WEBVTT

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Well the answer to that is Aleister Crowley. Yes, the Beast 666 himself. In addition, he's

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also the one that showed the peace sign to Winston Churchill during World War II. When

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you look into occult history, it's actually the sign of Typhon. Now the rock and roll

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industry is full of mysteries from its birth even to today. Here's one

00:30.960 --> 00:39.420
that I've always liked. Paul is dead. Paul McCartney. According to the story, he

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died in a car accident in the mid-60s and was replaced by Billy Shears. Is it true?

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Is it not? We don't know. I do. I don't think it's real. But nonetheless, that

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story, that legend, if you will, is still alive today. And when you peel back the

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onions, the onion, excuse me, of the music industry from the Laurel Canyon days to

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the Mickey Mouse Club, Christina Aguilera, Britney Spears, and all these interesting

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organizations and people that surround them. It makes one think. Are we being

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told the truth when it comes to the music industry? Is there some dark hand

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behind it? Aleister Crowley. He comes through the music industry over and

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over again. He was on the Beatles, Sgt. Pepper's Lonely Heart Club album. Look up

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in the corner. There's a picture of Aleister. He was followed by Jimmy Page,

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none of them himself. A lot of big names follow dark esoteric philosophies. And

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a lot of strange things happen in the music business. The 27 Club, the list

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goes on and on. We're going to get into that. And my guest tonight has a deep,

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deep understanding and knowledge of that. So hang around. It's going to be fun.

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It's going to get weird. It's going to be a little bit interesting. But y'all know

02:24.380 --> 02:33.760
I like that. Today, in this strange time we're looking at, one thing that is

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under attack. Not only our minds, but our bodies. And health is something that

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I've taken seriously for a few years now. Because I realized ain't nobody

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going to say this boy and the death care system ain't going to make me

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healthy. They're going to reset a broken arm just fabulously. But are

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they going to make me healthy? No. So I started using products from

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chemical free body. Tim James is an amazing dude. And you know me,

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I'm skeptical. A few years ago, I was at a Narcoboco. My friend

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stuff. I'm like, Okay, I'll try it. Yeah, yeah, I got home. Started

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taking his green 85, which is now organic energy juice. I do think

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he rebranded it. And lo and behold, it worked. I've been taking

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work will make you healthy. And then to every sale, I get a

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little little something to help me cover the expense of the

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show because I'm not speaking craziness to anybody. We know

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how expensive things are getting and it's hitting my

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bottom line. So that's chemical free body.com slash nature

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boy, promo code nature boy. So everybody that's in the

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chats, all your beautiful savages, everybody's listening

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this. Thank you so much for continually to show that to help

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the show grow. I mean, it still mazes me that I see the numbers

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that I see just tune in live and down the road. And it just

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makes this old man happy. So thank you very much. I can be

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found at x at the real nature boy or my handle is in be in

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nature boy as an alternative by nature. I love my comments. I

04:51.000 --> 04:53.060
love it when I get the good comments and you know I love

04:53.060 --> 04:57.080
the bad comments because hate listeners. Yeah, I welcome on

04:57.080 --> 05:00.000
this show. So everybody from the bottom of my heart. Thank you

05:00.000 --> 05:02.200
for tuning in. Share the show, share the show, share the

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show, share my comments on x and that all that stuff and just

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help me get this show continually make this show

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grow. Okay, so that that's all out of the way. I think I

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got everything done. Now let's get on with the show.

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Tonight's guest is Richard Sret. Sarah, excuse me. He's a

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longtime host of Strange Planet. He's also a frequent guest on

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Coast to Coast AM and the creator of the conspiracy show.

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Richard's first book, and I'll let him tell you about it, Tales

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from Rock and Tales from the Rock and Roll Twilight Zone digs

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into the strange history and dark side of the music

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industry. With years of calm, thoughtful interviews on

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Hidden Truce and the unexplained, he always brings a steady

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voice to the conversation. Richard, welcome my friend to the

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third rail.

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Nature boy, great to be here.

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Likewise, likewise, man. As I was, you know, researching you

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and when I got the first, you know, from Todd, our friend

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who put out the, you know, the promo, I was like, Oh, I

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got to get this cat on, man. He's right up my line. I

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love music. I love funky stuff. And I love the convergence of it.

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I love Richard talking to people like you who know far more

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about it than I do. So for my audience out there that may not

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be familiar with you, who is Richard Sret? And more

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importantly, where can you be found and where can they get

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this cool book of yours, man?

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Who is Richard Sret? He is an enigma wrapped in a riddle

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dipped in a chocolatey coating. I am a lover of terrestrial

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radio. I began my, well, I worked my entire adult career, my

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entire adult life really, in radio, started out at a big 50,000

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watt below torch station, worked behind the scenes as a

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producer, eventually got my own show, had to figure out how

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am I going to fill two hours of airtime on a Sunday night? And

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aside from Art Bell in those days, there was nothing, there was

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no one really talking about alternative everything in radio.

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So that sort of became my, my raison d'etre, is to explore

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those big questions. And, you know, what happens after we die?

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Why are we here? Are we alone in the universe? Who is in

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control here on earth? All of these questions. So that sort of

07:46.340 --> 07:51.880
evolved into the conspiracy show, eventually that radio

07:51.880 --> 07:58.260
program, then later became a television show. In 2014, I

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started my stint as a regular guest host on coast to coast, I

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fill in for George Norrie and others two, three times a

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month. And it's an amazing platform with an amazing legacy. In

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2018, I started a podcast called The Rock and Roll

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Twilight Zone, which kind of became this convergence of my

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love for classic rock, and also my love for, you know,

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exploring the subterranean, if you will, conspiracies, the

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paranormal, secret societies, the occult, all of these

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things came together. And the podcast was about 40 episodes. And

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I distilled that into about 16, well, not about precisely 16

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chapters. And this little baby right here tails tails from the

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Rock and Roll Twilight Zone, which is available to book buyers

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as of July 9. But it's available on preorder. Where can

08:58.480 --> 09:00.760
they find it? We're gonna get to preorders and where it's

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gonna be available. It's gonna be just about everywhere

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online. The usual suspects, Amazon, Walmart, Barnes and

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Noble, I like to direct people directly to the, the publisher

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trying day, trying day.com, they can order it there. They can

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also get more information at the rock and roll twilight

09:20.340 --> 09:24.340
zone.com. Nice, I like Chris Milligan is a good man. Oh,

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he's the best. He's the best. I had him on a few weeks

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ago. And I used to live up in Oregon. And it's basically the

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same town he did. So we got something in common. And

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especially back in the day when I had no clue who this cat

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Babs was, and Mike Hagan, I just knew him as that's old Mike

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and that's Babs. And then I found out, Oh, they're part of

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the Mary pranksters. And you mean Mike Hagan, the reason you

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saw his face on cameras, because he's the one that filmed

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everything and you got Babs, and you have this King Keezy

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thing. And I just fell into it. And I was like, Oh, in

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fact, I remember I have a vivid memory of being at

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Mike's house when the day after I think it was the day

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after so that Jerry died. And, you know, the official

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story was he died of a heart attack, natural causes.

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Let's cremate the body, nothing to see here. Okay, that was

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the official story. And I'm hanging out with Mike and

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Babs and a few other people and they're like, Yeah, that's

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bullshit. Yo, dude, blah, blah, blah. And they just went

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through the whole story about how they, you know, what

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what happened. And I, I looked at them and I'm like, Okay,

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you are people that are the on the inside, you know what's

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going on. And you're telling me one story. And the media is

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telling me another one. And the thing is, who am I going

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to believe my eyes are the lion media. So I go along that

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the vein that yeah, they broke them out, Jerry had some

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stash, he died, and they cremated them and they made up a

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story and nothing to see here. I mean, just like rock and

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roll. That's why there's so many stories that have

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fascinated me. And let's start with going back to the 60s

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kind of where the the big British invasion came from

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when rock and roll went from more or less the race

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music classifications to Bill Haley to when it

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exploded globally. And that's with the Beatles. I've

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heard and done a lot of research on the early times

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that Beatles and also something that is my most

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my listeners will know about it, but it's the Tavistock

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Institute. And how the Beatles weren't an organic

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group of the fab four who just came out of Liverpool

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with this amazing new sound in these great lyrics and

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took the world by surprise that actually actually they

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may have had a little bit of help if you know what I

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mean. So what's your take on that whole thing?

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Well, my take is and this is chapter one in the book. It's

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called fab four or false flag. And I leaned on some

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pretty heavy researchers for this chapter Nelson

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Thall, first and foremost, I should mention Nelson. He's a

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friend of mine. Just to give you just a glimpse of who this

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guy is, he helped smuggle the Sepruder film or a copy

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that Jim Garrison made of the Sepruder film into

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Canada, where it was broadcast for the first time. It

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wasn't Heralda Rivera in 1975. I was. Well, that was, I

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guess, the most prominent time people saw it in the

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early in the mid 70s. But Nelson went down to love

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airfield in Dallas. JFK researcher, Penn Jones handed

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him a copy. Remember, during the, the, the trial in

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68 in New Orleans, Jim Garrison made copies of

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the Sepruder film, and then he wanted to disseminate

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them to get them out to researchers. This was all

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done sort of seraptiously. So Nelson came up

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here and he, and he gave it to a border TV station, a

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CBC station, I believe it was in Windsor, and told the

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program director once the color, once the test

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pattern comes up, wait a few minutes and then play

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this a pruder film. And then at the same time, he

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alerted all of the his fellow researchers in this

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area at all the universities and so forth and

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instructed them to hit record on their those days

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that had huge VTR videotape recorders. So they

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all recorded it. Now, if you were up at three

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o'clock in the morning, and you happen to be

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watching that border station in Windsor, you saw

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the test pattern go down, and then you saw this

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a pruder film, and you're probably thinking,

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what the heck was that? Well, all of these

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researchers hit record. And so that one

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transmission of this a pruder film probably

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ended up being recorded by 50 different

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researchers. And that's how this a pruder

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film was first sort of disseminated to

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researchers, my friend Nelson. And Nelson was

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a fast is a fascinating guy. He was the

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last PhD candidate student under Marshall

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McLuhan, the great media guru up here in

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Canada. And Marshall McLuhan, the media

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is the message, the medium is the message.

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And he, of course, believed that the arts

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were controlled by the secret societies.

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So this is sort of the lineage.

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Marshall McLuhan to Nelson Thall, I interviewed

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Nelson about the Beatles, and he believed

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that while the Beatles were incredibly

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talented, it can't take anything away from

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them. No, but they had the machine

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behind them. And whether we're talking

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about EMI or the British Crown or the

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Davestock Institute, somebody decided

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that if the British were ever going to get

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the colony back, the American colony

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that they lost when General Cornwallis

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surrendered to Lafayette in 1781, keep in

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mind, he surrendered to a French general,

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not to George Washington.

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Interesting. They wanted the colony back.

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And if you look at the War of 1812, if

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you look at the Civil War, you could

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look at that as a look at it through

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the lens of the British attempting to

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reclaim the American colony.

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So the British invasion in 1964 was not

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just a metaphorical British invasion.

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It was an actual British invasion.

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And the Beatles had been weaponized

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in order to subvert American youth.

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Remember, they were traumatized.

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This is sort of classic MK ultra

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protocol, writ large, instead of

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being targeted on certain individuals.

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You're targeting an entire culture, the youth culture.

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They've been traumatized by the assassination

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of Kennedy just three months earlier.

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Now here they are on the stage, the

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Ed Sullivan stage in February of 64.

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And within three years, we saw

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the Beatles evolve from these

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innocent, you know, lyrics and

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she loves you. Yeah, yeah, yeah.

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And I want to hold your hand.

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They evolved or devolved perhaps

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into psychedelia, LSD,

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sexual permissiveness, challenging

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authority, questioning the church

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and the youth culture

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evolved right along with them.

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And that was the whole intention.

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Subvert the youth.

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If you want to control and steer

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society, if you want to modify behavior,

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you don't use politics, you control culture.

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And that's that's what was at play there,

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which is why, you know, the question

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is asked a long time ago, what would

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make the establishment lack of a better term

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want to assassinate someone like a Jimmy

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Hendrix or Elvis Presley or whatever?

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And the answer is very simple.

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It's the influence that these people wield

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is far greater by

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times 10 times 10 than any politician can.

17:40.620 --> 17:43.640
And as Adolf Hitler says, and this goes back

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to your point about social engineering,

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the quote, the paraphrase of Hitler

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when he says, I don't care about you

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adults because I have your kids.

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And that was the Hitler Eugen.

17:58.200 --> 18:00.340
And when you look at the history

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of the Hitler Eugen and the youth

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that whole time, they were the last ones

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that were fighting ferociously in Berlin

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when the rest of the Third Reich had already fallen.

18:13.360 --> 18:15.660
So, yes, if you want to control

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the future or steer the future populations,

18:21.720 --> 18:23.520
that is the way you do it.

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And it's also, I find a correlation

18:25.640 --> 18:28.540
and like to hear your viewpoint on it, is

18:28.540 --> 18:31.960
it's there's a reason why pop culture

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is targeted towards our youth and not us adults.

18:37.340 --> 18:38.920
What's what's your viewpoint on that?

18:39.540 --> 18:42.100
Well, I mentioned the Tavistock Institute

18:42.100 --> 18:45.020
and the the Tavistock Institute

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was created ostensibly after the Second World War

18:49.560 --> 18:53.700
and they had shell shocked soldiers

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returning home after the war.

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And they were trying to figure out, you know,

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how can we heal these broken men

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and put their psyches back together?

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At a certain point, somebody had the brilliant idea.

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Well, if we can put a psyche back together,

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can we take it apart and put it back together

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that in a way that we want?

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Can we mold human behavior?

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Can we steer entire populations?

19:27.620 --> 19:29.960
And so I sort of think of it as

19:30.880 --> 19:33.600
the Ministry of Defense meets Sigmund Freud

19:34.540 --> 19:39.080
and they quickly realized that melodies in particular.

19:39.920 --> 19:43.480
I mean, we know how how sound and frequencies

19:43.480 --> 19:44.920
can affect the human brain,

19:45.300 --> 19:48.060
but they also understood how certain melodies

19:48.060 --> 19:50.780
can bypass human reasoning.

19:51.140 --> 19:53.440
It can bypass the intellect

19:54.080 --> 19:58.220
and can manipulate emotions through repetitiveness.

19:58.880 --> 20:01.720
And so the theory is that they brought in someone

20:01.720 --> 20:03.680
like, for example, Theodore Adorno,

20:03.900 --> 20:07.080
who was a Marxist and a social critic

20:07.540 --> 20:10.200
from the from the Frankfurt School.

20:11.200 --> 20:15.920
And he, while he didn't write the music for the Beatles,

20:16.300 --> 20:19.840
perhaps he, his influence was in

20:20.760 --> 20:23.620
determining those musical core codes

20:24.620 --> 20:27.740
and melodies that could, again,

20:27.940 --> 20:31.960
bypass human reasoning, affect emotion, create

20:33.220 --> 20:35.680
while they knew what, for example, what musical

20:36.840 --> 20:39.460
chords or codes could create

20:41.280 --> 20:44.600
Melancholy, for example, or aggression.

20:46.220 --> 20:49.080
And so, again, the Beatles,

20:49.920 --> 20:53.360
instead of instead of red coats and muskets,

20:53.800 --> 20:57.320
the British Empire was now using backbeats

20:57.320 --> 20:58.960
and Rickenbacker guitars.

21:00.040 --> 21:01.360
Well, nice.

21:02.020 --> 21:04.880
Always got a little in the little violin thing.

21:05.100 --> 21:07.920
Well, there's you talked about frequencies

21:08.520 --> 21:11.900
and how you can subvert the conscious mind

21:11.900 --> 21:16.160
and affect the emotions in the subconscious mind directly.

21:17.100 --> 21:19.560
And you are so on point on that.

21:21.000 --> 21:22.840
The example I like to use,

21:22.960 --> 21:24.980
and I used to do a lot of live music production,

21:25.660 --> 21:29.520
is that gifted artist, that singer, if you will,

21:30.560 --> 21:33.100
that can go to an audience, regardless of the size

21:33.860 --> 21:38.120
and have absolute 100 percent control of their emotions.

21:38.800 --> 21:42.820
They can raise them up into a fury.

21:43.480 --> 21:46.740
They can quiet them down into the still of apathy.

21:47.220 --> 21:48.680
They can make them cry.

21:49.080 --> 21:50.020
They can make them laugh.

21:50.140 --> 21:53.280
They literally have the ability to pull out

21:53.280 --> 21:56.640
whatever emotion they want out of the audience and play with them.

21:57.080 --> 21:59.180
And that's a very powerful force.

21:59.840 --> 22:02.340
Now, when you take that idea

22:02.340 --> 22:06.040
and you put it into a social engineering model,

22:06.640 --> 22:09.960
back it up with a lot of high tech science and research,

22:10.840 --> 22:13.980
the power is absolutely tremendous.

22:15.400 --> 22:18.360
And, you know, when you look at the youth,

22:18.760 --> 22:23.300
the music of one's youth stays with somebody their entire life.

22:23.420 --> 22:24.920
That's when it is branded.

22:25.480 --> 22:30.760
And I think that in itself is a great example of the power

22:30.760 --> 22:32.940
that the people in the Tavistock industry

22:32.940 --> 22:37.020
and in early social engineering and also in the occult,

22:37.220 --> 22:39.760
because then witches know all about

22:39.760 --> 22:44.100
how to what specific frequencies do whatever to them.

22:44.660 --> 22:47.860
So I mean, I got off on a little bit of a little bit of a tangent there.

22:47.980 --> 22:51.300
But so is there a specific example,

22:51.500 --> 22:53.260
a concrete example of the Beatles

22:53.260 --> 22:58.740
that maybe would be a good demonstration, a song, a riff or whatever?

23:00.860 --> 23:06.900
A song or riff that I don't I don't get into

23:07.630 --> 23:12.400
too too specific detailing of, you know,

23:13.160 --> 23:14.840
melodies or chords.

23:15.220 --> 23:17.740
I was talking mainly about the institutions

23:17.740 --> 23:20.000
and some of the figures that were involved

23:21.000 --> 23:25.020
and how so you see this sort of overlapping

23:25.020 --> 23:31.180
of people in the Tavistock Institute also involved in M.K. Altra.

23:33.140 --> 23:37.760
And it was the system, the the the institutions,

23:38.400 --> 23:42.700
the the scientists, the behavioralists that were involved.

23:44.300 --> 23:48.480
But as for a certain, you know, a particular riff,

23:49.320 --> 23:54.280
well, I guess you could look at all their music really in that in that way.

23:54.360 --> 23:56.120
I don't think anything was left a chance.

23:57.820 --> 23:59.160
I think it was all designed.

23:59.320 --> 24:03.400
I mean, particularly once we got into sort of the psychedelic period

24:04.700 --> 24:06.380
and you listen to

24:08.820 --> 24:12.060
tracks like Tomorrow Never Knows and

24:13.220 --> 24:16.340
you know, the sort of the backward masking

24:17.620 --> 24:22.760
and almost these binaural beats that we hear, it's it's almost like.

24:26.480 --> 24:28.840
What's the word I'm looking for here?

24:28.920 --> 24:31.140
I'm struggling a little bit, but in training the human brain,

24:32.660 --> 24:37.020
I think that I think Sergeant Pepper is is a is a perfect example.

24:37.180 --> 24:38.240
Most of the tracks on there.

24:38.980 --> 24:42.080
I think I think that that was a very.

24:43.100 --> 24:44.260
Formal album.

24:44.960 --> 24:49.280
It really changed that I saw the style of the Beatles

24:49.280 --> 24:52.320
and it had a massive influence and culture.

24:53.680 --> 24:55.220
You know, and there were so many.

24:55.380 --> 24:59.720
If you just look at the album cover, the.

25:00.780 --> 25:05.680
Almost sublime design of that when you really get into it,

25:05.680 --> 25:10.460
people have probably studied that for years on what does every

25:11.100 --> 25:12.220
little symbol mean?

25:12.480 --> 25:13.180
How is it correlated?

25:13.480 --> 25:15.940
I mean, hell, they had Alistair Crowley sitting up there in the corner.

25:16.500 --> 25:17.700
That's me when I saw that.

25:17.800 --> 25:19.940
I was like, oh, they're in the Crowley too.

25:20.160 --> 25:23.700
I was like, damn, it wasn't back in those days and stuff like that.

25:24.160 --> 25:27.600
You know, and you know, another thing that I mentioned my monologue,

25:27.980 --> 25:32.880
which which shows the the leg, if you will, lack of better term

25:33.380 --> 25:35.380
on the power of that band

25:36.320 --> 25:40.300
and the mythology surrounding the band is the Paul is dead legend.

25:40.960 --> 25:43.400
First time I heard about that was many years ago.

25:44.180 --> 25:48.120
And, you know, first of all, I went to my big grain of salt bucket.

25:48.500 --> 25:49.560
Interesting story.

25:49.800 --> 25:50.580
Don't know it's true.

25:51.180 --> 25:54.280
Can't dismiss it, but I'll entertain the idea.

25:56.360 --> 26:00.520
Personally, I don't think that I've never seen any concrete evidence

26:00.520 --> 26:01.980
which says that that is true.

26:02.900 --> 26:05.580
I lean more towards no, it's not.

26:05.580 --> 26:10.280
It's a it was a good story that was created somewhere somehow,

26:11.020 --> 26:15.320
which to this day, what, 60, 70 years ago, still has leg.

26:15.820 --> 26:19.180
So what's your view on that whole Paul is dead?

26:19.440 --> 26:20.720
Lack of better term, Syop.

26:21.800 --> 26:26.980
Well, Syop is maybe the key to this whole discussion.

26:28.400 --> 26:33.140
But let me back up and say, I don't believe Paul McCartney died

26:33.140 --> 26:37.560
in a car crash on November 9th, 1966.

26:39.640 --> 26:43.600
In order to believe that, you have to believe that Brian Epstein or George

26:43.600 --> 26:47.660
Martin or EMI or the remaining Beatles managed to find a replacement

26:47.660 --> 26:51.900
who also played left handed base, who looked an awful lot like Paul McCartney

26:51.900 --> 26:56.900
and was arguably even more talented than the original Paul McCartney.

26:57.080 --> 27:01.140
I mean, yes, pre 1966 Paul McCartney wrote yesterday,

27:01.140 --> 27:04.300
which is the most covered song, I believe, in popular music history.

27:04.720 --> 27:07.500
But if you look at the body of work post 1966,

27:08.020 --> 27:10.300
Hey, Jude, let it be the long and winding road.

27:10.420 --> 27:13.120
Everything he did with wings, some of his great solo albums,

27:13.680 --> 27:18.280
it's it stretches credulity to believe I'm open to the possibility.

27:19.860 --> 27:22.660
However, what I found most fascinating

27:22.660 --> 27:26.380
about the Paul is dead legend is that, as you say,

27:26.480 --> 27:30.640
it still has legs 60 years, 60 years.

27:30.640 --> 27:37.040
And this mythos or this legend erupted out of, you know,

27:37.140 --> 27:41.960
we're talking 40 years before the advent of the of social media,

27:42.760 --> 27:48.980
30, 30 years before the Internet was in wide use.

27:50.560 --> 27:53.820
Imagine a legend like that that's still around today,

27:54.350 --> 27:57.600
perhaps just as strong as it was 60 years ago.

27:58.350 --> 28:01.020
Well, it really sort of took off in 1969

28:01.020 --> 28:05.360
with a phone call to a radio station in Detroit, Michigan.

28:07.400 --> 28:11.120
But imagine starting a rumor or a legend or a myth,

28:11.700 --> 28:16.360
one voice at a time, one, you know, somebody telling somebody else,

28:16.520 --> 28:19.080
telling somebody else, a newspaper column picks it up.

28:20.060 --> 28:24.040
The fact that it it that it took on this life of its own,

28:24.140 --> 28:25.620
I find is absolutely fascinating.

28:25.980 --> 28:28.380
Now, the scyop aspect is interesting

28:28.380 --> 28:31.420
because what is the motive behind this?

28:31.500 --> 28:32.580
Was it just clever marketing?

28:33.020 --> 28:35.280
Did the Beatles say, let's leave a trail of breadcrumbs

28:35.280 --> 28:38.220
and, you know, it'll this legend will take off

28:38.220 --> 28:40.180
and people will be buying up albums like crazy

28:40.180 --> 28:42.660
with a magnifying glass looking for clues

28:42.660 --> 28:43.860
on the cover of Sergeant Pepper

28:43.860 --> 28:46.280
or they'll be listening to Strawberry Fields backwards.

28:47.560 --> 28:52.140
Did he just say I buried Paul or did he say cranberry sauce?

28:53.580 --> 28:55.200
Was it just clever marketing?

28:55.200 --> 28:58.420
Were the Beatles just, you know, having some fun

28:58.420 --> 29:00.980
because they were they were comedians, you know,

29:01.000 --> 29:02.900
they love Peter Sellers and Peter Cook.

29:03.080 --> 29:06.760
And this would be right up their alley, pulling a stunt like this.

29:06.840 --> 29:09.700
Or was it, as you mentioned off the top, a scyop?

29:10.880 --> 29:14.120
What were the where the executives at EMI

29:14.120 --> 29:17.940
or or whomever was behind this, trying to figure out

29:17.940 --> 29:20.420
if they could get, steer a population

29:21.380 --> 29:24.020
and have them just falling all over themselves,

29:24.020 --> 29:27.680
looking for these clues, following these breadcrumbs.

29:27.780 --> 29:29.440
We were being led by our nose.

29:29.820 --> 29:34.800
If they can do that, I mean, what a wonderful laboratory for them

29:37.020 --> 29:40.920
to use the Beatles and to use this legend

29:41.600 --> 29:43.960
to try and create a scyop.

29:44.660 --> 29:47.800
I mean, I think that explanation is as good as any,

29:48.020 --> 29:51.260
but I believe Paul McCartney is alive and well,

29:51.260 --> 29:53.040
but the clues are there.

29:53.200 --> 29:54.060
The clues are real.

29:54.180 --> 29:56.560
The question is, who put them there and why?

29:57.240 --> 29:58.180
Yeah, exactly.

29:58.340 --> 30:02.420
It's like when they're walking on that crosswalk on Abbey Road,

30:02.520 --> 30:03.180
that's one of the people.

30:03.800 --> 30:06.520
All of the legs, except Paul's, are in the same direction

30:06.520 --> 30:07.620
as his is opposite.

30:08.440 --> 30:09.820
The fact that

30:11.760 --> 30:14.940
I'm gaping on George Harrison referred to as full.

30:15.580 --> 30:18.180
It's full as in fake Paul.

30:18.600 --> 30:18.880
Yeah.

30:19.520 --> 30:22.480
Yeah, John Lennon is dressed as the sort of as the vicar

30:23.160 --> 30:24.940
Ringo Starr as the mourner.

30:25.240 --> 30:28.700
Paul McCartney, of course, is the deceased.

30:29.040 --> 30:30.280
He's he's not wearing shoes.

30:30.700 --> 30:32.700
You don't, you know, you're never buried with your shoes

30:32.700 --> 30:33.880
when they put you in the casket.

30:34.120 --> 30:34.800
No shoes.

30:35.240 --> 30:37.980
George Harrison sort of dressed as the grave digger.

30:38.160 --> 30:40.860
There's a V double a Volkswagen Beetle

30:40.860 --> 30:43.180
on the side of the road and on the license plate.

30:43.600 --> 30:47.960
The license plate reads two eight I F twenty eight if.

30:47.960 --> 30:50.920
Well, part Paul McCartney would have been twenty eight.

30:51.760 --> 30:52.700
Had he lived?

30:54.200 --> 30:57.280
So that's just one album cover with a few clues.

30:57.960 --> 31:00.580
But there is a multitude of clues

31:00.580 --> 31:02.960
scattered in their music and their lyrics.

31:03.620 --> 31:05.160
It just goes on and on and on.

31:05.280 --> 31:06.360
And it's it's just

31:07.920 --> 31:10.500
it's so captivating people to this day.

31:11.240 --> 31:13.160
You know, they take that straight edge mirror

31:13.160 --> 31:14.760
and they hold it up to Sergeant Pepper

31:14.760 --> 31:17.640
and they place it along the middle of the bass drum

31:17.960 --> 31:21.080
where it says Sergeant Pepper's Lonely Hearts Club Band.

31:21.680 --> 31:24.200
And when you look at the reflection

31:24.760 --> 31:26.700
on the upper half of that bass drum

31:27.300 --> 31:32.740
and it it spells out the date of Paul McCartney's death.

31:33.540 --> 31:37.880
Well, X one X X one.

31:38.480 --> 31:41.240
And then it says he dies.

31:42.660 --> 31:44.180
Nine eleven.

31:44.820 --> 31:47.060
November 9th, 1966, he dies.

31:48.300 --> 31:50.420
I mean, come on, that's just not happenstance.

31:51.620 --> 31:53.300
No, it's not happenstance.

31:53.500 --> 31:57.340
But think about just that from a social engineering standpoint.

31:57.520 --> 31:59.720
If I take myself out of who I am

31:59.720 --> 32:03.060
and put myself into some sociopathic social engineer

32:03.060 --> 32:05.160
doesn't give a rat's ass about his own agenda.

32:05.460 --> 32:07.740
What a beautiful Petri dish to have, man,

32:08.260 --> 32:11.340
especially at that time, you're they I could see them going,

32:12.680 --> 32:15.240
hey, let's just play around and see the effects

32:15.240 --> 32:16.780
that we can have on culture with this.

32:16.940 --> 32:18.600
And hey, why don't we say Paul's dead?

32:18.880 --> 32:21.060
And then we'll put a whole bunch of breadcrumbs down here

32:21.060 --> 32:22.760
and have everybody chasing their tails.

32:23.400 --> 32:25.400
Explorers, like you said, buying the albums

32:25.400 --> 32:28.900
and going these things for years and years with a fine tooth comb.

32:29.560 --> 32:31.320
Huh, let's try it.

32:31.480 --> 32:32.540
I guess they didn't.

32:32.680 --> 32:34.560
It worked, man. It really worked.

32:35.340 --> 32:39.280
But that's just an example of the timeliness in a funky sense

32:41.180 --> 32:43.900
of rock and roll and of art.

32:44.960 --> 32:48.080
You know, you could have a song that was written like

32:48.660 --> 32:51.240
it wasn't long. Well, hold my hand.

32:51.900 --> 32:54.440
Still to this day is the most recorded song.

32:55.000 --> 32:58.580
That's the power of art and that's the power of culture.

32:59.640 --> 33:02.160
And the Beatles was just, in my opinion,

33:02.280 --> 33:06.920
kind of like the one of the first little psyops, if you will,

33:07.640 --> 33:10.280
that came. And then you have, of course, the opposite,

33:10.500 --> 33:12.160
which is Mr.

33:12.320 --> 33:18.020
Brian Jones and the Rolling Stones and his mysterious death.

33:18.580 --> 33:21.380
You know, they were set up as the bad boys.

33:21.500 --> 33:23.420
You had the Beatles as the good boys.

33:23.660 --> 33:25.980
Then you had the Stones as the bad boys.

33:26.160 --> 33:29.580
What is that? Famous Alvin 60s or Royal Satanic wedding

33:29.580 --> 33:30.520
or something like that?

33:30.940 --> 33:32.640
Oh, Her Majesty's Satanic Request.

33:33.160 --> 33:35.420
That was their response to Sergeant Pepper.

33:35.420 --> 33:37.720
They were in this friendly competition.

33:37.900 --> 33:40.360
So, yeah, not nearly as good as Sergeant Pepper,

33:40.440 --> 33:42.960
but I think underrated that album.

33:43.180 --> 33:46.680
Oh, yeah, yeah, kind of like a Don King boxing match.

33:47.420 --> 33:49.740
Yes. You know, we're rivals.

33:49.980 --> 33:52.920
We hate each other, but really they're still probably working

33:52.920 --> 33:53.640
for the same people.

33:54.020 --> 33:58.600
But we won't let that because conflict is tension and tension

33:58.600 --> 34:03.960
release is the art is the key of good music.

34:04.600 --> 34:07.900
Tension, release, tension and release.

34:08.320 --> 34:13.120
And I just find that whole part of music interesting.

34:13.480 --> 34:15.040
Now, I believe in your book,

34:15.200 --> 34:17.440
you touched on Brian Jones's drowning.

34:17.760 --> 34:18.940
Did you not? I did.

34:19.400 --> 34:23.040
Section three of the book is called Killer Riffs.

34:23.240 --> 34:26.660
And I reexamine the deaths of Brian Jones in July of 69.

34:26.880 --> 34:29.840
Then, of course, Jimi Hendrix in September of 1970

34:30.350 --> 34:34.260
to early entrance into the 27 Club.

34:35.380 --> 34:38.140
And then Elvis in 77 and Kurt Cobain in 94.

34:38.920 --> 34:41.360
Elvis, of course, not 2070 was 42,

34:41.540 --> 34:43.520
but Kurt Cobain also part of the 27 Club.

34:43.640 --> 34:49.000
But Brian Jones kicks off that section and death by misadventure.

34:49.140 --> 34:53.700
Accidental drowning is the official cause of death.

34:54.240 --> 34:58.100
But one of the themes that runs throughout that section

34:58.100 --> 35:00.000
of the book is the rush to judgment.

35:01.080 --> 35:03.780
And with Brian Jones, that certainly was the case.

35:05.440 --> 35:08.260
You know, here was just another rock and roller

35:08.260 --> 35:11.200
who drank too much, who popped too many pills,

35:11.600 --> 35:14.060
found dead at the bottom of a pool, must have been drowning.

35:14.560 --> 35:16.400
Nothing to see here, folks, let's move along.

35:17.780 --> 35:21.900
But as readers will discover, there is much to see here.

35:24.700 --> 35:25.920
And I'll leave you

35:25.920 --> 35:30.180
with this important note, the person who performed the autopsy

35:30.180 --> 35:33.800
on Brian Jones, Brian Jones, swimming pool,

35:34.300 --> 35:37.620
he was living at Cotchford Farm, which was the old

35:37.620 --> 35:41.140
A.A. Milne estate, A.A. Milne, the great British writer

35:41.140 --> 35:43.160
who brought us Winnie the Pooh and Christopher Robin.

35:44.200 --> 35:46.220
And Brian Jones purchased that

35:47.580 --> 35:50.020
that farm to get away from London.

35:51.060 --> 35:54.420
He was being hassled by the police, the police and their

35:54.420 --> 35:58.260
superiors didn't like these long hairs influencing their children.

35:59.220 --> 36:03.320
So they were all too happy to plant drugs or in some cases

36:03.320 --> 36:04.560
they didn't need to plant drugs.

36:05.060 --> 36:07.660
They didn't need to supply them. Exactly.

36:08.620 --> 36:13.660
So he he moved down there and he was in a very sort of vulnerable

36:14.900 --> 36:18.140
state. He'd just been fired from the band.

36:18.460 --> 36:21.240
Mick and Keith drove down to Cotchford Farm to let him know

36:21.240 --> 36:23.740
he was done with the Rolling Stones.

36:24.620 --> 36:29.040
He he he was drinking so much at this point that he

36:29.040 --> 36:30.400
he wasn't able to perform.

36:30.660 --> 36:34.140
He would come into the studio and it would take him three hours

36:34.140 --> 36:35.380
just to restring his guitar.

36:35.920 --> 36:38.480
So the band was getting fed up with Brian Jones,

36:38.640 --> 36:40.040
even though he was the founder.

36:40.320 --> 36:41.780
He was the heart and soul of the band.

36:42.140 --> 36:43.840
He was the flamboyant one.

36:45.000 --> 36:48.780
The only problem was he couldn't write songs and the beat

36:48.780 --> 36:52.360
the Rolling Stones were no longer a blues cover band.

36:53.220 --> 36:56.020
You wanted to make it to the show to the big time.

36:56.240 --> 36:57.160
You had to write your own music.

36:57.420 --> 37:03.100
That's where Keith and Mick came in and Brian Jones basically got pushed aside.

37:04.780 --> 37:07.840
And so he he retreated to Cotchford Farm.

37:08.280 --> 37:13.480
Now I mentioned the the autopsy when he was found at the bottom of the swimming pool.

37:15.340 --> 37:18.300
Um, ordinarily, they would have called in the coroner

37:18.300 --> 37:21.600
from or the medical examiner, as we call them here, from Sussex.

37:22.440 --> 37:24.460
They didn't use that coroner.

37:24.480 --> 37:27.600
Instead, the Prime Minister of England at the time, Prime Minister Heath,

37:27.880 --> 37:32.220
appointed his own personal physician to conduct the autopsy.

37:32.840 --> 37:33.940
Why would he do that?

37:34.360 --> 37:35.680
Why would he do that?

37:36.080 --> 37:37.020
Rushed a judgment.

37:37.600 --> 37:39.020
It smells of coverup.

37:40.200 --> 37:41.720
Yeah, let's see.

37:41.720 --> 37:45.440
I haven't heard. I don't know very much but about Brian Jones's story.

37:45.520 --> 37:49.260
That's why when I saw that in your book, I was like, this is interesting.

37:49.740 --> 37:54.240
So what do you think or do you theorize?

37:55.520 --> 38:01.180
Might have really been behind his forming the 27 Club.

38:02.040 --> 38:03.820
Well, I think he I think he was murdered,

38:04.800 --> 38:07.980
whether it was murder in the first degree or whether it was.

38:09.000 --> 38:12.300
Man slaughter, but there was a coverup.

38:13.140 --> 38:13.960
There was a.

38:15.140 --> 38:19.920
Quite a collection of individuals who were at Cauchford farm that night,

38:20.280 --> 38:25.440
hangers on nurses, ex-girlfriends, present girl friends.

38:26.960 --> 38:36.500
And a gentleman by the name of Tom Keylock, who I'm sorry, not Tom Keylock.

38:37.800 --> 38:39.140
Was it Mike Keylock?

38:39.800 --> 38:41.740
Anyway, he was the fixer for the Rolling Stones.

38:41.940 --> 38:43.080
He'd recently been fired.

38:43.800 --> 38:48.280
Keith Richards caught this this character for basically skimming.

38:48.920 --> 38:52.340
And so he decided he would latch on to Brian Jones,

38:52.560 --> 38:54.240
who was in a very fragile state.

38:54.900 --> 38:57.220
So he goes down to to Cauchford farm.

38:57.420 --> 38:58.520
He's hanging out with them.

38:59.100 --> 39:03.220
There was also a collection of a crew of workers

39:03.860 --> 39:07.720
who were constantly renovating Cauchford farm.

39:07.860 --> 39:09.120
And Brian couldn't get rid of them.

39:09.220 --> 39:13.160
And they were they were robbing Brian blind.

39:15.960 --> 39:20.840
They were inflating prices and finding all sorts of problems,

39:21.040 --> 39:22.060
you know, with the renovations.

39:22.180 --> 39:23.460
Oh, we got to tear this wall down

39:23.460 --> 39:25.000
and look what we found behind this wall.

39:25.200 --> 39:26.240
Now we've got to fix that.

39:26.380 --> 39:27.320
He couldn't get rid of them.

39:27.460 --> 39:28.940
And there was a lot of tension there.

39:29.700 --> 39:32.860
And there was a the head of the crew

39:32.860 --> 39:34.540
was named Frank Thoreau Good.

39:35.080 --> 39:37.780
And he and Brian would get into some pretty

39:39.320 --> 39:40.840
big shouting matches.

39:41.800 --> 39:44.700
Almost came to the Fisticuffs a number of times.

39:45.120 --> 39:50.520
So was was Frank Thoreau Good involved in in Brian's death?

39:50.960 --> 39:56.300
Did they get into into an altercation in the swimming pool

39:56.300 --> 39:57.760
or on the edge of the swimming pool?

39:58.260 --> 40:03.020
Frank Thoreau Good on his deathbed claims allegedly.

40:03.340 --> 40:04.160
This is the report.

40:04.260 --> 40:05.760
I wasn't there at his deathbed,

40:05.800 --> 40:09.560
but it is said that he confessed to killing Brian Jones.

40:11.000 --> 40:12.820
So, you know, why the cover up?

40:13.340 --> 40:15.580
Well, we explore that we explore that in the book.

40:15.580 --> 40:22.300
But there was also a relative, a brother of Tom Keylock.

40:22.540 --> 40:24.020
His name is Frank Keylock.

40:24.180 --> 40:25.660
He worked with Scotland Yard.

40:25.660 --> 40:27.780
He was a detective with with Scotland Yard.

40:28.080 --> 40:31.600
Did did he call his brother at Scotland Yard

40:31.600 --> 40:33.060
and say we have a problem down here?

40:33.700 --> 40:37.600
You know, the fixer calling the fixer, the fixer calling the ultimate fixer

40:37.600 --> 40:43.060
who called the prime minister, who basically had the whole

40:43.740 --> 40:46.340
nasty affair swept under the rug.

40:47.460 --> 40:49.320
That's that's that's Paul.

40:49.440 --> 40:53.020
You can heath and I believe he was big time pedophile

40:53.020 --> 40:54.580
if I got my prime minister's right.

40:55.320 --> 40:58.040
That's a hell of a poll when you can call your brother

40:58.040 --> 41:01.580
and he makes a picks up the phone and the prime minister,

41:02.500 --> 41:08.140
a picks it up and the prime minister takes charge of the cover up.

41:08.740 --> 41:11.160
So it begs me and I'm sure you have the same question.

41:12.280 --> 41:14.940
Why he was just a long haired rock star

41:14.940 --> 41:20.820
that overdosed and fell into a pool and, you know, what's a big deal?

41:21.060 --> 41:22.060
You know, there's a million of them.

41:22.060 --> 41:25.000
So well, I didn't go to the top of the.

41:25.000 --> 41:27.060
Yeah, the key to this.

41:27.320 --> 41:29.400
And again, you know, this book is not a manifesto.

41:29.460 --> 41:31.880
I don't claim to have a monopoly on the truth.

41:32.000 --> 41:33.220
I'm simply asking questions.

41:33.360 --> 41:36.720
We're trying to connect some some dots and we have we leave it up to the readers

41:36.720 --> 41:43.160
to decide it appears in also included in that crowd

41:43.160 --> 41:48.780
that July night in 1969 was an undercover member of the constabulary.

41:49.360 --> 41:53.320
Was he trying to find drugs on Brian Jones?

41:53.660 --> 41:55.680
Was there something else he was trying to find?

41:56.380 --> 41:57.440
He's on the scene.

41:57.860 --> 42:01.900
Now, all of a sudden, there is a murder, manslaughter,

42:02.180 --> 42:03.440
murder in the second degree.

42:04.340 --> 42:06.360
How does he explain his presence there?

42:06.840 --> 42:07.900
He's now a witness.

42:08.480 --> 42:09.720
Is he going to be called to testify?

42:10.320 --> 42:14.560
You can see how the whole situation just gets out of hand gets very complicated.

42:15.940 --> 42:18.300
And and so they had to cover this whole thing up.

42:18.820 --> 42:22.780
And if the cover up started, the investigation started at the top,

42:22.880 --> 42:25.880
it would make sense that you would have the top that would cover it up.

42:26.600 --> 42:27.460
It has to be.

42:28.040 --> 42:29.460
That's a fascinating story.

42:29.820 --> 42:31.480
I mean, just the amount of deaths.

42:31.720 --> 42:33.260
I went Janice Joplin died.

42:33.400 --> 42:36.940
I have a friend who's previously passed, but he was a blues legend named Mick Martin.

42:38.740 --> 42:41.720
And I was talking to him one day and he was like, yeah,

42:41.780 --> 42:43.220
I was at the hotel.

42:43.460 --> 42:46.960
I was upstairs in a hotel room right above Janice when she died.

42:47.480 --> 42:49.580
I was like, dude, really?

42:49.900 --> 42:52.660
He was like, yeah, we gave it just like a normal day.

42:52.880 --> 42:57.100
We woke up in the morning and come out and there's all this activity going on.

42:57.260 --> 42:59.380
And I was like, he was like, what's going on?

42:59.420 --> 43:00.280
Like, dude, you haven't heard?

43:00.840 --> 43:02.500
It's like, no, he said, Janice is dead.

43:03.400 --> 43:05.320
And she was a 27er, wasn't she?

43:05.560 --> 43:06.860
She was, she was.

43:07.420 --> 43:10.440
Now, I have a now that we're getting into that 27 club,

43:11.000 --> 43:13.000
this is something that's always fascinated me.

43:13.820 --> 43:15.960
I have been a big time Jimi Hendrix fan.

43:15.960 --> 43:20.200
I think for his time, he was one of the few freaks in nature that we get

43:20.200 --> 43:24.080
blessed with in music that completely changes the whole game.

43:24.420 --> 43:25.720
And that was Jimi Hendrix.

43:26.820 --> 43:31.720
So I'm not sure if I was when I read it in weird scenes inside

43:31.720 --> 43:36.820
the canyon or maybe another book, but it talks about his manager.

43:40.140 --> 43:44.080
Actually, this is a story having Jimmy killed.

43:44.990 --> 43:48.560
And some people have said the question is why it's simple.

43:48.760 --> 43:51.120
He's worth more money dead than alive.

43:51.340 --> 43:57.400
And then to at the time, I believe Jimmy was about ready to let the guy go.

43:57.980 --> 44:00.800
Do you know anything about that whole Jimmy Hendrix death?

44:01.020 --> 44:03.080
Is there something behind it that we're not being told?

44:04.120 --> 44:06.880
Yeah, that's that's the story.

44:07.720 --> 44:12.800
His manager was a former British Intel.

44:15.020 --> 44:19.220
Killer, one of these guys who, you know, if he got when he got into the cops,

44:19.340 --> 44:22.320
he would happily tell you that he could kill you with his finger,

44:22.480 --> 44:23.600
you know, his baby finger.

44:24.020 --> 44:24.940
He believed him.

44:25.240 --> 44:31.060
He did serve during the Suez crisis in 1956 with the British.

44:31.480 --> 44:34.220
And he was basically a trained killer.

44:35.180 --> 44:40.680
And I spoke with Jimmy's former road manager, James Tappey Wright,

44:40.840 --> 44:42.440
who is no longer with us.

44:43.000 --> 44:46.460
But at the time I spoke to him back in 2017, 2018,

44:46.640 --> 44:48.360
he was kind of the last man standing.

44:48.940 --> 44:50.000
Jimmy, of course, long gone.

44:50.400 --> 44:54.440
All the members of Jimmy experience, Jimmy Hendrix experience dead.

44:56.860 --> 44:59.780
I believe Monica Danimann is still alive.

45:00.020 --> 45:00.880
Jimmy's ex-girlfriend.

45:01.000 --> 45:02.300
I'm not sure about Kathy etching him.

45:02.360 --> 45:03.220
I think they're both alive.

45:03.460 --> 45:06.120
But anyway, James is no longer with us either.

45:06.120 --> 45:15.740
So, but he believed Mike Jeffrey when Mike Jeffrey told him to his face in private.

45:16.280 --> 45:19.360
I had to do it, Jimmy or James, I had to do it.

45:19.380 --> 45:20.400
And he called him Tappey, right?

45:20.780 --> 45:21.920
I had to do it, Tappey.

45:22.820 --> 45:24.240
And Tappey Wright said, what do you mean?

45:24.380 --> 45:25.160
What are you talking about, Mike?

45:25.320 --> 45:27.780
He said, I had no other choice.

45:28.040 --> 45:28.720
I had to do it.

45:28.800 --> 45:29.720
He just kind of left it there.

45:29.820 --> 45:31.280
But Tappey Wright knew what he meant.

45:31.900 --> 45:40.740
Um, this story that Jimmy Hendrix took too many barbiturates one night and then aspirated

45:40.740 --> 45:41.700
on his own vomit.

45:42.720 --> 45:46.240
It's interesting that when he was taken to the hospital, I think it was St.

45:46.360 --> 45:51.960
Mary's in London, where he was staying with his girlfriend, Monica Danimann,

45:52.140 --> 45:54.560
before he departed for the Isle of Wight Music Festival.

45:54.720 --> 45:55.440
He never made it, of course.

45:55.440 --> 46:03.120
But, um, the medical attendants found Jimmy's hair soaked with red wine.

46:03.560 --> 46:05.640
His clothes were soaked with red wine.

46:06.200 --> 46:08.660
There was no red wine in his blood.

46:08.820 --> 46:10.420
There was no red wine in his stomach.

46:11.100 --> 46:17.500
There was red wine in his lungs, as if someone may be familiar with a technique

46:17.500 --> 46:25.200
we now refer to as waterboarding poured red wine right down Jimmy's

46:26.400 --> 46:29.420
nose, down his throat, and he basically drowned.

46:29.700 --> 46:32.620
He was drowned after being sedated by barbiturates.

46:34.240 --> 46:37.260
So why would Mike Jeffrey have that done?

46:37.320 --> 46:41.780
As you alluded to Jimmy's contract with Mike Jeffrey was soon to expire.

46:42.900 --> 46:49.420
And Jimmy finally got wise to the game that Mike Jeffrey was playing with him.

46:49.520 --> 46:51.820
Again, it's almost like classic MK ultra.

46:52.840 --> 46:55.640
Mike Jeffrey had Jimmy Hendricks exhausted.

46:56.400 --> 47:00.100
He was constantly touring, performing.

47:00.720 --> 47:04.380
He had these crazy tour schedules where he would be out on the West Coast

47:04.380 --> 47:06.540
and then he would suddenly have to go to the East Coast.

47:06.880 --> 47:07.940
This was all white design.

47:08.640 --> 47:10.780
He wanted to keep, he had Jimmy signing things.

47:10.900 --> 47:12.180
He had no idea what he was signing.

47:12.340 --> 47:17.640
It was just like an overload of stimulus.

47:18.080 --> 47:19.920
He just, he couldn't keep up with what was happening.

47:19.920 --> 47:23.980
And this, again, it's MK ultra, like it's almost like trauma.

47:25.100 --> 47:30.360
And he controlled Jimmy and he made Jimmy aware that without Mike Jeffrey,

47:30.540 --> 47:32.500
he would be tossed to the wolves.

47:32.720 --> 47:36.180
There was an incident in New York where Jimmy Hendricks was kidnapped

47:37.180 --> 47:39.420
and he was being held by these mobsters.

47:40.480 --> 47:43.720
Jimmy later found out that it was Mike Jeffrey who arranged

47:44.360 --> 47:49.360
for his kidnapping so that he could come in and rescue Jimmy

47:49.360 --> 47:51.980
like a knight in shining armor.

47:53.680 --> 47:58.300
He, he then told Jimmy Hendricks, you know, without me,

47:58.460 --> 47:59.960
you're not going to survive.

48:00.200 --> 48:03.580
I rescued you, you know, it became almost like the Stockholm syndrome.

48:04.900 --> 48:09.420
And when the contract was between the two was about to expire,

48:10.860 --> 48:12.220
Mike Jeffrey panicked.

48:12.460 --> 48:14.720
He owed the mob a lot of money.

48:15.380 --> 48:20.580
And Jimmy Hendricks was Jimmy Hendricks was his cash cow.

48:20.920 --> 48:24.100
Well, the studio that Jimmy owned in New York,

48:25.680 --> 48:32.940
Electric Lady Land had some had some structural issues.

48:33.360 --> 48:36.780
And Mike Jeffrey was constantly sending James Tappy Wright

48:36.780 --> 48:41.180
over to New Jersey to see his friends

48:41.180 --> 48:46.940
and was always bringing back paper bags full of cash to pay the workers.

48:47.720 --> 48:52.500
This was the reconstruction of the studio was being paid for by the mob.

48:54.340 --> 48:59.600
And without without Jimmy, Mike Jeffrey would have been in big trouble.

49:01.160 --> 49:03.420
Yeah, the mob don't like it when you pay.

49:04.760 --> 49:07.600
Story that popped in my mind of a friend, Chuck, Chuck O'Chelley,

49:08.080 --> 49:09.260
and he grew up in Jersey.

49:09.260 --> 49:11.420
And he told me the story one time about Trump.

49:12.760 --> 49:16.000
He was at Atlantic City and there was a big Trump event.

49:16.140 --> 49:16.620
I think it was a restaurant.

49:16.620 --> 49:17.360
I'm sure what it was.

49:17.520 --> 49:23.460
And he ran into some Italian businessman that he knew growing up.

49:23.620 --> 49:26.160
And they're like, Hey, check, he glasses, because the dude was blind.

49:26.380 --> 49:27.260
And they called the class.

49:27.680 --> 49:33.020
Hey, let's go to the back room area.

49:33.480 --> 49:36.720
And, you know, probably thinking here comes Donald Trump.

49:37.480 --> 49:38.580
Just glad he had it.

49:38.660 --> 49:40.800
Everybody walked up says hi, hi, hi.

49:40.940 --> 49:43.680
You know, this is back of the day, long, long time

49:43.680 --> 49:46.760
before he even had political aspirations.

49:47.720 --> 49:50.500
And they made an interesting statement when he walked away

49:50.500 --> 49:52.640
because you could tell they had complete disdain for the guy.

49:53.200 --> 49:55.940
They said, yeah, that guy rips off everybody.

49:56.300 --> 49:57.360
That's just his way.

49:57.800 --> 50:00.360
The only people he doesn't rip off are us.

50:01.040 --> 50:02.180
This was a story to Chuck.

50:02.340 --> 50:04.700
I was like, oh, yeah, that makes sense

50:04.700 --> 50:07.100
because he knows what happens with a mob.

50:07.320 --> 50:11.060
I mean, you know, a bank, well, OK, we're going to foreclose legal things.

50:11.240 --> 50:17.920
The mob, no, they just disappear and get stuffed in a 55 gallon barrel

50:17.920 --> 50:19.700
cut up with a much cement.

50:19.920 --> 50:23.900
And that's or you could get buried in the column of a stadium.

50:24.380 --> 50:25.260
But yeah.

50:25.760 --> 50:26.280
Yeah.

50:26.940 --> 50:30.260
What an important detail I neglected to mention was that Mike Jeffrey

50:30.260 --> 50:32.200
had a life insurance policy on Jimi Hendrix.

50:32.200 --> 50:36.500
Otherwise, you know, why kill the the golden, the golden calf?

50:36.760 --> 50:41.560
If you're or the golden cow, if you're not, if you're not going to profit from it.

50:41.660 --> 50:46.260
So if Jimmy was going to sever ties with his manager,

50:47.640 --> 50:51.560
manager better have, you know, a life insurance policy in place.

50:52.340 --> 50:54.760
And I mean, the record companies did as well.

50:54.840 --> 50:55.800
That was standard procedure.

50:56.000 --> 50:59.980
But for Mike Jeffrey to have a life insurance policy on him is a little unusual.

51:01.520 --> 51:06.460
So do you think that Mike Jeffries did the hit, made the hit?

51:06.660 --> 51:09.000
Or was he just a benefactor of the hit?

51:09.400 --> 51:11.660
Could have been any any or all of those.

51:12.140 --> 51:15.640
I don't know that he was necessarily there in that basement apartment

51:15.640 --> 51:21.240
in in was it Harold Smith, the Harold Smith District of London or Mayfair.

51:23.320 --> 51:24.500
May have ordered the hit.

51:24.600 --> 51:25.340
He may have been there.

51:25.480 --> 51:26.000
Hard to say.

51:26.840 --> 51:32.280
But the other point I raise in the chapter is could he have managed

51:32.280 --> 51:36.340
to cover up on his own without his intelligence connections?

51:37.100 --> 51:42.160
You know, that old saying, once CIA always CIA wants some wants in the mob,

51:42.280 --> 51:43.060
you don't retire.

51:43.500 --> 51:43.560
Right.

51:43.700 --> 51:48.220
So I suspect that Mike Jeffrey still had some pretty important connections.

51:48.420 --> 51:50.660
I'll give you an example of how connected he was.

51:51.680 --> 51:55.980
Jimi Hendrix came to Toronto to perform and he was busted at the

51:55.980 --> 51:56.420
airport.

51:57.840 --> 52:00.780
They found drug paraphernalia in his suitcase.

52:01.040 --> 52:03.280
We're talking about early 1970.

52:05.240 --> 52:06.640
And it was a setup.

52:09.220 --> 52:12.000
Jimmy was stunned that they found this in his suitcase.

52:12.160 --> 52:15.160
And he swore up and down, you know, get to his girlfriend at the time,

52:15.460 --> 52:17.260
Kathy Etchingham, you know, you know, I quit.

52:17.780 --> 52:20.740
I quit this stuff months ago or a year ago.

52:20.940 --> 52:21.900
I don't this isn't mine.

52:23.140 --> 52:28.660
He probably could have been sentenced, you know, to, who knows,

52:29.220 --> 52:31.560
10, 15 years in jail back in the 70s.

52:31.580 --> 52:35.500
That was a big deal, you know, to have drug paraphernalia.

52:35.600 --> 52:36.660
Now it's all legal.

52:37.140 --> 52:40.460
People are shooting up next to playgrounds, but back then it was a big deal.

52:40.980 --> 52:45.140
Mike Jeffrey once again swoops in like the night on shining in shining armor

52:45.140 --> 52:48.560
and somehow managed to pull strings and got Jimmy off.

52:48.780 --> 52:51.800
So there again, he tells Jimmy, you know,

52:51.800 --> 52:52.960
you'd be nothing without me.

52:53.660 --> 52:57.040
You know, you won't last a minute out on the street without me.

52:57.820 --> 52:59.180
So it's a typical Stockholm.

52:59.440 --> 53:00.120
Yeah, it is.

53:00.220 --> 53:02.400
It's like MK, ultra type programming.

53:03.060 --> 53:06.020
Well, I mean, considering that he was, I believe in my six.

53:06.680 --> 53:09.660
So he comes from like like hardcore intelligence

53:09.660 --> 53:11.980
where we learned it from the British.

53:12.940 --> 53:17.360
So it would it's not out of the realms of possibility.

53:18.040 --> 53:20.700
In fact, it's within the realms of possibility

53:20.700 --> 53:24.660
because once CIA, always CIA, once in my six, always CIA, in my six,

53:25.480 --> 53:31.220
he still has connections and also know that intelligence loves

53:31.220 --> 53:32.060
working with the mob.

53:32.300 --> 53:36.140
I mean, they're like home, die, just to look at the JFK and not all situation.

53:36.820 --> 53:38.620
So that that's interesting.

53:38.820 --> 53:42.340
I mean, they're around as you were talking to about that,

53:42.740 --> 53:48.560
I couldn't help but see similarities with the Colonel and Elvis

53:48.560 --> 53:53.200
where his whole life was controlled by this man.

53:53.660 --> 53:55.000
He kept him tired.

53:55.380 --> 53:56.440
He kept him ragged.

53:56.560 --> 53:57.520
He kept him on the road.

53:57.620 --> 54:00.960
I was talking about this earlier on the way Kayak with my friends

54:01.680 --> 54:04.980
that Elvis Presley was a commodity.

54:05.640 --> 54:06.980
That's all that he was.

54:07.120 --> 54:08.260
He did not own his life.

54:08.380 --> 54:12.080
The Colonel owned his life and 25 percent of everything he made.

54:12.320 --> 54:14.340
Fifty, 50, 50.

54:14.720 --> 54:17.280
Yes. He said I was 20 for 50.

54:17.940 --> 54:21.980
Can you believe that Eddie Arnold, very early early on in Elvis's career

54:23.140 --> 54:25.720
when he signed on with with the Colonel, Eddie Arnold,

54:26.000 --> 54:28.500
a great country singer pulled him aside and said, son,

54:28.940 --> 54:30.760
this is not a good deal. What are you doing?

54:31.100 --> 54:34.680
He tried to talk him out of it, but Elvis was naive and he was appreciative.

54:35.820 --> 54:40.140
You know, he believed that Colonel had his best interests at heart.

54:40.220 --> 54:41.680
And of course, he didn't.

54:41.800 --> 54:43.180
Right. Yeah.

54:43.560 --> 54:45.060
Just like Jimmy thought, Mr.

54:45.060 --> 54:49.200
Jefferies had their best interests at heart when they when they didn't.

54:49.880 --> 54:52.380
There's a brilliant story about the Colonel

54:53.100 --> 54:55.480
from Dolly Parton, who I have the world

54:55.480 --> 54:57.420
respect for musically, business wise.

54:57.840 --> 54:59.500
Right. A few things that disagree with her,

54:59.540 --> 55:01.420
especially when it comes to a few things a few years ago.

55:01.520 --> 55:05.640
But she told this story about the song

55:05.640 --> 55:09.420
I will always love you, the big Whitney Houston, her big thing.

55:09.500 --> 55:13.280
Right. Well, back in the day, Elvis was going to record it.

55:13.280 --> 55:16.200
And she was like, wow, I mean, fantastic.

55:16.480 --> 55:19.040
Elvis Presley went at this is the height of Elvis.

55:19.860 --> 55:21.980
So she gets a phone call from the Colonel.

55:22.980 --> 55:23.880
The Colonel said,

55:26.260 --> 55:29.460
um, hi, Dolly, Dolly, I just want to know we're in the studio right now.

55:29.540 --> 55:32.160
We're getting ready to record your song.

55:32.540 --> 55:37.140
But before we do, Elvis needs 50 percent of your publishing rights.

55:38.180 --> 55:41.920
And being the brilliant woman that she was, she said in that country tone,

55:42.820 --> 55:43.860
Oh, Colonel,

55:45.520 --> 55:47.900
that just that just breaks my heart.

55:48.020 --> 55:50.700
My Colonel, I can't do that.

55:50.820 --> 55:52.160
You know, that's my moneymaker song.

55:52.280 --> 55:55.560
Oh, Colonel, I was so looking forward to hearing Elvis sing my song.

55:55.860 --> 55:57.440
Oh, oh, I'm just so disappointed.

55:58.020 --> 55:58.720
Colonel, no.

55:59.720 --> 56:02.240
And literally walked away from it

56:02.240 --> 56:05.980
because she was an astute business person.

56:06.240 --> 56:07.940
Yeah. And she called it right off.

56:08.760 --> 56:10.880
Colonel, that is my moneymaker.

56:10.880 --> 56:12.740
And it was her moneymaker.

56:13.340 --> 56:17.120
And, boy, considering the kahoonas of anybody telling the Colonel

56:17.120 --> 56:21.320
at the height of Elvis's career, no, I'm good.

56:22.440 --> 56:23.720
God can just go home.

56:23.840 --> 56:25.020
I'm going to keep that song.

56:25.160 --> 56:28.480
But he was a very, from what I understand, a manipulative person,

56:28.580 --> 56:31.840
probably a little bit sociopathic, like so many of those people

56:32.680 --> 56:34.000
in the music business.

56:34.420 --> 56:36.080
Sorry, you know, I've always found it

56:36.860 --> 56:40.240
being a paradox of the music industry.

56:40.900 --> 56:43.140
How on the on stage side,

56:44.880 --> 56:50.460
it's amazing, the amount of love and influence and everything it has.

56:50.800 --> 56:54.900
I mean, a guy can walk up on stage and have a hundred thousand people

56:54.900 --> 56:57.680
all singing and dancing together and having the time of their life.

56:57.760 --> 57:01.480
But the backstage is probably the music business,

57:01.600 --> 57:04.980
probably one of the most ruthless businesses out there.

57:05.380 --> 57:08.040
And you're talking about straight up sharks.

57:08.740 --> 57:12.860
I've known a lot of very, very accomplished and talented musicians.

57:13.360 --> 57:15.320
They're not good business people.

57:15.640 --> 57:17.320
That's it. Most of them aren't.

57:17.520 --> 57:19.900
Few exceptions like Miss Dahlia and some other ones are.

57:20.840 --> 57:24.020
But so much of the time, the music industry understands that.

57:24.660 --> 57:26.280
They understand that.

57:28.420 --> 57:30.300
Like, you don't have to you.

57:30.440 --> 57:33.720
You have to give enough to the artist to think they're doing good.

57:33.980 --> 57:35.860
And they're not going to even question

57:35.860 --> 57:38.480
what's getting sent out the back door.

57:38.940 --> 57:42.620
It's like stacks records, I believe it was the guy that ran stacks.

57:43.340 --> 57:45.180
I'm sure there's muddy waters or what.

57:45.340 --> 57:49.060
But basically, he'd give him a salary and a brand new Cadillac every year.

57:49.700 --> 57:53.460
And these people thought that they were like, oh, my God, I've made it.

57:53.900 --> 57:56.120
They didn't know that no, that guy.

57:56.220 --> 57:58.600
The reason to do that is that was like throwing chump change.

57:58.620 --> 58:02.140
These artists, because the money that he was making on the back end

58:02.140 --> 58:05.700
was millions and millions of dollars.

58:06.700 --> 58:14.340
And in the music business, there's so many nefarious nefarious characters,

58:14.500 --> 58:16.400
whether it be from a business standpoint,

58:17.310 --> 58:19.580
whether it be from an intelligence standpoint.

58:20.710 --> 58:27.860
And since we're on the the the topics of people dying mysteriously

58:27.860 --> 58:32.560
in 27 Club, another one that I have another story.

58:32.640 --> 58:34.240
Another death has been Kurt Cobain's.

58:34.280 --> 58:35.120
And that's more recent.

58:35.340 --> 58:38.440
I remember when he died, I was in the 90s.

58:38.500 --> 58:41.720
I'm like, whoa, was a big Kurt Cobain fan at the time.

58:41.800 --> 58:44.740
But I'm like, wow, that is a major impact on the music.

58:45.100 --> 58:51.320
And of course, it was he's just a junkie who OD, you know, nothing to see here.

58:51.380 --> 58:52.260
He's just a junkie.

58:52.280 --> 58:54.540
He ruined one of the most great bands there were in Nevada.

58:54.780 --> 58:56.540
He's a junkie. He's a junkie.

58:57.380 --> 59:02.000
And then I read the book, Soaked in Bleach by Tom Grant.

59:03.020 --> 59:07.740
And for everybody out there, Tom Grant was the private investigator

59:08.140 --> 59:14.080
that Courtney Love hired about a week or so very shortly before Kurt died.

59:14.420 --> 59:16.080
Yeah, he went missing from rehab.

59:16.480 --> 59:20.700
There was an intervention at his home in Seattle.

59:22.160 --> 59:23.640
It was kind of staged.

59:24.200 --> 59:25.700
It wasn't necessary.

59:26.180 --> 59:28.060
He wasn't a heroin addict.

59:28.880 --> 59:32.220
In fact, even Dave Grohl refused to participate

59:32.220 --> 59:35.220
because he realized it was a complete canard.

59:35.900 --> 59:37.220
It was just a fiasco.

59:37.420 --> 59:42.240
So he was he begrudgingly agreed to check himself

59:42.240 --> 59:47.520
into a rehab center in Marina del Marina, Marina del Rey in California.

59:47.760 --> 59:51.040
And basically went in, signed the register, turned on his heels

59:51.040 --> 59:54.020
and marched right out again, disappeared into the night.

59:54.020 --> 01:00:00.880
And because he was basically missing for for about a week

01:00:00.880 --> 01:00:06.140
up until he was found in the greenhouse above his garage on April the eighth.

01:00:07.800 --> 01:00:11.880
That's when Courtney Love decided to hire Tom Grant.

01:00:12.740 --> 01:00:16.100
Conveniently, she was also in rehab in Beverly Hills,

01:00:16.100 --> 01:00:18.580
which Tom Grant thought at the time,

01:00:18.700 --> 01:00:19.640
wow, isn't that convenient?

01:00:19.860 --> 01:00:20.580
She has an alibi.

01:00:21.160 --> 01:00:21.820
These are things.

01:00:21.820 --> 01:00:23.540
These are all, of course, allegations.

01:00:23.740 --> 01:00:24.780
Never been proven in court.

01:00:24.940 --> 01:00:26.060
She denies them vehemently.

01:00:26.260 --> 01:00:29.360
So I had to get that out of the way.

01:00:30.580 --> 01:00:34.480
But allegedly, allegedly, people, exactly, allegedly, reportedly.

01:00:35.500 --> 01:00:39.220
So again, another I mentioned earlier, this rush to judgment.

01:00:39.980 --> 01:00:41.520
We saw it with Brian Jones.

01:00:42.080 --> 01:00:43.400
We saw it with Jimi Hendrix.

01:00:44.320 --> 01:00:45.440
We saw it with Elvis.

01:00:45.680 --> 01:00:46.700
Oh, he died of a heart attack.

01:00:46.900 --> 01:00:47.640
No, he didn't.

01:00:47.640 --> 01:00:52.140
His heart was not the greatest for a 42 year old man who,

01:00:52.200 --> 01:00:57.880
you know, weight deep fried banana and peanut butter sandwiches for five days a week.

01:00:58.060 --> 01:01:01.040
He could have been a little healthier, but he had a full physical three weeks

01:01:01.040 --> 01:01:03.260
before he was about to launch on another tour.

01:01:03.800 --> 01:01:07.240
His heart was he gave he got a clean bill of health from the insurance company.

01:01:07.860 --> 01:01:12.740
So rushed to judgment, rushed to judgment with Kurt Cobain as well,

01:01:12.760 --> 01:01:13.920
that it was a suicide.

01:01:14.100 --> 01:01:15.660
Oh, he's a heroin junkie.

01:01:15.980 --> 01:01:17.200
There's a suicide note.

01:01:17.200 --> 01:01:18.960
Look, he put a shotgun in his mouth.

01:01:18.960 --> 01:01:20.500
Case closed, move on.

01:01:20.900 --> 01:01:24.280
Next, whoops, not so fast, not so fast.

01:01:24.460 --> 01:01:30.420
A lot of very nagging questions still surround the death of Kurt Cobain.

01:01:31.480 --> 01:01:33.040
Yeah, it really does.

01:01:33.800 --> 01:01:37.460
And then it goes back to kind of the same thing with

01:01:38.520 --> 01:01:41.780
Jeffries and Hendrix with Courtney and Kurt.

01:01:42.380 --> 01:01:44.160
Kurt was about ready to divorce Courtney.

01:01:46.380 --> 01:01:49.900
And she was like, uh, that ain't happening.

01:01:50.360 --> 01:01:55.620
And then two, he's more valuable to her dead than alive

01:01:55.620 --> 01:01:57.580
because she owns the publishing rights.

01:01:57.960 --> 01:02:03.220
Everything that he owned now defaults to her because she's his wife.

01:02:03.940 --> 01:02:09.260
She is also, and this is according to Hank Harrison, her dad, which I knew.

01:02:10.020 --> 01:02:13.340
Well, he's like, no, she's a straight up psychopath of the highest order.

01:02:13.880 --> 01:02:16.620
My daughter is a psychopath to the highest order.

01:02:17.560 --> 01:02:22.960
And just looking at all of the anomalies around that case

01:02:22.960 --> 01:02:28.280
and how conveniently the Seattle police, who Courtney, the lead investigator,

01:02:28.540 --> 01:02:32.140
was very, very good friends with the lead investigator.

01:02:32.780 --> 01:02:36.200
Everything got brushed under the rug, nothing to see here.

01:02:36.740 --> 01:02:41.100
Looking at the forensic evidence, if you shot yourself in the head

01:02:41.100 --> 01:02:44.680
and your heart's pumping, there should be blood everywhere.

01:02:45.680 --> 01:02:47.680
But there wasn't, huh?

01:02:48.560 --> 01:02:53.560
It was fired from a right hand position, but he was left handed, huh?

01:02:54.120 --> 01:02:56.500
The length of the barrel to the trigger

01:02:56.500 --> 01:03:01.300
is one that you would have to use your toe to do, huh?

01:03:01.800 --> 01:03:02.240
Oh, yeah.

01:03:02.320 --> 01:03:06.940
And after he took a lethal dose of three times the least lethal

01:03:06.940 --> 01:03:11.300
dose of heroin, he conveniently was able to take his rig

01:03:11.300 --> 01:03:13.720
and put it back into his shoot-up box.

01:03:14.400 --> 01:03:17.720
Huh? Yeah, he would have been rendered.

01:03:17.880 --> 01:03:21.320
He would have been rendered unconscious within seconds.

01:03:21.680 --> 01:03:22.980
Three times the lethal.

01:03:23.260 --> 01:03:27.060
Now that toxicology report.

01:03:28.160 --> 01:03:32.420
There's some dispute as to where that figure came.

01:03:32.560 --> 01:03:34.220
Three times the lethal dose.

01:03:34.440 --> 01:03:36.220
Of course, heroin metabolizes in the blood

01:03:36.220 --> 01:03:37.320
as morphine.

01:03:37.520 --> 01:03:40.320
So three times the lethal dose of morphine.

01:03:40.720 --> 01:03:43.160
Some are speculating that that was actually Courtney Love

01:03:43.700 --> 01:03:44.800
who put that out there.

01:03:45.440 --> 01:03:47.780
So there is some dispute about that.

01:03:48.020 --> 01:03:49.140
But you mentioned the shotgun.

01:03:50.280 --> 01:03:55.380
Now, I'm not a hunter, but I have held shotguns in my hand.

01:03:55.440 --> 01:03:57.480
I know how cumbersome a weapon that can be.

01:03:58.200 --> 01:04:00.840
Add to the length of the barrel another six inches

01:04:00.840 --> 01:04:03.320
because there was a flash suppressor on the back

01:04:03.320 --> 01:04:04.980
on the end of the shotgun.

01:04:05.400 --> 01:04:09.380
So unless he had arms like Abraham Lincoln, there's no way.

01:04:09.640 --> 01:04:11.640
Plus, of course, he's, you know,

01:04:12.660 --> 01:04:14.600
under the influence of whacked out on.

01:04:14.720 --> 01:04:15.460
Yes, exactly.

01:04:16.100 --> 01:04:20.000
So he places the business end of the barrel in his mouth,

01:04:20.640 --> 01:04:22.000
what they call an in oral.

01:04:24.660 --> 01:04:25.600
It's in oral.

01:04:25.720 --> 01:04:28.600
He places the gun and and you would imagine

01:04:28.600 --> 01:04:32.320
the the exit wound would have been absolutely catastrophic.

01:04:32.320 --> 01:04:34.580
So in addition to blood, there would have been.

01:04:34.580 --> 01:04:35.880
Sorry to be so graphic.

01:04:36.100 --> 01:04:39.500
There would have been a brain splatter all over the place.

01:04:39.800 --> 01:04:41.560
None of that, none of that.

01:04:41.780 --> 01:04:44.740
The fingerprints on the weapon were unusable.

01:04:44.840 --> 01:04:48.940
There wasn't really any definitive linking

01:04:48.940 --> 01:04:52.840
of the fingerprints on the weapon to Kurt Cobain.

01:04:54.740 --> 01:04:57.280
You mentioned, you know, how implausible it is

01:04:57.280 --> 01:05:00.620
that he would be able to reach the trigger with his with his arm.

01:05:01.180 --> 01:05:02.900
Could he do it with his toe, perhaps?

01:05:02.900 --> 01:05:05.560
But both shoes were were on when they found his body.

01:05:05.820 --> 01:05:08.580
I mean, it gets even more basic than this.

01:05:08.620 --> 01:05:12.340
They can't even determine the day of his death.

01:05:13.040 --> 01:05:16.240
Normally, you know, they can put time of death

01:05:16.240 --> 01:05:18.500
within 12 hours, either side.

01:05:19.180 --> 01:05:23.400
And that's being, you know, very liberal.

01:05:23.880 --> 01:05:27.940
They can't even determine whether he died on April 5th,

01:05:27.940 --> 01:05:30.180
April 6th or April 4th.

01:05:30.780 --> 01:05:34.940
So the whole timeline is very confusing as well.

01:05:36.160 --> 01:05:39.480
Then there's the suicide note, the so-called suicide note,

01:05:39.680 --> 01:05:42.860
which was found stabbed into a flower pot,

01:05:42.940 --> 01:05:44.720
the soil in a flower pot with a red pen.

01:05:45.300 --> 01:05:47.160
It's really two notes in one.

01:05:47.520 --> 01:05:51.100
The first part of the note, I suppose,

01:05:51.280 --> 01:05:53.900
if you if in a stretch, you could say it was a suicide.

01:05:54.280 --> 01:05:55.620
It was he was saying goodbye,

01:05:55.620 --> 01:05:58.540
but really he was it was more like a love letter to his fans.

01:05:59.120 --> 01:06:02.920
And an explanation as to why he decided it was time for him

01:06:02.920 --> 01:06:06.200
to step back from the music industry, step back from Nirvana.

01:06:06.640 --> 01:06:09.560
He really hated what was happening in the music industry.

01:06:09.900 --> 01:06:13.000
He hated the way he was being branded.

01:06:13.280 --> 01:06:16.420
He absolutely detested as being known as the voice of a generation.

01:06:17.240 --> 01:06:22.600
He even started resenting the people that were showing up at his at his concerts.

01:06:22.660 --> 01:06:25.620
He just wanted out and he wanted to dedicate more time

01:06:25.620 --> 01:06:28.720
to his his daughter, Francis Bean, who he absolutely adored.

01:06:29.520 --> 01:06:31.660
He could have walked away. He was ready.

01:06:32.820 --> 01:06:34.520
So that's the first part of the note.

01:06:34.680 --> 01:06:37.540
The second part of the note seems to have been tacked on.

01:06:38.260 --> 01:06:40.960
And a number of, I think, three.

01:06:42.940 --> 01:06:47.380
Handwriting analysts have not testified in court,

01:06:47.580 --> 01:06:51.000
but have told researchers it doesn't match.

01:06:51.520 --> 01:06:53.280
The handwriting in the second half of the note

01:06:53.280 --> 01:06:55.080
does not match the first half.

01:06:55.620 --> 01:06:59.100
Now, it gets even more sinister, let's say.

01:06:59.740 --> 01:07:02.860
Tom Grant, you mentioned the private investigator hired by Courtney

01:07:02.860 --> 01:07:06.300
to find Kurt after he disappeared.

01:07:07.200 --> 01:07:09.820
Tom Grant got to speaking with their lawyer, Rosemary Carroll.

01:07:10.720 --> 01:07:14.560
Rosemary was Tom, was Kurt and Courtney's lawyer.

01:07:15.740 --> 01:07:19.880
They both discovered what they referred to as practice sheets

01:07:20.640 --> 01:07:25.200
that were found, I believe, in a backpack that belonged to Courtney.

01:07:27.300 --> 01:07:32.120
Um, as if she were practicing Kurt's handwriting style.

01:07:32.520 --> 01:07:36.360
Well, she needed more practice because, again, these handwriting

01:07:36.360 --> 01:07:40.180
analysis say analysts say not a match, not even close.

01:07:41.400 --> 01:07:45.480
So the second part of that note written in another person's hand,

01:07:45.480 --> 01:07:49.440
that's when it becomes more overt, you know, goodbye, Courtney,

01:07:49.640 --> 01:07:52.920
goodbye, Francis Bean, I can't go on, that sort of thing.

01:07:53.000 --> 01:07:54.680
So again, that's pretty suspect.

01:07:54.680 --> 01:07:56.360
And you mentioned the divorce.

01:07:57.360 --> 01:08:00.480
There were rumors that they were thinking of divorce,

01:08:00.700 --> 01:08:04.900
but Rosemary Carroll also came forward and said that,

01:08:04.900 --> 01:08:06.500
that the will had been changed.

01:08:06.680 --> 01:08:09.600
Kurt had changed the will, but he hadn't signed it yet.

01:08:10.580 --> 01:08:14.080
So time, the timing of his demise was of the essence.

01:08:15.100 --> 01:08:16.440
If that was indeed the motive.

01:08:17.560 --> 01:08:22.080
It sounds like there was, you know, when I look at it, my thing

01:08:22.080 --> 01:08:25.340
is yeah, Courtney might not have fulfilled the hit,

01:08:25.380 --> 01:08:28.840
but she put the hit out and the rest is history.

01:08:28.980 --> 01:08:30.020
Nothing to see here, folks.

01:08:30.160 --> 01:08:30.740
Rest of judgment.

01:08:30.860 --> 01:08:31.520
He's a junkie.

01:08:32.120 --> 01:08:32.840
Allegedly reportedly.

01:08:33.700 --> 01:08:34.420
Allegedly reported.

01:08:34.580 --> 01:08:35.880
Just so many people have died.

01:08:36.180 --> 01:08:40.500
I mean, um, it's like I wanted to get into a little bit of the

01:08:40.500 --> 01:08:42.380
Jimi Hendrix and the woohoo things.

01:08:42.400 --> 01:08:44.300
And we're, we're down to about 20 minutes left.

01:08:44.440 --> 01:08:48.080
So, and I also wanted to cover, uh, touch your, your friends.

01:08:48.720 --> 01:08:50.540
Um, what happened to your friend?

01:08:50.540 --> 01:08:54.740
Because that when you're telling me, uh, on the pre-show about that

01:08:54.740 --> 01:08:58.260
experience and I've had things like that happen, not the exact same one,

01:08:58.260 --> 01:09:01.000
but things you just can't explain.

01:09:01.900 --> 01:09:08.540
So, um, God, I really want to get into the, the OTO stuff, but I think

01:09:08.540 --> 01:09:11.480
that we don't have enough time and I want to cover your friend.

01:09:11.820 --> 01:09:13.060
What happened with that?

01:09:13.760 --> 01:09:18.440
So, um, why don't we just skip to skip the loo, my darling, and give us

01:09:18.440 --> 01:09:21.540
a background on your friend, who he was, what he meant to you.

01:09:21.880 --> 01:09:22.920
And then just take it from there.

01:09:23.700 --> 01:09:28.060
So the, the book is dedicated in part to my late collaborator

01:09:28.060 --> 01:09:31.100
partner, our Gary Patterson, my friend, our Gary Patterson.

01:09:31.240 --> 01:09:34.720
He was, um, uh, great musician.

01:09:35.120 --> 01:09:38.840
He was known as the Fox Mulder of rock and roll.

01:09:39.060 --> 01:09:43.260
He wrote probably the definitive book on the whole Paul is dead legend.

01:09:43.400 --> 01:09:44.840
It was called the walrus was Paul.

01:09:45.390 --> 01:09:51.200
Now, our Gary Patterson was, um, writing sort of from a skeptical

01:09:51.200 --> 01:09:51.840
point of view.

01:09:51.880 --> 01:09:56.520
He didn't believe that Paul McCartney was dead and we share that, that

01:09:56.520 --> 01:10:00.560
view, but he, he did examine the clues in great detail.

01:10:01.000 --> 01:10:05.100
And he loved to talk about, uh, all the clues on Sergeant Pepper.

01:10:05.280 --> 01:10:07.200
Every time we got together, he'd pull out that straight edge

01:10:07.200 --> 01:10:09.620
mirror and, and point out all the different clues.

01:10:09.840 --> 01:10:13.000
Oh, look, there's a hand over Paul's head in Eastern mysticism.

01:10:13.000 --> 01:10:16.660
You know, that's a blessing on the dead look that, that, that

01:10:16.660 --> 01:10:22.400
little doll, um, you know, covered in blood and she's sitting

01:10:22.400 --> 01:10:25.540
on someone's lap and that person is wearing a bloodied racing

01:10:25.540 --> 01:10:31.600
glove left handed, uh, you know, the whole album cover is a

01:10:31.600 --> 01:10:32.760
funerial scene.

01:10:33.260 --> 01:10:34.900
Anyway, he loved to talk about that.

01:10:34.960 --> 01:10:38.460
And then coincidentally, he died on the 50th, maybe not

01:10:38.460 --> 01:10:42.380
coincidentally, he died on the 50th anniversary of the release

01:10:42.380 --> 01:10:46.760
of Sergeant Pepper in the UK, May 17th, uh, 2017.

01:10:47.340 --> 01:10:49.800
The album came out May 17th, 1967.

01:10:50.720 --> 01:10:54.960
Uh, anyway, we were working, um, to launch a radio program.

01:10:55.140 --> 01:10:56.360
It was called the spirit of rock.

01:10:56.700 --> 01:11:00.400
It later became a podcast after he died called, uh, the

01:11:00.400 --> 01:11:02.800
rock and roll Twilight Zone, but we were in communication

01:11:02.800 --> 01:11:04.280
constantly by phone.

01:11:05.280 --> 01:11:09.860
Um, I forget what we were using back in the, um, 2015,

01:11:09.860 --> 01:11:13.580
2016, 2017, I don't know if Google meet meeting was around

01:11:13.580 --> 01:11:17.000
then, but we were constantly, uh, three, four, five times a

01:11:17.000 --> 01:11:20.060
week, we were having, you know, meetings and collaborating

01:11:20.060 --> 01:11:23.180
online and over the phone, trying to launch this radio

01:11:23.180 --> 01:11:28.140
show and we had produced a pilot and, um, Gary lived down

01:11:28.140 --> 01:11:30.840
in, uh, Oliver Springs, Tennessee, a little coal mining

01:11:30.840 --> 01:11:34.820
civil war era town just outside of, uh, Knoxville.

01:11:35.120 --> 01:11:39.360
And so he had met with the general manager at a radio

01:11:39.360 --> 01:11:42.680
station in Knoxville, played the pilot, um, and he loved

01:11:42.680 --> 01:11:45.120
it and he wanted the show on the air.

01:11:45.320 --> 01:11:47.460
We were getting ready to launch and we thought this

01:11:47.460 --> 01:11:49.900
will be our flagship station and maybe eventually we'll

01:11:49.900 --> 01:11:52.500
build, we'll get it syndicated and we'll build a bit

01:11:52.500 --> 01:11:52.940
of a network.

01:11:53.780 --> 01:11:58.720
Then, uh, Gary dies, uh, and how I found out about

01:11:58.720 --> 01:11:59.820
it is kind of strange.

01:12:00.240 --> 01:12:04.320
Um, but I should back up, um, the night he died

01:12:04.320 --> 01:12:07.480
or the day he died, I got a phone call from

01:12:07.480 --> 01:12:09.760
Gary, nothing unusual there.

01:12:10.040 --> 01:12:12.920
I remember I was in the basement just in the, the,

01:12:12.920 --> 01:12:15.060
the room adjacent to my studio here.

01:12:15.280 --> 01:12:18.520
I saw his name come up on my call display, caller ID,

01:12:18.700 --> 01:12:19.560
R. Gary Patterson.

01:12:20.600 --> 01:12:22.780
And it was pitch blackout.

01:12:22.900 --> 01:12:26.540
I remember this because, um, it was a weird night,

01:12:26.600 --> 01:12:29.540
but I was wandering around my house with the phone

01:12:29.540 --> 01:12:33.880
talking to Gary and he had called to tell me that

01:12:33.880 --> 01:12:38.480
the meeting that he was to have, uh, to finalize

01:12:38.480 --> 01:12:40.860
things for the radio show in Knoxville had been

01:12:40.860 --> 01:12:43.560
postponed because this was on a Friday.

01:12:43.740 --> 01:12:45.840
It was supposed to take place on the Monday, the

01:12:45.840 --> 01:12:48.260
next Monday, Monday was Memorial Day, Memorial

01:12:48.260 --> 01:12:49.360
Day in the United States.

01:12:49.360 --> 01:12:51.100
So we were heading into Memorial Day weekend.

01:12:52.780 --> 01:12:54.940
And then Gary said some things to me that were

01:12:54.940 --> 01:12:56.420
just kind of out of the blue and strange.

01:12:56.460 --> 01:12:59.340
He said to me, um, you know, Richard, you're

01:12:59.340 --> 01:13:00.320
a really cool dad.

01:13:00.740 --> 01:13:02.680
And I thought, what's that all about?

01:13:02.820 --> 01:13:03.680
Why would he say that?

01:13:04.580 --> 01:13:07.480
I mean, he was Gary was one of the most easy

01:13:07.480 --> 01:13:10.600
going, friendliest persons I ever met.

01:13:11.460 --> 01:13:15.400
Never heard, uh, you know, a sour tone in his

01:13:15.400 --> 01:13:17.140
voice in all the years I knew him.

01:13:17.660 --> 01:13:19.620
And then a little while later, he said to me,

01:13:19.880 --> 01:13:22.200
you know, Richard, you and I are a really big deal.

01:13:22.480 --> 01:13:24.360
And I thought, okay, this is Gary's way of sort

01:13:24.360 --> 01:13:25.960
of building this up, you know, building up

01:13:25.960 --> 01:13:26.460
a confidence.

01:13:26.660 --> 01:13:28.320
We're about to launch this radio show.

01:13:30.180 --> 01:13:32.420
And I'm wandering the house with the phone to

01:13:32.420 --> 01:13:35.120
my ear and I wandered through the kitchen

01:13:35.120 --> 01:13:37.700
and my wife is in the kitchen with my brother

01:13:37.700 --> 01:13:39.800
in law, her brother, they watch me, they

01:13:39.800 --> 01:13:41.140
watch me pass through the kitchen.

01:13:41.140 --> 01:13:43.400
And then the next thing I know, I'm in another

01:13:43.400 --> 01:13:47.120
part of the house and I, it's, it's just

01:13:47.120 --> 01:13:47.920
very strange.

01:13:47.980 --> 01:13:49.540
Everything about this, it's almost surreal.

01:13:50.160 --> 01:13:52.100
But I know that it's dark out.

01:13:52.260 --> 01:13:53.600
It's pitch, it's pitch black out.

01:13:53.760 --> 01:13:58.440
And in May, May 17th, I looked it up

01:13:58.440 --> 01:14:04.120
recently, the sun sets at around 830, 815, 830.

01:14:04.740 --> 01:14:06.300
Well, it was pitch black out.

01:14:06.480 --> 01:14:08.520
So I'm guessing it was nine, 10 o'clock

01:14:08.520 --> 01:14:09.500
at night when he called.

01:14:10.340 --> 01:14:12.200
Anyway, before we hung up the phone,

01:14:12.980 --> 01:14:15.100
the last thing I said to Gary was,

01:14:15.320 --> 01:14:17.460
so Memorial Day weekend coming up,

01:14:17.500 --> 01:14:18.460
are you going to have a barbecue?

01:14:19.340 --> 01:14:21.660
And for the first time in all the years

01:14:21.660 --> 01:14:24.040
I knew Gary, he got kind of curt with me.

01:14:24.480 --> 01:14:27.620
And he said, just flatly, there will be no barbecue.

01:14:28.960 --> 01:14:32.400
And I thought, oh, dear, have I stepped in a landmine here?

01:14:32.600 --> 01:14:34.880
Have I opened up some, I don't know, wound?

01:14:35.180 --> 01:14:36.680
Is there something going on with his family?

01:14:36.880 --> 01:14:37.680
There'll be no barbecue.

01:14:38.640 --> 01:14:41.040
I don't even remember, remember how the call ended.

01:14:41.400 --> 01:14:43.160
I don't remember asking him, is the meeting

01:14:43.160 --> 01:14:44.720
going to be rescheduled in Knoxville?

01:14:44.820 --> 01:14:45.880
I don't remember any of that.

01:14:46.060 --> 01:14:47.640
I just remember there will be no barbecue.

01:14:48.280 --> 01:14:51.060
I hung up the phone that night.

01:14:51.860 --> 01:14:54.480
The mighty Aphrodite, that's my, my lovely bride.

01:14:54.620 --> 01:14:57.280
We went to bed and every night

01:14:57.900 --> 01:15:00.020
since we've been married, we listened to coast to coast AM.

01:15:00.920 --> 01:15:03.140
That night, we both fell asleep.

01:15:03.500 --> 01:15:06.860
We missed the entire show, very out of the ordinary.

01:15:07.020 --> 01:15:07.860
Never happened before.

01:15:08.240 --> 01:15:10.160
We fell asleep, missed the show.

01:15:10.300 --> 01:15:13.760
Had we listened, I would have heard the guest host

01:15:13.760 --> 01:15:16.500
that night, Dave Schrader, announced that

01:15:16.500 --> 01:15:18.440
our Gary Patterson had died that day.

01:15:18.940 --> 01:15:20.780
Our Gary was a regular on coast to coast

01:15:21.740 --> 01:15:24.280
with George Norrie talking about all the things

01:15:24.280 --> 01:15:25.300
we're talking about now.

01:15:26.320 --> 01:15:28.340
So I woke, I wake up the next morning

01:15:28.340 --> 01:15:29.720
unaware that Gary has passed.

01:15:29.920 --> 01:15:32.840
I go down, down the stairs, out the front door,

01:15:32.900 --> 01:15:34.680
sit on the porch with my coffee,

01:15:34.680 --> 01:15:36.560
checking emails, Facebook messages.

01:15:37.340 --> 01:15:39.560
There was a Facebook message from Dave Schrader

01:15:40.040 --> 01:15:42.300
saying, Richard, I don't know if you heard

01:15:42.300 --> 01:15:43.220
the show last night.

01:15:43.300 --> 01:15:44.780
I know you were good friends with our Gary.

01:15:44.940 --> 01:15:46.800
Thought you'd like to know he died yesterday.

01:15:47.360 --> 01:15:48.260
And I laughed.

01:15:48.380 --> 01:15:49.440
I thought, give me a break.

01:15:50.020 --> 01:15:51.660
I just talked to Gary last night.

01:15:52.280 --> 01:15:53.460
I call Gary's phone.

01:15:53.580 --> 01:15:54.560
I get the outgoing message.

01:15:54.560 --> 01:15:55.900
Gary, it's Richard.

01:15:56.660 --> 01:15:57.880
Some confusion here.

01:15:58.000 --> 01:15:59.460
The folks at coast seem to think you're dead.

01:15:59.600 --> 01:16:00.140
Give me a call.

01:16:00.720 --> 01:16:01.180
I waited.

01:16:01.360 --> 01:16:01.700
I waited.

01:16:03.020 --> 01:16:05.620
No, no call because it ended up being true.

01:16:06.100 --> 01:16:07.340
I rush upstairs.

01:16:07.940 --> 01:16:09.440
The mighty Aphrodite is just climbing out of bed.

01:16:09.840 --> 01:16:12.760
She sees my ashen complexion.

01:16:13.220 --> 01:16:15.740
She says she can tell there's something wrong.

01:16:15.880 --> 01:16:17.280
What happened? What's wrong?

01:16:17.760 --> 01:16:19.960
I said, Gary's dead.

01:16:21.360 --> 01:16:24.340
And without my prompting her,

01:16:24.340 --> 01:16:26.940
she said, you were just talking to him last night.

01:16:27.780 --> 01:16:29.940
And I said, I thought I was.

01:16:30.540 --> 01:16:31.820
I thought I was.

01:16:32.440 --> 01:16:33.940
She said, well, check your out.

01:16:34.160 --> 01:16:35.840
Your, your reasons on your phone.

01:16:37.040 --> 01:16:37.840
I checked.

01:16:38.580 --> 01:16:41.320
There was no incoming call that Friday night.

01:16:41.520 --> 01:16:42.840
There was no outgoing call.

01:16:42.940 --> 01:16:44.820
In fact, I didn't talk to anybody on the phone,

01:16:44.820 --> 01:16:45.960
according to my reasons.

01:16:46.300 --> 01:16:47.780
Now he did call on Wednesday.

01:16:48.520 --> 01:16:49.340
I remember that.

01:16:49.720 --> 01:16:51.780
I was picking my boys up from Greek school.

01:16:51.940 --> 01:16:53.320
I remember the call we talked about.

01:16:53.320 --> 01:16:54.860
He's upcoming meeting in Knoxville.

01:16:55.420 --> 01:16:57.400
There was the call from Gary on Wednesday.

01:16:57.540 --> 01:16:59.500
Nothing on the Friday.

01:17:01.700 --> 01:17:05.820
So I flew down to Knoxville and then took a cab

01:17:06.440 --> 01:17:09.640
into Oliver Springs to attend the funeral.

01:17:10.400 --> 01:17:12.780
There's Gary in this beautiful.

01:17:15.640 --> 01:17:18.120
Blue metallic blue coffin.

01:17:18.360 --> 01:17:20.980
He's got his Fender guitar up on a little stand

01:17:20.980 --> 01:17:22.840
in front of the in front of the casket.

01:17:22.840 --> 01:17:25.200
There's his brother, Mike, who I'd never met in person.

01:17:25.480 --> 01:17:28.500
But he, Gary and I spoke of his brother quite often.

01:17:29.720 --> 01:17:33.360
Went up to pay my condolences, shook Mike's hand.

01:17:33.580 --> 01:17:35.900
He was so appreciative that I'd made it made it down

01:17:35.900 --> 01:17:38.860
from Toronto and he said, Gary spoke of you often

01:17:38.860 --> 01:17:41.100
and he was so excited about this radio program.

01:17:42.140 --> 01:17:44.120
So I asked Mike two questions.

01:17:44.260 --> 01:17:46.680
I didn't tell him about the phone call.

01:17:47.780 --> 01:17:49.980
That it happened the night he died.

01:17:50.600 --> 01:17:53.280
I said, Mike, two things.

01:17:53.760 --> 01:17:55.220
What time did Gary pass?

01:17:56.340 --> 01:17:57.240
And it was sudden.

01:17:57.360 --> 01:17:58.000
It was a heart attack.

01:17:59.520 --> 01:18:03.580
He said it was about five o'clock, five o'clock in the afternoon.

01:18:03.620 --> 01:18:04.660
And I'm thinking, wait a minute.

01:18:05.400 --> 01:18:07.920
It was well past dark when I talked to him.

01:18:08.920 --> 01:18:12.540
I didn't tell I didn't let on that I'd spoken to Mike about this.

01:18:12.640 --> 01:18:13.640
It wasn't the time or the place.

01:18:13.840 --> 01:18:17.060
Then I said, last time I spoke to your brother,

01:18:17.060 --> 01:18:20.640
I asked him if he was having a barbecue on Memorial Day weekend.

01:18:22.100 --> 01:18:25.300
And he was kind of curt with me.

01:18:25.480 --> 01:18:26.660
He said, there'll be no barbecue.

01:18:26.860 --> 01:18:28.740
Any idea why Gary would say that to me?

01:18:28.780 --> 01:18:30.920
And Michael looked at me.

01:18:31.860 --> 01:18:33.040
He cocked his head.

01:18:33.200 --> 01:18:34.240
He looked very confused.

01:18:34.340 --> 01:18:35.940
He said, he said that to you?

01:18:36.200 --> 01:18:38.800
I said, yeah, he said, there'll be no barbecue.

01:18:39.860 --> 01:18:41.100
And he said, that's funny.

01:18:41.600 --> 01:18:44.240
He said, because that afternoon, the day he died,

01:18:45.140 --> 01:18:49.120
he was driving all over town looking for a brand new barbecue.

01:18:49.420 --> 01:18:51.720
He ended up spending $500 on this.

01:18:51.840 --> 01:18:54.560
I don't know if it was a Napoleon grill, this beautiful grill.

01:18:54.900 --> 01:18:57.760
And then he spent the rest of the afternoon

01:18:57.760 --> 01:19:00.840
up until he died practically, putting that thing together.

01:19:02.000 --> 01:19:03.340
There was no barbecue.

01:19:04.140 --> 01:19:06.360
Gary knew there would be no barbecue.

01:19:08.060 --> 01:19:10.440
So am I misremembering things?

01:19:11.100 --> 01:19:12.860
Am I conflating things?

01:19:12.860 --> 01:19:14.940
I am open to any and all possibilities

01:19:14.940 --> 01:19:18.780
because there's hardly a day that goes by

01:19:18.780 --> 01:19:22.100
that I don't think about what happened just past nine years ago.

01:19:22.920 --> 01:19:24.300
I can't explain it.

01:19:24.720 --> 01:19:27.240
I won't even pretend I have the answers.

01:19:27.520 --> 01:19:30.240
I'm conflicted by it as an Orthodox Christian.

01:19:31.400 --> 01:19:34.620
Why me of all people, if Gary was reaching out

01:19:34.620 --> 01:19:36.640
from beyond the grave, would he call me,

01:19:37.200 --> 01:19:38.640
not members of his family?

01:19:38.780 --> 01:19:39.320
Maybe he did.

01:19:39.460 --> 01:19:39.920
I don't know.

01:19:40.840 --> 01:19:42.460
But that's all detailed.

01:19:43.040 --> 01:19:46.460
In chapter 16 of the book, and the title of the chapter is,

01:19:46.480 --> 01:19:47.940
There Will Be No Barbecue.

01:19:48.420 --> 01:19:54.890
But I think you're on mute there.

01:19:56.670 --> 01:19:57.490
Oh, I am.

01:19:57.790 --> 01:19:58.430
Well, thank you there.

01:19:58.750 --> 01:19:59.090
I'm back.

01:19:59.270 --> 01:19:59.950
Okay, there you go.

01:20:00.050 --> 01:20:00.390
There you go.

01:20:01.290 --> 01:20:04.870
I've had things that I can't describe happen to me.

01:20:07.990 --> 01:20:12.130
And from a Christian standpoint, I understand that

01:20:12.730 --> 01:20:15.930
when you talk about the infinite compared to the finite,

01:20:17.410 --> 01:20:21.110
the finite mind cannot comprehend the infinite reality.

01:20:21.390 --> 01:20:24.810
So there has to be some liaison between it.

01:20:25.830 --> 01:20:28.790
That's where the Bible and religion comes in,

01:20:28.910 --> 01:20:31.710
to bridge that gap between the two.

01:20:33.170 --> 01:20:36.690
And the thing that I've learned is that the world,

01:20:36.890 --> 01:20:39.650
the universe, life, whatever one wants to call it,

01:20:39.730 --> 01:20:42.610
is far more mysterious than what we get credit for.

01:20:43.190 --> 01:20:45.870
And things exist out of our realm,

01:20:45.870 --> 01:20:48.870
of perception that we know nothing of.

01:20:50.510 --> 01:20:55.330
An experience that happened to me was I was a teenager,

01:20:55.550 --> 01:20:58.090
my aunt lived on an Indian reservation in Sierra Nevada,

01:20:58.350 --> 01:20:58.810
mountain range.

01:20:59.490 --> 01:21:03.570
And I had this very short but emotionally powerful dream,

01:21:03.630 --> 01:21:06.450
and it was just me at night standing out in the forest,

01:21:07.050 --> 01:21:09.510
looking at the back of a Volkswagen,

01:21:09.750 --> 01:21:12.250
an old oxidized Volkswagen with a hood off,

01:21:12.370 --> 01:21:13.770
and right next to me was this big tree.

01:21:14.830 --> 01:21:16.830
So the whole next day, I'm tripping on this dream,

01:21:16.930 --> 01:21:18.150
partly why I'm tripping on this dream

01:21:18.150 --> 01:21:19.330
is why am I tripping on this dream.

01:21:19.510 --> 01:21:20.590
It was quick, it was just whether,

01:21:20.770 --> 01:21:24.590
and it was just constantly on my mind all day long.

01:21:25.110 --> 01:21:27.530
Later that evening, my cousin comes over,

01:21:28.270 --> 01:21:31.090
and everybody on the reservation's related, and the town.

01:21:31.990 --> 01:21:34.250
And he's like, hey man, when we go over to my place,

01:21:34.310 --> 01:21:35.810
I want to show you my car that I'm working on.

01:21:36.150 --> 01:21:38.710
He says, okay, so we wander a mile or so down the road

01:21:38.710 --> 01:21:40.250
and go to his property and they live.

01:21:40.690 --> 01:21:42.010
And he says, hey man, there's my car.

01:21:42.890 --> 01:21:47.430
Richard, I kid you not, I was looking at the same car

01:21:47.430 --> 01:21:52.010
in the same forest with the same tree on my left-hand side.

01:21:53.170 --> 01:21:57.390
Now as a teenager, that was a real eye-opener

01:21:57.390 --> 01:22:03.710
and a little bit of a brain-breaker that how did this happen?

01:22:04.410 --> 01:22:07.170
There is nothing in physics, there's nothing in science,

01:22:07.230 --> 01:22:08.890
and I was a science geek to the bone

01:22:09.990 --> 01:22:12.430
that could explain the experience I just had.

01:22:13.490 --> 01:22:17.390
Now to somebody who's never had those esoteric experiences,

01:22:18.390 --> 01:22:20.850
I mean honestly, no explanation will be suffice,

01:22:20.850 --> 01:22:25.910
but those that have no explanation is needed.

01:22:26.470 --> 01:22:29.610
So when you get into your experience,

01:22:30.990 --> 01:22:33.630
I'm like, yeah, that is definitely in the realms of possibility.

01:22:33.830 --> 01:22:37.090
I've had things like that with, I had my best friend,

01:22:37.090 --> 01:22:40.890
my ex-girlfriend, about, oh my god, 16 years ago,

01:22:40.930 --> 01:22:43.010
died suddenly of ovarian cancer.

01:22:43.590 --> 01:22:47.230
Like within three weeks, she was from, oh, I don't feel good,

01:22:48.270 --> 01:22:52.870
a little over three was dead, okay, checked out up with the angels.

01:22:53.970 --> 01:22:56.430
Well, I remember, and I was her medical advocate,

01:22:56.870 --> 01:23:00.950
so it was my responsibility as per her directions

01:23:00.950 --> 01:23:02.930
that she was not going to be hooked on my life support.

01:23:03.590 --> 01:23:06.390
I was the one that had to make the call to pull the plug.

01:23:08.150 --> 01:23:10.910
So I had a celebration in the hospital and I said,

01:23:10.970 --> 01:23:12.970
okay doc, it's time to go and I just broke.

01:23:13.190 --> 01:23:13.970
I just lost it.

01:23:14.010 --> 01:23:15.930
I said, I can't be around here, man, I can't deal with this.

01:23:16.470 --> 01:23:19.410
So I went off to the parking lot and had a cigarette.

01:23:19.610 --> 01:23:20.510
It's back when I used to smoke.

01:23:21.590 --> 01:23:24.850
And I heard her voice audibly in my head, Richard,

01:23:25.010 --> 01:23:26.290
saying, David, where are you?

01:23:26.370 --> 01:23:27.910
I'm scared, where are you?

01:23:29.350 --> 01:23:31.190
And oh, I'm getting chills thinking about that.

01:23:31.310 --> 01:23:32.150
Me too, me too.

01:23:32.510 --> 01:23:36.150
And I was just like, oh, shit, I need to get back.

01:23:36.150 --> 01:23:41.470
And I sprinted full force to get to her room

01:23:42.470 --> 01:23:46.090
within about a minute of them turning off everything.

01:23:46.330 --> 01:23:52.050
And we watched her EKG go dee, dee, dee, dee.

01:23:52.090 --> 01:23:54.750
So yeah, man, this is a strange thing.

01:23:55.750 --> 01:23:58.910
Part of what I wanted to get into is the esoteric.

01:23:59.890 --> 01:24:02.230
The Jimmy Colts, the Alistair Crowley,

01:24:02.330 --> 01:24:03.130
and everything like that.

01:24:03.210 --> 01:24:05.490
But we're flat out running out of time, my friend.

01:24:06.990 --> 01:24:07.690
It's that simple.

01:24:07.690 --> 01:24:08.670
I will have to have you back.

01:24:08.850 --> 01:24:11.390
We'll get down and funky and we'll get all of Coltie

01:24:11.390 --> 01:24:16.710
and Alistair Crowley and Lame and everything like that.

01:24:16.970 --> 01:24:19.290
But I've really enjoyed our conversation night.

01:24:19.490 --> 01:24:22.210
And I just can't believe that we're already at the end of the show.

01:24:22.450 --> 01:24:23.290
That's why I love conversations.

01:24:23.670 --> 01:24:24.670
They take on a life of their own.

01:24:24.750 --> 01:24:27.070
And the next thing you know, you're like, oh, we're done.

01:24:28.110 --> 01:24:30.750
Damn, it's like the roller coaster ride.

01:24:30.890 --> 01:24:32.390
Just as you're like, yeah, ride on.

01:24:32.710 --> 01:24:33.930
All of a sudden, you go to the last hump

01:24:33.930 --> 01:24:36.730
and you go in there to get off the ride

01:24:36.730 --> 01:24:38.370
and let somebody else go in there.

01:24:38.510 --> 01:24:39.630
It's like a helter-skelter.

01:24:39.830 --> 01:24:41.050
That's another chapter in the book.

01:24:41.950 --> 01:24:44.510
Oh, gee, I've got, I mean, I've got pages,

01:24:44.690 --> 01:24:47.670
couple pages of notes and everything on that book.

01:24:48.430 --> 01:24:51.890
So before we get out of here, why don't you let everybody

01:24:51.890 --> 01:24:53.890
know once again where you can be found,

01:24:54.050 --> 01:24:56.190
where your book, when your book's going to go on sale,

01:24:56.310 --> 01:24:56.910
where they can get it.

01:24:56.970 --> 01:24:59.070
And also, everybody, if you're going to buy it,

01:24:59.170 --> 01:25:00.950
it's probably on everybody else.

01:25:00.950 --> 01:25:03.330
But if you can, buy it from Trine Day,

01:25:03.490 --> 01:25:05.830
buy it from the publisher, buy it from Chris Milligan.

01:25:05.890 --> 01:25:07.730
I'm sure you probably get a better cut than Amazon.

01:25:08.530 --> 01:25:14.570
And plus, you're supporting local businesses, real businesses,

01:25:14.690 --> 01:25:18.590
not the Megalith AI companies are out there.

01:25:18.890 --> 01:25:22.050
So with that being said, I will pass the torch to you, Mr. Richard.

01:25:22.510 --> 01:25:22.890
All right.

01:25:23.030 --> 01:25:26.070
First, I'll give a little plug for my podcast.

01:25:26.530 --> 01:25:29.050
Richard Serret Strange Planet drops every Monday, Wednesday,

01:25:29.050 --> 01:25:33.150
Friday available wherever you find your podcast, Spotify, iTunes,

01:25:33.410 --> 01:25:34.210
Apple, you name it.

01:25:35.850 --> 01:25:42.010
StrangePlanet.ca is the website, StrangePlanet.ca for Canada.

01:25:42.730 --> 01:25:46.070
You can also subscribe to my free monthly newsletter

01:25:46.070 --> 01:25:46.750
from the website.

01:25:46.930 --> 01:25:48.210
It's called Inner Sanctum.

01:25:48.750 --> 01:25:53.750
And the newsletters are a little more, let's say, subversive.

01:25:54.430 --> 01:25:56.630
Recently published the June issue,

01:25:56.630 --> 01:26:01.130
which was about the tick agenda and the strange alpha gel,

01:26:01.690 --> 01:26:06.890
red meat allergy, perhaps as a result of Lone Star tick bites

01:26:07.630 --> 01:26:09.870
and the connection to Bill Gates and so forth,

01:26:10.270 --> 01:26:11.890
Inner Sanctum, StrangePlanet.ca.

01:26:12.530 --> 01:26:16.230
I'll be doing Coast to Coast on July 24th and 25th.

01:26:17.170 --> 01:26:19.950
The book, Tales from the Rock and Roll Twilight Zone,

01:26:20.270 --> 01:26:24.650
you can find out more information at therockandrolltwilightzone.com,

01:26:25.550 --> 01:26:28.130
therockandrolltwilightzone.com, available for pre-order.

01:26:28.290 --> 01:26:29.790
Pre-order is important, I'm told.

01:26:30.010 --> 01:26:30.870
I'm new to this business.

01:26:31.170 --> 01:26:33.410
But if you could pre-order, that would be great.

01:26:33.550 --> 01:26:34.990
It comes out July 9th.

01:26:35.670 --> 01:26:36.370
Well, fantastic.

01:26:36.590 --> 01:26:38.090
Everybody go out there when that thing comes out

01:26:38.090 --> 01:26:41.250
and get yourself a good book and support this man.

01:26:41.330 --> 01:26:43.990
By the way, while you were talking about your podcast,

01:26:44.290 --> 01:26:45.710
I went on here because I'm on a Mac

01:26:45.710 --> 01:26:46.930
and I subscribed to your podcast.

01:26:47.690 --> 01:26:49.990
So you have a new listener, Richard, me.

01:26:51.150 --> 01:26:52.110
Thank you, nature boy.

01:26:52.930 --> 01:26:53.630
You're welcome.

01:26:54.150 --> 01:26:56.150
So yeah, we're definitely gonna have to come back on.

01:26:56.910 --> 01:26:59.010
But with that, I'm gonna put a pin in this

01:26:59.010 --> 01:27:02.590
because it's time for me to go make some dinner

01:27:02.590 --> 01:27:06.650
and being that I'm the cook, bottle washer, and maternity

01:27:06.650 --> 01:27:07.090
all together.

01:27:07.270 --> 01:27:09.930
If I don't feed myself, ain't nobody gonna do it.

01:27:10.330 --> 01:27:11.630
So with that being said, everybody,

01:27:11.870 --> 01:27:14.170
thanks all you badass savages in the chat.

01:27:14.330 --> 01:27:16.450
So y'all have been just off the charts tonight.

01:27:16.970 --> 01:27:19.030
Thanks to everybody who's listening out there live,

01:27:19.170 --> 01:27:20.590
if you're listening down the road.

01:27:20.730 --> 01:27:21.190
Thank you.

01:27:21.290 --> 01:27:23.350
If you're listening to my audio podcast, thank you.

01:27:23.630 --> 01:27:25.790
And also if you haven't followed the show,

01:27:25.850 --> 01:27:28.950
whether it be an audio podcast or the video,

01:27:29.070 --> 01:27:30.850
could you just hit that follow button and

01:27:30.850 --> 01:27:32.910
if you're on the audio, leave me a comment.

01:27:33.010 --> 01:27:35.050
Even if it says nature boy, you suck.

01:27:35.290 --> 01:27:35.910
Get off the air.

01:27:36.070 --> 01:27:37.410
Give me five star ratings with that

01:27:37.410 --> 01:27:38.970
because that helps me in the algorithms.

01:27:39.490 --> 01:27:41.370
So, you know, I love my heat listeners.

01:27:41.650 --> 01:27:42.030
All right.

01:27:42.210 --> 01:27:45.650
So that being said, it is a worldwide broadcast.

01:27:46.170 --> 01:27:47.810
I have listeners from all over the world.

01:27:48.170 --> 01:27:50.070
So wherever you're listening or watching this show,

01:27:50.230 --> 01:27:51.630
you have a good day.

01:27:52.230 --> 01:27:53.630
You have a better night.

01:27:54.250 --> 01:27:55.450
We'll see you next Friday.

