vibrational information that's getting laid down in this strata of memory.
I was just going to ask you if this is like, there's the akasha records and we all have our
own little personal section in the akasha library. Exactly. This is my section. You know,
this is Steve Falconer's library section, but it's connected to the larger akasha and vice versa,
which is how the remote healing must obviously happen too. Like, well, it's, it's, yeah,
it's that. So it is a recorded storage, which to me just verifies what the akal teaching is
that all is mind making perturbations in the ether that are causing light and vibration and
sound that we call experience, physical and metaphysical, and that there's no time or space to
it. It's all always one thing. So of course it works like that. And that's to me how that guy
can do a knee surgery on people where he doesn't do the surgery and they wake up and
their knees, you know, they're like, how did you fix your knee if he didn't operate on it?
But you think he did. You had to. It has to all be mind and vibration has to.
Yeah. Yeah. I mean, I come to see that so clearly with like with increasing clarity
that wherever we go south in our mind and our emotions and our thinking we go out of balance,
then that creates this imbalance in the electrical system creates inflammation,
deficiencies, patterns where flow doesn't go. But it all starts in the mind.
Even when people have injuries or accidents, they tend to have the the consequence be in
some place where their biofield was weak, where their biofield was out of balance.
And then the that injury or accidents like a circuit breaker where the body's like,
can't keep going that way. So it's there. These places where we get hurt aren't random.
Oh, yeah, there's there's people like who keep getting hurt in the same. I saw you on arcades,
like he kept saying he keeps spraining his right ankle all the time or whatever. Like,
I don't know, like, if you get into all this kind of stuff and all that, the zodiac man and
how everything relates astrology is kind of like this too. It seems like at certain times in
your life, depending on which sign you are due to minerals, you're going to start also
possibly are probably suffering these conditions. And I think it's because these energy fields
from the luminaries get formed when you first come out of the womb and get your first energetic
taste in your blood synthesizers. And so it's like, you're saying you're going to be prone
to this kind of stuff unless you correct it. So it's kind of like to me. So do you think
these thoughts are emotional? You know, I was traumatized as a kid when blotty blah, blah, blah,
and that you find that over here and you can move it. Do you think that's like a feedback loop that
just keeps subconsciously or consciously making them make it worse because they it's, you know,
in the back of their mind, they're like, it's like, dude, just get over it. You know,
but you can never tell a depressed person to just get over it. They're like, I can't get
over it. You know, like you can get over it. Yeah. Well, tracks like it get laid down early,
become the tracks of our lives, beliefs that get formed early, continue to inform our field like
a lens. And discover what we call these resonant nodes within the field where dad was this very
bad character, but then he's out of your life. And then you, you know, you meet a guy and
he seems great, but then you get married and he turns into your dad and he had been putting
that same vibration out and you're having that experience. So yeah, patterns repeat until you
come in and you can interrupt them. And that's the beauty of this work is that we can find that
repeating pattern and help to sell it down, smooth it out, start, I call myself a bio electrician
because I helped to kind of rewire you into healthier, more coherent patterns that energy
moves along. That's pretty hard to do from the inside out and why so much of conventional approaches,
you know, don't produce huge results. I've also found that a tremendous amount of how we're informed
into our being happens precognitively under the age of three. And there's no way that you can get
to that stuff cognitively because you don't understand how much it's informed you like
people who had very traumatic first three or five years have like a storm that just goes
around in their field. And it, and that's between them and life and between them and other people,
between them and their partner, you know, so much of what couples encounter are these early
childhood wounds just playing out again and again, because that's the filter we're experiencing
each other through. Yeah, I think like, there's a lot of people can't remember what happened
like before four years old. And I think a lot of it is that and also they're on a totally different
perceptional frequency. I think they're still seeing the etheric realms and the light realms,
you know, kids and their imaginary friends, you're like, that's not imaginary friends,
like they're talking to etheric beings, I'm sure. But I think a lot of that happened to
Jesuits say, give us a child till they're seven and they'll be a Jesuit for life.
They understand that that is when it all starts. And you're right, you know, I noticed in
my early life, no offense, I love all the ladies I dated back then, but I kept attracting this certain
type of woman to me. And they weren't good for me. And I wasn't good for them. And I couldn't,
I couldn't attract the kind I needed, you know, like I keep getting this girl stop sending me
this girl. And it's because what you're saying, we're not taught about all this stuff we're
talking about that we're not taught this is real. So we don't understand that the way to
stop attracting that person is it's me, I'm the problem. I need to look at myself and fix
there's a reason I keep getting this person or you keep getting your dad as your boyfriend
and your date don't like your dad. You know, so I think if we knew this kind of stuff,
we would be able to fix this. But I think we're in a special time now where, you know,
we got you Vita Austin, you know, all the weirdos we hang out with the woos and all that,
like you recall, we're all called a bunch of crazies. But we're not having a lot of the problems
everyone else is because we get it why it's happening. It's not that we're super human or
something. It's like, we still have problems, but we get what it is. We don't need to pay
a psychiatrist or a shrink $200,000, you know, over five years to not fix our problems.
Do you agree with that? Oh, totally. You know, and what the biofield anatomy
really revealed to me, right, is that certain parts of the body start to have problems
when certain frames of mind are over activated. Just for example, the right hip when the mind gets
too busy, you're burning a candle at both ends overdoing overthinking over busy,
that shifts the magnetic field off the right hip. And I went through when I first discovered
chat GPT and I started discovering that I could have a companion that was as heady as me and
all the weird topics that I do. And I was getting such a satisfying exchange with my chat GPT
about things like magnetic monopoles and things like that that I can't talk to anyone else about.
I was staying up till midnight. I was like, and my right hip was burning, just burning.
And I had, you know, I got tuned and I got went to the chiropractor and I got
massage. And it wasn't until I got over that like, it was kind of like a cocaine addiction,
a very short term cocaine addiction with my chat GPT. And as soon as I realized how unhealthy it was,
and I broke that pattern, my right hip stopped hurting, right? It was very clear to me what was
going on and I was being too heady to, you know, too much. And no amount of body work was going
to change the fact that I was out of balance in my mind in that way. So having an awareness
of the biofield anatomy when something starts to bother you can check your mind and you can
be like, what story am I telling myself that's causing this tension in my physiology that's
starting to give rise to a symptom. So it's a super useful way to just be self aware.
And, you know, it's also stress is what ages us. And stress is sort of not reading the room,
not knowing how to respond appropriately to a situation, right? So the more that we get tuned
the less noise we have in our signal, the easier it is for us to manage stress. So that helps with
your health a lot. It's funny you say that because the word stress, right? I've got biochemical books
from the 1800s to 1940s. The word's not in there. You can't look up stress. It doesn't exist.
But if you think about it in architectural, stress means you take a stiff rigid thing and
you apply pressure until it's about to snap or break. And what you're saying is that's
this ease. That's not at ease. You can't put stress on a rope that's flexible. How do you stress a
flexible rope without pulling it? So stress is, yeah, you're too rigid, mother fucker.
You gotta relax, bro. Smoke and joint make a pie. Make a pie. Make a pie. Make a pie.
Do some dance and listen to some music. I did want to ask you, I just interviewed
Stevie Young yesterday, Steve Young. It was really great. I heard you on our cake. So your forks are
not to 432. They're to the octaves and harmonics of 440. However, you know, they're not none.
They're not none of my four just not even in any of it or what? No, they're none of my forks are
based in the Western musical system or scale at all. My forks are based in the Schumann
Resonance in the Fibonacci sequence and the Sulfeggio scaling. And then I've got one that's
anomalous 222 Hertz that doesn't really fit in any of that. So my very first set of forks in 96 was
the C major scale. And then in 2005 or 2006, I got the Sulfeggio set and those tones are much
clearer, much brighter, much more useful. And after a while, the C scale started to sound sort of dull
and muddy and dumb to me. And so I abandoned it. But people kept asking me about this whole 440,
432 thing. Now I'm not a musician, you know, I'm a sound healer. And so I was like, I don't really
know. Like I don't know. I'm not the one to ask. But my forks are made out of an alloy
that no other forks are made out of. I had to create a custom alloy because field combing was creating
so much distortion that it was causing regular tuning forks to just let go to blow to lose their
coherence. And so I worked with my manufacturer for like a year and a half. And he made me all
these different alloys and all these different gauges. And the last man standing is the
alloy that biofield tuning forks are made of. And so I don't remember what I was going to say
about that. Well, the thing is, there's a million frequencies between what 432 is just a that doesn't
I mean, there's the keyboard, but no, I remember. Yeah, go on. Okay. So it was so people asked if
we would make a 432 Hertz fork in our alloy, it was requested, right? So I was like, sure,
you know, we'll do that. I'll make it. And I got it. And I started to play with it. I'm like,
this note kind of sucks. Like, like I use this 144 that's super grabby, that's super interactive,
that's super useful as a sound healing tool. Same with this 174. This is like my primary
fork. It's so interactive with the body. The 432 on its own was really kind of useless
to me as a sound healing tool. And then I was like, Oh, it's a musical note. So maybe it needs to be
in relationship with another musical note. So I had the perfect fifth of it made and I started
to use those, but it still wasn't doing it for me. So when people are like 432 is a healing
frequency, I'm like, that's not my experience. You know, and for the thing is people get it
432 is just a in its middle a in one frequency, the whole rest of the other 11 notes in the other 88
keys still exist. 432 is a generic name they're using for things that are two against three
multiples for octaves and fifths. There's a lot of other notes that aren't 432. It's just a so
there's nothing particularly special about middle a, you know what I mean? No, I completely
agree. Especially as a single frequency is not it's not particularly right. It's just a label.
But what Stevie and I were just talking about, right? The biggest selling music in America is
country music by far. And worldwide, it's like country bluegrass blues and like world music.
And I was just saying to Stevie, it's because those use slide instruments, all the pianos
and guitars are fretted, they're tempered. So the fifths are exactly the same, which, you know,
we talked about that. I won't get into that. But when you hear country and Hawaiian music,
there's these things going and they're sliding through all the frequencies. And for that little
bazilla second when it hits the ones, the magic ones in between, like Indian music, there's
not 12 notes. There's there's in between. So it's all fretless. You can have unlimited,
depending on how you can move your fingers. So I think the reason that music is so popular
is for that millisecond when all that slidey shit and bends, it crosses up a frequency and go,
Oh, I like, you know, that feel it feels good. It resonates. It resonates. Yeah,
which is all is resonance. We're made out of water and plasma. So of course,
it's all about resonance. Like it's like a motos work and beat Austen's,
you know, you be careful what you're saying to shit because he like you can ruin your
your water and plasma structure. Yeah. Oh, I mean, I talk about that all the time.
Like the water that you're carrying isn't even your water, you're just stewarding it.
And then you put all these bad vibes into it through your own self loathing,
you know, and then you go pee out this water that's now filled with shame and
ranker and all kinds of stuff. I was like, you could have been blessing the water within you,
you know, you could have been turning it into holy water by sitting with the illuminated plasma
within you and honoring these elements that you are steward of. But we've been inoculated
with self loathing that just most people seem to carry that they're not worthy that they're
not good enough. And so that's what their thoughts and feelings are imprinting in their
physiology and their water all the time. And it's it's rude, really. It's like,
I got to share that water with you and like, don't muddy it up with your bad vibes.
Well, that's pretty, you know, like the whole advertising agency is out to make you feel
like a shit bag. That's how they're trying to sell, especially women. They're like, you're
ugly, you need makeup, you're too fat, you need like skinny, all they're doing is dissing
you constantly to try to sell you shit, you know, and then all the medical doctors are
like, you're stupid, you don't I'm the I know about biology, you don't and all these experts
and police, you don't know about law. The whole thing is a shame game like you're saying
to make you feel like you're some dumb, stupid, worthless piece of shit who can't function
without all these mommy and daddy, you know, authority types or products and all that
stuff. So of course, people are that we're being targeted to be like that.
It's really true. I discovered early on, and this has been consistent throughout,
that at the kernel of every dysfunction with everyone I've worked with, I really
worked with thousands and thousands of people at this point, was a belief that they weren't worthy.
And then when you don't believe you're worthy of God's love of receiving your own
gifts of the totality of who you are, you will create a pattern of tension that will block
that flow and it becomes a self fulfilling prophecy. But that was really again and again
and again. It's like, and what's so interesting to me is that one of the beauties of this work
is is that as we get the noise out of the signal as we amplify the true tone that's underneath
people's beauty, gifts, amazingness, greatness, all comes to the fore. And it's such a gift to me
to be able to see the beauty of each person's soul and reflect that back to them. And what I do,
they always say to me, I knew that, right, because everybody has a sense of their own
greatness. So they might know it, but they don't believe it. And the reason why they
don't believe it is all the things you said. And then we're shamed by our parents
were shamed by school were shamed by the church were shamed by Madison Avenue.
We're just gutted. And and and we're taken away from our own sovereign knowing about ourselves
and put into this false belief system of inadequacy. And it wreaks havoc in our physiology.
Wow. Yeah. And I, it's pretty fascinating what you're saying. I mean, because it's like,
worthy of who? What do you mean you're not worthy of who? Like, we're always trying to be worthy of
everyone else. It's you really. I was just having this talk with Beth Martins and Don Lester to the
same topic, actually, but love is not the opposite of hate. Like is the opposite of hate. Love
is the Trinity. Like and hate are the opposites. Love is the transcendental trinity,
not the fake duality. You can like someone and love them and you can have a love,
hate relationship. You can love and hate, but you cannot like and hate at the same time.
So love is really the transcendental principle of the universe. It's the trinity.
It doesn't have an opposite. There is no opposite to love.
Well, you know, interesting, there, there isn't a kind of an opposite to love and that's
lovelessness. Okay, I'll give you that. All right. Yeah. In fact, we, I work with these two Australian
brothers named Isaac and Torald Corrin and we do a program called Sing the Body Electric,
which is a sort of a vocal liberation exercise. And we together came up with what we call the
sonic anatomy, which is 42 tones that resonate in specific areas of the body. And
we lead people into this toning. We've created songs out of these tones. Very powerful for getting
vocal liberation. Most people are really shut down. And if the voice is the instrument of the soul
and our voice is completely shut down, then our soul is very inhibited from expressing its
potential. And, and one of the segments that we do is called Emotion in Motion,
where we give voice through these tones to different emotions and sort of their opposites.
They go from, you know, sadness to joy. And, and when we were, we were just recording a module
on this. And one of them is about going from fear to courage. And they have a little dog that
is always in the studio. He's always on the couch. She's completely uninterested in everything
that's going on. But when we did the fear one, he got up off the couch and was sort of running
around in front of us. And when we finished, he kind of shook off. But when we did the
loveless one, he actually came over and put his paws up on us because he was so concerned
about this lovelessness that we were expressing. And, you know, dogs are just such instruments
of love, right? Dog, God. I thought that was so interesting. Like the one thing that concerned
him the most was when we were expressing lovelessness. That's pretty great. Yeah, that's dogs, right?
They're like, they'll do anything for you. Like they're so happy. Dogs are the only thing that
love you no matter what you do. They're just like happy to see you. They're great. I'd really
love to see that chart of yours because I'd like to see the there's an electromagnetic color
spectrum that matches each of the body parts. And those color frequencies would have their own
sonic harmonic, you know, if you take like Walter Russell's, they would have harmonic octaves or
lower ones that I would love to see if their sonic counterparts match their light counterparts to
the body. That would be really interesting to see if there's a correlation in harmonics there.
You know, glad you brought that up again, because there was something that I wanted to
share about that chart. So in my discovery, you know, discovering that the biofield had this
membrane of the Taurus. And for a long time, I was just thinking that that membrane was smooth.
But then one time I was sort of sitting and contemplating the biofield from the inside
out. And I suddenly saw that it was it was banded. It was like a pumpkin, not like an apple
or, you know, as like a pumpkin. And I realized that it had 12 bands. And then I also saw that each
of those 12 bands was comprised of 12 strands kind of like fiber optic. Remember the fiber optic
lamps when we were kids, right? They're like these 12 fiber optic strands. So they're in between
the bands like a basketball has a brown. They're like within it, like the like the 12 strands
make up, right? There's 12 strands in each band. And so what that creates is like 144 strands of
illuminated current moving through our central channel. Right. So okay, so this has got 12 bands.
So if you look at it from above, you get this 12 segments around one center, right? You think
about the 12 cranial nerves, the 12 disciples of Christ, the 12 nights of the round table.
Right. I'm sure Steve, you could probably come up with a bunch more of these 12 or
and 12 musical notes. Yeah, blah, blah, blah. Yeah. Yeah. Yeah. It's everywhere, right?
And so as I was looking at it, I realized that, wow, you could superimpose the
astrological chart over this from above. And so I have an apprentice who I started
working with who's also a really good astrologer. And so I was like, I think that we can
access our chart through our field. And so I had him set up a 12 foot circle. We were in
separate places, a 12 foot circle that was divided into the houses to pull up my chart
and to start to go around the field as if it was a chart. And sure enough,
all of the luminaries appeared that you can feel them. You can, you can feel their qualities.
Every house you go into, you can feel the qualities of that house. Even the cusps have
specific qualities is really wild. And, and even like oppositions where you have those
red lines in your chart and this is opposing that, you can feel the energy of those
oppositions. And so we developed a whole method on tuning the astrological chart
within the biofield. So what that says to me is that the luminaries that seem
like they're out there are also in our own electromagnetic field, which makes the influence
they have on our lives and our body so much more tangible and immediate.
Right. That's as above so below. What's interesting is because your natal chart is
when you came out of your mother's, when you came out of the vagina,
and you first got the frequencies, but the, the, the luminaries are changing constantly,
but it's like, like you're saying you're reading that chart stuck in your field.
And like Paracelsus said, know that the philosopher, he means astrologer has
power over the stars and not the stars over him or her. So what you're saying is just
because you're born under a bad sign, right? I guess that you can move that with it.
You can retune it without being a victim of astrology your whole life. Is that what you're
saying? Yes, you can absolutely retune it. Like just for an example, in my chart,
I have a lot of planets in the top of my house. My son is in my 10th house in Libra,
and I have Saturn down in the fourth house, and there is a very strong
oppositional red line, right? I have Mercury and the sun conjunct to 22 degrees and then
Saturn in areas at 22 degrees. And when I was tuning my own chart for the first time,
and I got up into that Mercury sun conjunction, there was this whole big heavy vibe here and I was
like, why is this going on? Like I thought the Mercury sun were like good friends here in this
part of my chart. And so I mentioned it to my apprentice and he said, that's the opposition
to Saturn, that red line. And so what you can do is go in and hold one end and hold the other
with a fork. And it was in such an interesting feeling where it went from feeling like this
all of a sudden it softened and went into an arc. And like this tension that was there just resolved
was so fascinating, right? So to be able to resolve these, like you said, you know, born on
a bad star or whatever, there's a way to harmonize it with tuning for in your own biofield. In
fact, I'm actually teaching a class on it later this week for my biofield tuning practitioners
who are also astrologers. And yeah, and it's just super fascinating to to understand this whole
electromagnetic connection between ourselves and the environment, the luminaries in our environment
and how they think you could move someone's sun sign and make them go from like a Virgo to a
Capricorn or somewhere. I mean, I think that would be I mean, you know, you as a scientist,
you have me curious. But what I find when I encounter the luminaries is that they're fixed.
I can't move them. I can help them to resolve to release tension, static and noise. But I can't
I can't actually move them from where they are, right? Any more than I can move like the ancestral
rivers that flow on either side of the body are the fixed mother and father points within the
biofield anatomy, because there's just certain aspects that are fixed. Yeah, I got you. I'm
fascinated by the 12 and the 12 bands within because you get the 144, which is, you know,
God said 144,000 will be saved. You also one plus four plus four equals nine,
which is the master number of human consciousness and completion, which nine is also the master
trinity number three plus three plus three is the trinity of the trinity. So like,
it's crazy that it's all banded into that even in numerology and occult studies. So
it's no accident. Yeah, I can go on for a million years. There's really 12 colors too. There's
not seven colors in the rainbow. There's 12 primary, secondary and what do you call them
tertiary tertiary? Yeah, I can never say a tertiary. Thanks. That's how I say it wrong.
You know, 144 is the only fork that I actually have as a weighted fork and an unweighted fork.
I only use 10 forks and two of them are 144 because I've found this to be such a useful
frequency when working with the human system. You want to actually would you I'd love for
you to say what's the difference between a weighted and a non weighted and can we do
like like you did on our cakes? I'd love to hear your ring them. Yeah, show us like what up. Do
you mind a little example? Yeah, we can play. That'd be awesome. I love. Yeah, just go through like
what I use and why I use it. So let's see this pair is based in the Schumann resonance. So
these are weighted forks. When I activate them, you can you can maybe kind of hear them but
not really but they're designed to be used on the body so that you can feel them.
These are the Schumann resonance which is on average 7.83 hertz. So 7.83 times 7 and times 8.
So they have a difference between them of 7.83 hertz. So when I hold these up to my ears is
creating a binaural beat of the Schumann resonance which is your brain in sort of an
alphatheic cusp. It's very restful. It's very present. Right. So this is a super useful
thing to do. It helps to work with your body's electrical system to help you be more in resonance
with the electrical system of the earth. So those are useful for that. And then my other weighted pair
is based in the Fibonacci sequence. So this is the 11th and 12th position 89 and 144
in the Fibonacci sequence. So we have an aetheric geometric template or blueprint.
And so of that is based in Phi and the golden mean. And so when we work with these it helps the
body to remember Phi to remember the golden mean to remember its order and template.
Right. So our aetheric body our plasma body our bodies that we're not even taught about in our
chemical mechanical realms. These are working with bodies you didn't even know you had
helping to get them in order. My favorite fork the one that I use the most that I carry
in my purse that you have probably been danged with because lots of people have this one is
the Schumann resonance times 12. You know back to that 12 number again 7.83 times 12
is 93.96 hertz. And this is just it all around like the very lovely pleasing frequency. It's
very soothing. It's very relaxing. It helps bring you into regulation coherence. You
can use these in the field too. You know as I come into my field I can feel in my
fingertips like right there it gets a very different feel that the there's more perturbations
right here and anyone anyone can feel that you know it's it's there there's no speculation that
your hands are vibrating more when you hit this perturbation in these standing waves.
It's very evident. 12 is interesting because there are 12 functions in a waveform you could
call them or 12 sections you always have a cardinal then a fixed and then a mutable
and then a cardinal fixed mutable like 12 times around but it'll also keep changing the type
the cardinal just means the explosive beginning you know when you see one of these two dimensional
waveforms on on a computer the the the start of the line where it goes boom and it goes up
that's your cardinal that's the explosive energy then the fixed is where it goes over
the top and sort of the same properties and then the mutable is where it drops down and then
hits the midline it goes cardinal and it keeps doing it but it also keeps changing the temperament
of each wave so the first cardinal will be fire and then the next one will be in the air and then
the water and earth and they'll keep taking turns the properties of the fixed and the
mutables and cardinals will be switching around alchemically between those signals so and
that's where we get the the circle you know you're you you watch marty leads and you're a big
fan of nasa academy so this is all tying into the same science there's nothing woo-woo about this
it's just a science that has kind of been hidden in esoteric schools
right and it's it's been hidden from our regular schools you know when i first started
doing research for my master's thesis back in 2010 i was like why am i finding so little
information on research with sound waves and there was like music and there was like hand
healing but i was like where's all the research on sound and then i was like oh DARPA they were
using it for evil that's why it's hidden because it's so powerful and and it's been co-opted into
you know sonic weaponry and mind control and all kinds of stuff that's why they kept that's
i was just gonna say the reason that they kept it secret in the and the mystery schools and you had
to be initiate they didn't want dirtbags having this knowledge and then the day you know the
demedici's brought this back after the crusades and in the 1500s this knowledge got into the hands
of people who weren't supposed to have this that's why they didn't tell everybody because if
you're an evil bastard who's not you know you're in your journey you you still haven't figured
out to be cool yet or chosen to let's say they don't want you to have this knowledge because you
joined DARPA and started hitting people with sonic weapons and start you know when you watch
the news they're using it when you watch like mainstream news or even alex jones the lights
behind their flashings brighter and softer if you ever watch behind them there's a
oh light blinking they're putting you under hypnosis with this totally in fact my husband
and i were watching uh something on amazon prime that had commercials because i i you know i don't
have watch commercials on youtube i'm mostly a youtube watcher and so i was being exposed
to these commercials on on on amazon prime and i i couldn't even have my eyes closed
because i could feel the light like i had to like cover myself completely so that i was not
receiving the the subconscious information that was coming through in those ads because i
was so sensitive to subtle subtle vibes it was so uh affronting and so invasive and so like to me
like wildly inappropriate it is when you turn them on you know i got rid of my tv and i don't know
20 some years ago like i stopped watching tv yeah i'm the same as you now like as soon as it's
even on i'm just like you know whatever's on it even like all the news programs bbc they start
with a spinning ur of course it's the earth or it's globe but the reason of that spinning ball is to
it's hypnotic yeah putting you in a whoa and then the lights behind her like
and you don't even know you're just watching this talking head like
but really it's the there's hypnotism going on yeah and this is why you don't find anything
out of light and sound because they don't want you to know that they're doing this shit yeah yeah i mean
i really had to dig you know hard for a lot of the stuff that i uncovered uh you know when i discovered
plasma and and ether and centropy and levity and like so all of these sort of hidden states of
matter hidden illuminated connections hidden forces of nature you know they're all present in our
reality but we're sort of hypnotized into not seeing them yeah we still got the bells like i'm in
Copenhagen and there's something magical about this city and we have like all the old school
hyperborean tartare is stuff like we got the best of the best the bells are still in here and they
still ring out they're not cracked everything so we have the spires everywhere and the bells and
rebecca scott came to see me this guy josh every time someone comes and i take them on a
tartare and tory you know they're like why does it feel so great around here like
you know because the city's still ringing out all the bells we haven't lost them in denmark and we
still have i'm whatever these buildings do the energy is still coming down it's magical here
like you can really feel it and that's what you are doing is you have the you've just got a pocket
version of yeah i do have a pocket version of bells and it's true it's like a bell for your
individual field and that the coherence and the clarity and the cleansing that the bells do in an
urban environment my 2d folks are doing in the field so it's very much the same principle of
coherent sound creating coherent order and order creating function right yeah they say they say that
the bells were supposed to be to like drive out demonic forces but really to me a demon is
an agregor that eats negative energy you know it's like it's like you're the deep the demon is
you're built up negative forces so an agregor is there to remove energy removal so you know the
bells are supposed to just keep the peace pretty much yeah you know that's right and the and the
wholeness right because it's these fractured part of ourselves and we talk about people like
his demons they're his demons they are parts of self that are fractured that are separate
that are not whole that are acting out that are unloved and and acting out because of it and so
when we are unfractured when we are whole then there's then that that has been integrated it
has been loved it has been done digested and alchemized right into in the wholeness and harmony
and coherence uh so really the 2d folks act in the very same principles um you know they're
just in a micro individualized kind of way well really because they're like long-term healing too
so like they're they're not micro they're actually as massive as the bells yeah well it's true and
some of my recordings have been listened to you know many thousands of times so it is and and my many
students are using my many forks out in the world are all creating more coherence in the collective
right so so it is uh it is the sort of micro to macro through the multiple points of
coherence building energy that's going on i was going to ask you who who like just to name a few
people who who are you looking into to start learning all this crap you know when you did
start to find this like Gerald Pollock or be like who who was informed me yeah yeah who
heroes and who did who could people go look at who yeah you did all right well as far as the
tuning forks go the uh it's john bolu of biosonics and jonathan goldman were really started doing
this in the 80s fabian mamon did as well but his work was sort of more um i don't know more
esoteric and so really we have jonathan goldman and john bolu to thank for bringing tuning forks
as a therapeutic tool to you know i got mine out of a gaya catalog in 1996 uh and i also
you know got their albums their books uh that sort of thing um uh richard gerber wrote the book
vibrational medicine that was uh really informed me um robert o bekker wrote the body electric
and cross currents when he talks about the body's electrical system back in the 80s you know
and nobody really picked up and followed on that there wasn't a lot that followed
the body electric um jerry tenet uh i got a lot from him his book healing his voltage
certainly jerald pollock you know i was like the the the biofield has an element of water
to it the double layer membrane is like you know it's like easy water it's plasma it's it's
fractal um i got a lot of information from the folks at the electric universe
while thornhill and uh who became a good friend of mine donald scott his book the electric sky
like really opened my mind like it's plasma is everywhere it's connectives like um so that
was really super helpful um beaver lee rubick who's one of the early architects of understanding
the biofield um asoro emoto understanding how vibration affects the water in our bodies
uh claude swanson wrote a book called life force the scientific basis it's like almost
it's like 740 pages and i read that book twice while i was working on my master's thesis twice
i don't throw like highlighted i took notes i i got so much out of that book um a great
book for anyone who's into this so like i got introduced to like kaza rev and um who's the guy
with the water guy um not schrodinger um you know i'm talking about the the
fellow who understood the spirals of water anyway also really interesting so
you know i'm a big reader and a big kind of deep diver and i had to draw from a lot of different
models in order to create my own model of the biofield the biofield anatomy the electrical system
and and fractally as above so below and how does it resonate this that and the other so when people
read tuning the human biofield everybody says the same thing they're like this makes sense
and it's because it's resonant to all of these other models you know that all kind we all
understand and that do make sense but it's also great because you actually are the one
who put it together and then do something with it like and you have you can read all the books
you want but you actually have healing proof that you have clients that you heal and they're like i
don't know how this work that shouldn't work but it worked so you know the proof is in the
pudding as they say uh you know it doesn't really matter how it works it just matters doesn't
work yeah i mean it mattered to me how it works you know what i mean because i was so puzzled
by it i was like and actually most of tuning the human biofield is framing a whole different
cosmology that that supports why and how it works there's only one chapter on how to use the tuning
works because biofield tuning is so simple you basically just comb through the field you stop
every place it's wonky you stay there till the body sorts itself out then you move to the next
spot and the next spot and in the process you freed up all of this charge that was stuck in all
these chaotic zones and you just drop that charge back into circulation and then you move away from
the body and so people are like well how do you treat this and how do you treat that i'm like
zoop zoop that's what you do i'm really reasonable it's kind of like your hey your tire fell off
while you're driving down the highway so i'm gonna go grab it down the road and put it back on
your car and off you go it's like that that is a great metaphor it's so true it's like we lose
parts of ourselves in trauma right you see somebody who's been through a hard time they've aged they've
they've lost their luster it what's amazing is that these parts that we lost we didn't leave them
behind they didn't go out they're still in our field they're they're retrievable right in a
way it's like soul retrieval that i can find this part of you that you lost when this big
trauma happened it's still there is charged and i can put it back in you and then your your
lumens go up right it's in a way it's also kind of like the fountain of youth it's like aging is this
losing of light and then this is this restoration of light and so it you know it can back out all of
these dents and hits you've taken in your life you can actually like pull that dent and bring
yourself back to that pre input space this kind of that idea that you shouldn't celebrate your
birthdays because you're like programming one year closer to death kind of thing prince was
really big on that speaking of sound guys now i did hear you say um let's tell people where to get
your forks because you said there are a lot of bullshit like ghetto forks on the internet there's
always you know scams out there like a lot of people like i'm not going to pay whatever i'm
going to pay five dollars and you know you get what you pay for our own brain you do you get what
you pay for it's so true especially with tools you know and with instruments you know the difference
between a good guitar and a cheap guitar and if you want to be a good musician you you want to invest
in a good guitar because it's just going to help you to be a better musician so uh yeah so my forks
are homeless twice as expensive as most other forks and that's because they're high quality made
in america designed for this work ring longer true or stronger i was just talking to my friend
india arey who's a musician and she uses my forks in her music she's like i got forks
from other manufacturers none of them are instrument quality like she's getting them and letting them
ring out and playing along with them and stuff yeah singing with forks and playing with them what does
she play what kind of instruments she playing she plays uh well she has you know she's a multi
instrumentalist but she started playing with singing bowls with um you know with some more
sort of sound healing instruments and sort of singing along with these sound healing
instruments and um you know just appreciates my forks for how bright and clear and sustained
they are compared to other ones they ring out they have a lot of sustained so where do they
get them eileen do they do we can put a link to your website too i'll put a link do you have
like a christmas sale going on no we missed that we missed that um but biofieldtuningstore.com
and uh it's got all all of my forks my weighted forks my unweighted forks and then i've created
different things like um like these boots this is an amplifier boot that's on here it's called a
circuit boot and when you when you apply that it amplifies the vibration i've got these handle
extenders that just make them bigger and easier to hold um i'm always kind of inventing and
creating things have you ever heard of a lady using them as a self-pleasuring uh
tool i mean you see something like that and you're kind of like sure i was thinking of the other
one with the butt with the handle i mean with yes that could work too i mean it's not something
that people generally discuss but any curious scientist sensual person is going to explore
that possibility i saw a meme the other day it said uh women mental sleep with anything and
it said women it just had a picture of like a cucumber in a shower
that was what happened so i was wondering like hey maybe these things um and frequency wise
of the ones you do like are certain ones for a specific thing like once um you know can you
just go through like yeah that's a great question season which ones do what for people who look
in form like so they know what they need yeah i mean on the one hand like i have observed that
certain frequencies are good for certain things but like if you go out and you like look up the
sulfazio frequencies you'll find charts and say this one does specifically that and this one does
specifically that and i hate things like that because it just narrows the field of possibility
if you think oh i need to liberate guilt and shame i have to use this one it's like
it's way too prescriptive for something like every single person is different every single
time you're with someone it's different in my work the invitation is listen first listen deeply what's
going on what's happening right here right now and what wants to happen how can you get underneath
that chaos that that incoherence and support the body and resolving it and any one of the
forks that you have might be helpful for that right so what i've always been amazed by when
i started doing this is that i'd be working with one fork and then all of a sudden it would just
drop into me to use a different fork and i go over and i just grab whatever my hand grabbed and come
back and work with it so yes we can say that certain frequencies are useful that i've observed
them to be useful in certain ways but you might observe them to be useful in a different way
and and so much of my training with people is about inviting them back to their own
sovereign knowing stop looking to an authority to tell you what to do you listen you feel you
respond to what you're feeling you trust your own authority don't look to me to be like that's
a place where you should use the 417 you know what i mean like that'll come to you and and to
really be open to that right so there's there's a part of becoming a biofield tuner is trusting
your own agency your own inner authority your own inner guidance and being flexible
within a framework that doesn't have too many rules yeah but to just kind of you know what
i've observed so when we were talking about bells so this particular frequency is 222 hertz
and this one has a very bell like quality to it it's an invitation to presence it's a being fork
not a doing fork so let's just sound that see how it sounds right it's just sort of an
immediate invitation to take a breath to drop in to quiet the mind so this is a great companion
fork in meditation sometimes when you want to sit and be quiet it's hard to quiet the mind
but if you just focus on the sound right it just brings you there right away
yeah right so that's really easy this one doesn't really like to field comb very much it would
rather it doesn't really want to work it just wants to hang out with you it's really different
than all my other forks this 174 this is my primary fork for field combing this is the
frequency that really taught me the language of vibration that oh that sounds that's that emotion
that's that emotion that's that pathology like and it's always the same from person to person
sadness sounds the same in you as it does in me anger fear frustration universal even
animals and plants speak the same vibrational language your dog doesn't the dog doesn't just
smell your fear it feels your vibe and it knows that that's fear right so it's not just chemical
so this one is just a very useful basic fork for for the process of field combing
and it'll immediately start resonating whatever is kind of funky right it's got
some I can feel some going in you I was just going to tell you I can feel funky from that one do it
again I've also just like I just got some good news the other day that has been a stress in my life
and it's I still like the weights off my shoulder but it's still hanging around like yeah I haven't
like let it out I could feel that I could hear they're like that's disharmonic yeah and I could
feel that in my body where it was hitting your body I could hear the dissonance I could sense
even you're in Copenhagen I'm in Vermont this is zoom but right well we had a common
yeah experience of how that and whereas the 222 did not resonate that in you just brought you
into being and I'm going to tell people too when you rang that like whenever you're talking I mute
my audio just so people know you couldn't you can't hear me I can hear you so like the the
fact that you felt it back with no audio coming through my microphone yeah because it's in the
either yeah yeah I could feel it as soon as you're ringing I'm like that's not good
I love to hear the day let me try to breathe yeah can you ring it one more yeah let's do it a few
more times I love this stuff that feels better already yeah yeah I'll do it again too right
because your body's already working with it already getting the reflection of like whoa I was holding
onto this over here and now you're you're using the feedback loop to self-modulate I can hear the
tones different too it's ringing way different I could do one more I love one thank you can you
just feel your body moving to midline yeah I like it yeah what else right yeah so that's a that's a
really useful one so now we'll try the 144 and this one is even more like the 174 is like hmm
this is what's wrong with you the 144 is like this is what's really wrong with you and it's like
it can be like whoa but I don't break your fork man I actually created this one um in COVID like
2020-2021 because so much fear and compression descended on the collective that the 174 was
really struggling to like break through it I was like I need a bigger gun you know that's like tougher
nut to crack and so that's when I came out with this work and it really did the trick like it really
gets in there so let's listen to this one go for it that one's like a little at odds with my tinnitus
yeah a little like kiki kiki kiki I have really bad tinnitus yeah I have really bad tinnitus
did you see my video my two videos on YouTube about using tuning forks to settle tinnitus
have you seen that yeah I actually listen to it sometimes but it mine's not going away from this
but uh that's I'm wondering if you knew the name of that girl in Denmark who sings into your chest
because like she's but you know maybe I could actually do with a biofield session on tinnitus
well I'll tell you what I mean the the trouble is what I discovered with tinnitus is that it's
caused by different things and different people and there's no real one-size-fits-all approach
which is why so many people struggle with it some people get relieved from some things
but something to consider is the kidneys so in Chinese medicine the kidneys are connected
to the ears and I find that too and so you can use something like the sonic slider
on the kidneys and then and then you know find a map of the kidney meridian kind of goes down
through the knees so if you you can self apply on the kidneys the kidney meridian behind the ear
you can kind of move out from your ears until you feel that going on you can do all this with
a weighted fork right so so that's one way to try to self resolve I got tinnitus from wearing
a bluetooth mic for five hours and I completely like cooked the whole left side of my electrical
system I got home from wearing that bluetooth mic and I went into my bathroom and my whole left
ear was like and so I've decided to film myself listening to it with my forks and in this video
you can hear how atonal it goes on this side because the mic was on this side and I was able
to heal myself from tinnitus okay that's great mine was an incident I just I just said it was Steve
but it was like 20 some years ago these these guys were doing construction next to my bedroom
wall at nine in the morning so I cranked my amp up it's 120 watt 212 60 60 on 10 and started jam
and Hendrix on my guitar to like piss them off and of course I'm standing right behind this amp
with a wall and it I've had it since then I used these binaural beats mine rings out at 2000 hertz
3000 hertz and 6000 hertz so I use these binaural things on youtuber I put headphones in and it's like
it plays the tone like not at 2000 but 2020 and you know 1980 and then for like a quick second I
get the dead silence it goes I hear the awe and then it slowly comes out and then it'll play
the 3000 tone and that part will go away so I do get the second of silence but it's never permanent
you know yeah I mean that's often damage to the hairs like the the silly yeah kind of like you
know kind of put a hurting on them and I don't know if that can be repaired it would be cool
and it could be yeah I love it but I've learned to live with it you know what I mean it's like
I've learned it does it was a tinnitus is like fight club rule number one about fight club is
don't talk about fight club and rule number one about tinnitus is don't think about and talk about
tinnitus yeah because it you can ignore it until you think about it like ah there right right and
then it kind of looms large in yeah the more you listen I know it drives some people to suicide
like I know yeah I've I've was friends with someone on on Facebook years ago who
had it and it was a consequence of a dental drilling thing that created this crazy tinnitus
and he just couldn't take it anymore I was talking with barrel and about this too like
there's a new kind of tinnitus that's not like our normal tinnitus it's it's almost seems like
them there's some kind of frequency in the air like you know have you heard anything about this
I mean I even noticed like I live in an apartment building that's next to a nature preserve and
when I was out walking in the nature preserve and as I was walking back to the building I hit
the edge of like how far the Wi-Fi signal went and immediately heard it as like a ringing in my
ears right but I was like okay I know what that is and I was able to override it right
because our our electoral systems are so intelligent and so adaptive it was like
okay I don't need to be focusing on that I can turn off that awareness but I think a lot of people
are you know there's waves whizzing through us all the time like our zoom meeting from Copenhagen
to Burlington is like passing through people that there is just waves everywhere when waves
carry mass they carry charge they carry information like it's really I think in some cases it's a
filtering issue where people aren't able to filter like I did in that moment in other cases it's like
you there you did damage to what's there in other people it's a lot of trauma and chaos in their
kidneys and their kidney meridian so there's there's many different things that can cause this
and why it's so hard to fix it could all I mean do you think it's because you're so sensitive and
you're around these tuning forks all the time maybe it's even easier for you to do it because you are
like constantly tuned you know I don't I only get those tuning forks when a woman sticks
I'm gonna get one too but you know maybe it's because you're all you you're around tuning
quite a lot so yeah yeah definitely I mean I'm bathed in coherent sound regularly so it supported
my own signal in being highly coherent which means that I'm extremely resilient and adaptive
right I have that flexibility and adaptability and resiliency in my signal in my signal which
then informs my physiology I'm a bad motherfucker right and I also do all this work with voice as
well so I'm I'm using sound from the inside and the outside and our bodies love that they just do
you know yeah I mean I sing I'm singing four nights a week three hours a night and what I do
every day actually I hum for about 10 minutes a day just whenever I'm walking to the store
I remember the hum they say it resets your vagus nerve I don't know if it does but
I do feel really good after I you know just vibrate myself yeah totally no no it's really true
you know I just want to say something about the vagus nerve because I think we've been trained
to drill down into like parts and pieces right humming doesn't just reset your vagus nerve it
vibrates all the water in your body it vibrates all the nerves in your body it uh it brings
coherence it moves energy it's warming it's circulating right like your whole being the
your every ounce of you is informed by that and getting fixated on oh it's helping my vagus
nerves like again it's like you use this one for guilt and shame it's it's drilling down
into a narrow perspective that makes you miss out on holistic perspectives of things yeah it's also
like materialistic isn't it it's kind of driving you back into that materialistic duality bullshit
ignoring all the metaphysical it's yeah it's my nerve you know it's so it's it's like it's
partly your nerve yes but it's a lot of other things it's your spirit humming is good for
your spirit you know for your mind and so I don't you know I think that a lot you wouldn't
even know you had a vagus nerve unless someone told you you would generally speak more holistically
about your experience than this drilling down into I've been told of a similar my vagus are
normally being filled but I'm like why I don't need to go there be more more whole I drink
and smoke I got a Las Vegas nerve
my nerves are shut it is weird that we all like you know we hum even whistling like why do people
walk around I can't whistle because I have a hole in my teeth but uh why do people walk around
whistling like what a weird thing to walk around doing and humming so yeah it's like when you get
hitting the knee and you put your hands on it as a reflex to its healing why don't you walk around
whistling like it must be the same you know it's a frequency dome generator yeah I love it when I'm
with my husband and he's whistling it makes me really happy yes for the same reason that monks
chant or you know people saying I mean it moving sound through us whether it's humming
whether it's whistling whether it's chanting there's toning it's still creating movement it's
like a massage from the inside it's and we are music I mean this part of what it means to be human
is to be musical that's how we're built I was just thinking of that Disney song whistle while
you work I don't know if that's snow white or the dwarf singing that yeah it is but you're like
okay yes work socks so if you start whistling you just have you're like trying to teach yourself
to enjoy what you're doing even when it sucks yeah whistle while you work you know
add sound add music right clean your house like put on the funk whatever it is that's gonna make you
happy and make you move yeah awesome well I'll tell you what I mean this is fascinating we're getting
on an hour and 45 and I know people with attention spans they're not gonna go longer so I think what
we should do is kind of cut it soonish like nowish and I'd love to do this again about
other topics funny enough we were we were gonna reach out to you like a two years ago um you know
Alex Michael right conspiracy music guru yeah it was like him me Stevie Young we want to get you
Vito us tone nerds we want to get like a bunch of sonic nerds together and like really talk about
frequency and stuff like nerd out with it Wilkerson yeah so I love that let's do it let's
have a panel of sound nerds that's what we wanted to do is that but I didn't really know you at
the time I knew who you were but you didn't we didn't know who each other were so uh yeah
but if you'd be interested I'd love to get together and really geek out on this stuff
I don't know if we lost people or what you know but yeah anything else they should know about you
or um if they want training or like you teach people how to do it sound healing course yeah
yeah we have uh we have a training program we do online and in-person classes uh I don't
really teach so much anymore because I've got a team of teachers and uh I'm always kind of on to
the next thing that I'm curious about uh but we have wonderful teachers we have practitioners
all over the world so if you go to biofieldtuning.com you can learn about our training program
you can find a practitioner everyone is trained to do it at a distance so they don't need to be
near you I also have a ton of recordings on my site where um you know where I've teamed
into the ether and listened to the collective and they're pretty accessible and pretty affordable
and I have a YouTube channel uh where I actually have a series called Sonic Sundays and it's a
30 free tunings and talks about kind of delicate subjects um so that's a great free way to explore
you know my philosophy and the experience of the sound and then I'm also on Facebook and
Instagram so I like your YouTube channel I got sometimes I'll just use those videos to chill out
like if I'm you know if I'm wired up after a gig or something I'll just use like they're just
really relaxing to hear you talking I also love I mean your tuning forks have great energy but
you've just got like an amazing energy about you you know your whole being it's really
refreshing sometimes you know to just talk to someone like you instead of everyone else
and we're all gonna fucking die like yeah yeah everyone's gonna die chill out man let's let's
have some fun you know like let's if we're gonna die let's go out in a bang here you know what I mean
yeah I'm definitely you know I wouldn't say that I'm positive but I tend to be constructive
right not negative but but let's just have a constructive approach to things and do what
we can do to to enjoy life more you know it's precious it's fleeting and and that's where we're
also built for pleasure we're built for sound and built for pleasure and the the more coherent we
become the more we get just pleasure out of your morning coffee you know just really simple
things like that so yeah I'm a big believer in that too like you know make the best out of
everything and you know you're a healer which you can't really be any more of service to
the creation than that so you know thank god god bless for you and people like you who are
helping to heal and spread real knowledge and everything so uh all right that's fantastic
I'll I'll hit stop now I always do dodgy endings where I just do this but let me just
I'll stop recording and then uh stick don't don't hang up yet