WEBVTT

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All rights reserved. We reserve all rights.

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What do we know about the history of the world? How are tissue sorts related to esoteric biochemistry?

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Do we even know the nature of the realm we inhabit?

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Hi, I'm Dawn Lester and this is Dawn of Discernment.

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Today's guest, some of you may have recognized at the very beginning,

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my good friend Steve Faulkner, the voice of spacebusters and many films,

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which I'm sure we'll get into talking about. So who is Steve if you don't know already?

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He's a multifaceted individual with expertise in various fields, including music,

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filmmaking, writing and research. He's a touring musician and music teacher.

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He's also a filmmaker best known for his work on the spacebusters video channels

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on YouTube, Bitshoot, Odyssey and other platforms. He's the author of children's books, including

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the latest one, The Goons, Laser Balloons and The Dukes of Dent, both of them available on Amazon.

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And yes, I know that sometimes we use these platforms, so Steve's holding them up.

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For anyone who's just listening, there will be links to the video

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version if you'd like to see more. So Steve has written articles and created

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content for Truth Theorem News under the pen name, Are You Sure?, which I think is an

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absolutely brilliant name because there's so much in that with the questioning,

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which is why I've chosen the title for this particular episode.

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So his topics of interest are wide and varied, very varied. So ranging from esoteric biochemistry,

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the Bible as allegory and cell sorts, to exploring life after death, reincarnation

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and magnetic light, to delving into cosmic secrets, Antarctica and the sun's behavior,

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to examining alternative history narratives, including the possibility of Old Testament

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events occurring in ancient England. Steve has a real talent for debunking or demystifying

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occulted information. So hi Steve and welcome. Thank you for coming on my podcast. How are you?

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Well, I'm well done. It's great to catch up again. Well, we always talk offline, so

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we do a lot, but I'm very honored to be on your podcast. I've been looking forward to it.

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I am suffering. I don't know if you call it pink eye or I don't know what's wrong. My eyes very

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swollen and today, like I'm a big believer in terrain, so I don't really care what's causing it.

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I'm not worried. My body is brilliant. It will heal it. Inflammation is your friend,

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but like we were talking offline, there are sometimes when I need to be able to see today

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and read, you know, and if your eye is swollen, I've been putting a teabags on thanks to Felix,

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just to bring the swelling down, which I know I need the inflammation. It's not going to cure

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whatever is causing it. Something's trying to get out. But, you know, that's really why I like

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what you do and why I like terrain. I understand that it's my body is trying to fix itself

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if I stay out of the way. But there are sometimes, you know, where you, I'm very anti-big pharma,

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but I will take aspirin if I have a toothache, you know, if it just hurts so bad, like,

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I will do it, you know, and you guys, yeah. Yeah, yeah, I was going to say, I agree. I mean,

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I pain is one of the big things. If people are in severe pain, then you can't function,

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or as you say, with certain information, I think here we call pink eye conjunctive

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conjunctive itis. So again, it's the itis, the inflammation. So I mean, I am not one for suggesting

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people don't do anything to help relieve the symptoms so they can function and then

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recognize that the body is healing. It's just a question of what they use. And like you,

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wouldn't go to big pharma at the same time. If there's something, I mean, I read not that

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long a few weeks ago, had a bad back and I couldn't move. I didn't use them, but I had some pain killers

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if it had gone on for longer than just the sort of day or two. So totally with you that there are

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times when we need to use something to help us. Yeah, no, no gain. I mean, the pain,

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the pain is there to tell you something's wrong. Yes. And then like the pain killer,

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once you recognize that all right, something's wrong, you can kill the pain. So you're like,

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I got it, something's wrong. It's the people who think that the aspirin are going to cure your

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headache. It's not it's just going to stop the effect of it. You need to address why you have

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the headache. And again, like the teabags aren't going to take down my eye swelling. I don't know

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why it's swollen. I sleep with an sleeping mask. I might have poked myself eyelashes could

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have turned under maybe I'm detoxing. I don't know. But you know, you guys have illuminate and

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elevate coming up, right? 13th, 14th, September, we do talking some about this. And then I know

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there's a terrainology. There's a conference coming up in New York, September 26, 28th,

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with like Andy Kaufman, Tofer Gardner, Anna Maria Olivia and Marisela Arce,

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who's got her new book out to germs are not your enemy. That's the thing, like I had to go

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into my gigs the last two nights, right? And everyone's like, I think you have pink eye,

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don't hug me. Oh, typical, typical. Yes. Even if it's pink eye, it's not contagious. Like

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don't worry about it. But yeah, so you know, I'm just like, well, whatever, it'll go away.

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Like, you know, I'm taking some salt salts and I'll just let it heal. That's how it

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works. Yeah, I think sometimes, like you said, the pain is a message, as long as we recognize

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that it's a message. And sometimes the pain is to have a rest. And you can't rest properly if you're

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in pain. So maybe take something and then while you're sleeping, your body starts the healing

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process. So I mean, there are various different ways. And that's one of the things to start

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listening to our own bodies. Because we don't have that knowledge, we're not taught that. And

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we need to listen, start learning to listen to our bodies. And yes, interesting. Yes. Andy

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Kaufman is common to both of those events, the Traynology and Illuminate and Elevate. So,

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yeah, it's exciting to have him. Yeah, I was supposed to be at Illuminate and Elevate as

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well. But I had to turn it down to do some other stuff I got going on with like visa renewals.

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But so I can't leave the country. But I was really bummed because I was supposed to speak

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with you guys. And I was really looking forward. But I can't do it. But you know,

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like what you're saying, it's not, it's not just physical actually, like the physical pain tells

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you when you have a physical body problem. But it's the same when you're like depressed and in

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emotional pain and all that it's telling you when you have a spiritual problem when

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something in your life has happened that you're upset about and you have some conflicts to

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resolve. So it's the same thing when people take antidepressants. As if you're not allowed to be

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sad and depressed, you know, you're like the reason you're sad is your spirits dictating through

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your spirit that you're upset about something and you have to resolve this issue, whatever

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happened this event. And that can lead into the physical as you and, you know, you've got

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books about this, like what happens when you, you know, the placebo knows CBO hire your mental

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and emotional state can affect your physical state and vice versa. So you know, it's a good

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metaphor, like you need to listen to not only your body, but also your mind, like you're not

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crazy. It's okay to be depressed. You can't dwell on it for your life, just like you

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can't take big pharma to get rid of a problem, you know, can't take aspirin for life and

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get rid of your problem. Prozac won't do that either, but it's okay to be upset about

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life changing events. Yes. And as well as the, you know, the power of the mind, but also

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recognizing our language. So if you have thoughts going through your head, it's to

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look at the thoughts and the language and tell your, recognize what you are telling

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yourself within that message. And it could be all sorts of things, you know, because

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there are a lot of ways that we can have low self-esteem and self-respect and low

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self-confidence due to whatever it is. And if you start, if you shut that down, you're not going

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to get to, like with the physical health thing, you're not going to get to the root and you

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have to address the root calls to get to resolve whatever it is, whether it's physically,

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emotionally, or psychologically, just to then clear it through and

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bind your way forward in life. Yeah, the language is important too. I've been trying

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to stop myself because I love cooking. Like I cook a lot and in American slang, we say,

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like, this shit's really good. You know, we can swear on your podcast, right? Yeah.

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Like this shit's that, you know, this is the shit. And I'm like, wait a minute,

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I'm calling my food shit. But I don't mean it like that. But it really like,

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I'm trying to stop myself from saying that, you know, I'm trying to, because you're energizing

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your food through words and vibration. And it's the same, you know, when you start,

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I know a lot of people who just they start to fall in love with their misery. They complain

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so much about everything that they almost like get attached to complaining in their misery. It's

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like, well, you just want to be miserable because you want something to complain about,

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not that they actually want to, but it just starts happening. You know, this pattern starts

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ingraining because all is energy. And these patterns just are, you know, way stronger and

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stronger. Yeah. And turn into habits. Yeah. Yeah. And yes, I mean, that's it. And it's

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quite often it's breaking ourselves out of these habits and patterns, recognizing there are

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patterns. And, you know, as you say, some people like, like that, or maybe they just,

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they're not aware, I don't know it, because everyone's different. So I'm not general, I don't

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generalize because we are all different and we all have our own journey. And it's still

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important to recognize the importance of our words. I mean, one of the things I say, you

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know, when people are talking about food is if they say, Oh, I know this is bad for me,

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and then eat it and go, really? It's like, okay, you're sending that message into your body. And

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and, you know, again, it's a habit but not realizing the energetic of saying something

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like you like you were saying about about your food. And even though you know your intention

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when you're using that word, isn't that it's rubbish, it's good. It's just, you should

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say the language. And maybe it's the energy as well. So maybe it's not just the word,

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the energy behind it. It is a words have energy like language is formed by energetic

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patterns. But like you, you don't know that's bad for you. When you say that it's because

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someone out in the news said, don't eat, you know, Doritos, there, but you know,

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somebody in the health industry said, they're bad for you. They are like, I agree. If

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you live on Doritos, you're probably going to have some huge health problems. But a bag of

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Doritos isn't going to kill you unless every time you have one, you have guilt and doubt

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and issues. Oh my God, there's chemicals and e numbers. You're like, yeah, but it's a bag

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of Doritos like your body can handle it. You can't live on Doritos.

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That's the difference. That's such an important point. No, it's a question of a balance. And

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also, you know, the whole approach to food as well. I mean, this wasn't where we

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were going to go, but we're here anyway. It's the whole, it's the whole approach to what you're

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about to eat. And, you know, I know, Adam Bigglesons is one of his things. It's like, you know,

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to eat with joy. And I think he's absolutely right, you know, to whatever it is, eat with

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joy. And if you're eating some Doritos or a cream cake or some chocolate, and I love

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chocolate, so, you know, I, I'm not denying myself because again, I'm setting something up.

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We've got, oh, if I, oh, I mustn't have that. You just just just setting yourself up with all

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kinds of energetic conflict when you, it's, you know, you want to have something, but it's

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when you then feel, oh, it's bad and I mustn't. So it's just all these

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ideas to, to realize that they are conditions we don't have to hang on to. But as you say,

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it is recognizing that there is a difference between food, you know, real food that is

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nourishing and occasional things like, you know, Doritos or chocolates or ice cream or whatever,

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you know, it just, it's to get that, get a balance really. And, and also to enjoy what you eat when

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you eat it. Well, that's it because, you know, people will say, hang on, an obese person can

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say, I really enjoy eating bricks of chatter and pints of ice cream at two in the morning.

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They don't, they're doing it as an emotional crutch because they're up at two in the

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morning because they're worried about some emotional thing. They're eating for that. However,

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I personally think that even if you're obese and emotionally eating for the wrong reason,

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if you actually stopped eating because you are using it as a crutch and say, I am,

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I'm eating cheddar because I enjoy an ice cream, I think you will stop eating so much

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because you will get fulfilled. If you're eating to fill a gap that you won't emotionally

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take the time to fill, no amount of ice cream and cheddar cheese in the world or McDonald's burgers

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will fill it. But if you switch the mindset to say, I'm eating because I love ice cream,

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then eventually you will say, I've had enough freaking ice cream, like, you know,

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a half a tub is fine. You know, so you've got to switch your eating from your eating as a crutch

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to something else. That's what I'm saying. Don't feel it's the, the guilt will make

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you eat even more because that's going to give you more to sit up worried about. You're like,

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not only am I depressed, I'm also fat. You can't stop eating and I'm going to eat more. Yeah.

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You know, it just cannonballs down.

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Oh, totally. That's the cycle. Absolutely. That's the cycle, which, yeah, I mean,

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it's such a good point of, and this is, you know, it's, this is not judgmental. This is

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just sharing that, you know, people can be eating for some kind of comfort. I mean,

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you know, there is that phrase comfort eating. And, you know, I've done the occasion, we just feel

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fed up and, you know, whatever. And at the same time, you recognize it and you don't have to make

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it a pattern. But I think sometimes it's the excuses that people use, oh, I can't x, y, z. So

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that's also setting up a pattern of I can't and go, well, why do you think you can't? And

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when you drill down, it's to get down those layers of why people have these habits.

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And it quite often goes to something where they were told something at some point that they

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couldn't do whatever it was or they were seen as worthless. It's a self-value thing. There's all

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of that. So I know, I mean, it's a huge, it's a huge rabbit hole. We're just so conditioned to

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think in a certain way. And, you know, then the big farmer comes along and says, oh, we've

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got a pill for your ear. We just know. However, lots of people are learning. And also, thanks to

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your films over the last few years, we'll get to those shortly. But as I said, you are at heart

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a musician, aren't you? Which some people know. So was that always your first love going into

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music, playing music? I think it was. As a kid, I was writing songs already at four or five years

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old. And my mom would take me to my grandma's and they had these like toy children's instruments

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around. And I was, I could play anything like a xylophone or a little toy piano or whatever. I

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was just tinkering around. And my uncles turned me on the guitar. And later, you know, my mom

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and dad got divorced. And my mom moved in with my stepdad who had a piano from his former wife

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and no one in the house played it. So I just taught myself like how to play the piano off the

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radio, you know, and kind of went from there. So I was always really musically inclined. And then,

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yeah, like a lot of musicians, I had the dream and I had the original band to like,

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we thought we were going to be, you know, the next Radiohead and U2 and Pink Floyd, you know,

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we thought all that. And we did really well, but we didn't do that. Like it's really hard

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industry. But we made money, we made albums, we toured around and stuff. And now I'm a

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music teacher for like beginner students on five instruments and band. And I personally

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play around with my own band and myself, but we're only playing covers and bars around Scandinavia.

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So it's not my music, which was the dream. But you know, my goal was to make a living playing

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music. And that I've been doing for 20 some years now. So to me, I've learned like, and it's

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actually more fun and more happy because you're not so involved. And it's not like,

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you're not so proud because they're not your songs. And it's easier to have a good gig because

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you can pick a hit at every song you play could be a hit already established. So I just really enjoy

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being around music, playing music, everyone's like, what's your favorite band? I'm like,

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I don't have one. What's your favorite song? I don't know. I just love music.

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Okay, wonderful. I mean, that's yeah, some stuff in there. I didn't know. So

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hopefully a few other people will have learned a bit more about you. So what types of

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songs do you play? I mean, is it very varied? Because as you say, different hits. I mean,

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you always asked, I mean, rock or whatever. Yeah, a lot of sing-alongs known stuff,

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you know, Sweet Home, Alabama, Country Roads to, you know, Sweet Caroline to,

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we'll play Nirvana. Like, I don't care just anything, just more party stuff people know.

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And, you know, it's an, I'm an entertainment on the stage. I'm in big pubs with people out

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drinking at night. Like, I'm there to have a good time and get everyone to have a good time

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together, not to be like some self inverted guy getting off on his, you know, is on the,

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getting his rocks off without worrying about the crowd. Like, music, music is an exchange.

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It's an energetic exchange between you and the audience. So you're dancing with your audience.

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And if you start playing, I don't do set lists, if you start playing the kind of songs and they're

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not in that mood, it doesn't work that way. You know, like, you've got to feel a rat and then

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slowly build it up. So I like to keep it loose. But that's how life should be, too.

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You know, we're so rigid in our beliefs and stuff. Like, you have to be able to

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adapt to what's going on right now. Like, we're in a soup of constant changing energy. So

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you can't approach that with one life strategy. It's not going to work.

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No. And as you say, important point is reading the room and see where people are and what hits

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the spot. But in terms of your own music, what you listen to at home, or do you have a

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do you go by your mood? Is it sometimes just my mood? Yeah, I don't actually listen anymore

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to a lot of music because I play four or five nights a week. So I play so much like I don't

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want to sit at home and hear music anymore than a chef wants to sit at home cooking pancakes all

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day. You know, like I need a break from it. But I love classical jazz rock country. I like

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Madonna. I don't the modern music, you know, I'm not into Taylor Swift and all that crap.

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But if there's a good song, there's a few Lady Gaga songs I think are pretty good,

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even though she's what she is, but are he or she or whatever she is. But you know,

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so I just think like if it's a good song, you know a good song when you like one.

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Yeah, I was going to say actually, because this is a good segue into my next point,

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which is about the music industry, which is probably good that you didn't go down that

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route of becoming a big band because you may well have all your band becoming big and well known

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because you may have been drawn into this industry, which we know is just not about music. It's

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really been hijacked, infiltrated, destroyed, ruined. I mean, how aware were you of all of this

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and was because you were within that field of music? How soon did you did you see all of that?

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What's going on in the industry? How how soon were you aware of it? I mean, you kind of saw it like

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I got lucky. Our band was going down that road. Like we were we had a manager whose brother

21:42.770 --> 21:47.970
was the executive producer for top of the pops and what used to be the tube. So we were like

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in the star bar, then we went on tour in America and we had the Rolling Stone magazine

21:52.230 --> 21:57.350
was going to do a write up on us in Owens garage of the knitting factory. But then 9-11

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happened while we were in Chicago on tour. So we couldn't even finish those gigs because the

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clubs were under rubble or in ground zero. And then, you know, we had to go to England and we

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couldn't get our gear back because you couldn't ship it. So we kind of like we're almost on

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that route. And then everything 9-11 like screwed all that up for us sort of and then

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so I could have gone down that path. And we didn't see it. Like they were at like they were asking

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we were trying to make our music go a certain way. And they were like, no, we want you to do more of

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this stuff kind of, you know, stuff we used to do that was, I don't know what to call it,

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more pop. I could see how like you could get driven like just make a record like this.

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And then you can do whatever you want. I think this happens to all these artists.

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They don't, they're not all in there like trying to be Satan's servants, you know,

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and signing contracts with the devil. They're all told this. They're like, you guys have talent,

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do this, dress like this, do these drugs, whatever. And then after you sell, you can do

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whatever you want. But that's not how it works because the way they do it is they give you

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less advanced, they give you a big advance that they have to recoup. They put you in debt

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on your first record if they even sign you. And then usually they don't even release you,

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they're doing that as a tax write off to one of their bigger artists. But if you do get out there,

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you start owning them more and more money. And they usually sign you to like six or seven deals

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where you're going to lose your shirt. So yeah. And then you get an accountant. So

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yeah, you get to live in hotels and tear out the walls and you're on tour. And it's

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because the musicians just want to be in the spotlight and make the records. They don't

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really care about the money. So long as they're not starving, they want to be out doing it.

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This is how they get you, you know, and then eventually those people like some of them want to

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be, it seems that like the women get sucked more, doesn't it? Like Katy Perry, Britney Spears,

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it's less guys who get trapped by it. I don't know why.

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If you know what I mean, although bands are going. Yeah, yeah, I was going to say you

24:07.190 --> 24:11.230
could be right. But I mean, the bands, I mean, it goes back to the 60s, 70s. But I mean,

24:11.990 --> 24:18.890
in a way, 9-11 did you a favor, which might sound bizarre. And I'm not

24:19.790 --> 24:24.890
condoning or whatever. Anyway, we'll leave that one to one side. We've got our own views on

24:24.890 --> 24:31.170
all of that. What I'm saying is like with the, you know, the 2020 COVID nonsense, you know,

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that there's, there have been many gifts coming out of that. So again, with what happened,

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because you were close, I wasn't going to say, so the 9-11, because it sounds like you were close.

24:41.530 --> 24:48.350
I didn't realize you were quite in that space. So again, this is, this is great to hear more

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about you and your career and just where you were. We were there, yeah. Yeah. We were right

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there. Yeah, we had a tour from the Midwest and then through New York. And we were in Chicago

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and 9-11 happened. I came out in the bathroom at whatever in the morning.

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And my band was sitting around the TV and I thought they were watching the movie. I went to

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take a pee and I'm like, what are you guys watching? They're like a plane or a bomb blew

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up in the World Trade Center. And I was like, God, I thought it was a movie. And then like,

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sure enough, the second explosion or we saw a plane hit, you know, and posted it. But

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yeah, we're like, holy shit. So it pretty much like ruined our career. But I think save mine.

25:28.210 --> 25:33.430
A lot of, a lot of musicians are truthers. Actually, if you ever notice like a lot of

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positions are open to it. Unfortunately, during Convid, they were all the ones I know are out

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taking quadruple boosters and jabs and they were, they turned into the biggest sheeple. I was so

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upset, you know, I was like, where are, where are the artists like the 60s? This should have

25:51.030 --> 25:55.250
been the time to shine. And they weren't doing it, which is why I ended up later hooking

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up with Alex Michael, who you're going to his party like, you know, conspiracy music guru is

25:59.990 --> 26:03.910
one of the few guys who's actually like making music about what's going on. So I was like,

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all right, I'm done with this. Like, this is cool, you know, so. Yes. Well,

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well, slight spoiler that he will be on the podcast in a couple of weeks.

26:13.850 --> 26:18.050
Yeah. And Steve Young, too, as well. Yes, absolutely. I just saw Steve and Stalin.

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Yes. Well, I guess I've had Steve as a guest on the podcast. So, yeah. And it's interesting. So many

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people I know are musicians. So it's interesting that, like you say, they're aware of what's

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going on. And it's also another medium that can be used to share the message,

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not just straightforward, you know, telling people whatever it is, you know,

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like with your films, and so we'll get into that. So there are different media

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sharing the message with people. So because because we're all different, so people will get,

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will resonate more with certain messages in a particular way. So certainly musically,

27:02.850 --> 27:08.910
it's good to get that out. I mean, you, you haven't, you haven't taken that route,

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although you've you've gone, you've gone down the route of making films,

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which if people haven't seen them, they are amazing. Thank you. And yeah, no, I mean,

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yes, I heard your voice long before I even knew who you were. So yes. And then it was like,

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oh, that's you. Oh, okay. Well, you know what, like, Don, real quick, like,

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even during Convid, you could see the big one like Rage Against the Machine. This is the

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band who got famous for a song. F you, I won't do what you tell me. They're telling

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they're rage against the system. And then you couldn't come to their show if you didn't get the

27:42.490 --> 27:47.130
jibber jabber and the Rolling Stones, you know, you're like, what is, you can see when you're

27:47.130 --> 27:52.770
at the higher levels, like Mark Devlin has talked a lot about this, they sold out like they had

27:52.770 --> 27:59.070
to, they have no choice. When you're a musician, one of the things is music requires left and

27:59.070 --> 28:04.070
right brain cooperation. That's why I think a lot of musicians are truthers because

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they're already not locked in the left brain. They have more of an open right brain that actually,

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and they're not too right brain where they're just out in wildland, you know, like Crystal

28:14.110 --> 28:20.270
Healing and New Age stuff like that. We have a little more of a, our job requires our brain

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works together. So that's why I think a lot of them are truthers. But I was shocked that a lot

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of them didn't want to do anything about it, you know, it went out and just followed the

28:32.030 --> 28:38.810
jibber and I was like, what? So, you know, but yeah, yeah, but go on, yes. So I just want to

28:38.810 --> 28:44.030
interject that. No, no, I mean, that's a good point. And Mark Devlin is also going to be at a

28:44.030 --> 28:49.470
illuminate and elevate if anyone hasn't thought his work because I, yeah, I came across his work

28:50.210 --> 28:56.210
many years ago. I mean, I, it must have been before 2020, because I'm sure I was aware of,

28:56.770 --> 29:03.890
well, I'd been researching a whole load of topics long before 2020. So it was just, you know,

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the pinnacle of the health thing. But, you know, I'd been researching and looking broad and wide

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into all areas. And I'm, I tend to be a big picture person. So I kind of gather the pieces

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and start seeing how the jigsaw pieces, you know, how they all fit together. And even

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though we never have the full picture, but when you have more and more pieces, you start to

29:30.470 --> 29:35.910
get a sense of what the picture is looking like, even though you're constantly adding more and

29:35.910 --> 29:41.350
more to it. So, and so yeah, I mean, as you say, the left and right brain, but I mean, the

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in terms of writing your own music, that then turned to writing, not musically. So

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what moved you into actually writing articles and taking on the name, are you sure, you know,

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moving into just that pure writing, John, without being for music?

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Yeah. Well, I think, like, I was one of those kids I hated school. And I did.

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Yeah, I'm sure you know, really, what a shocker. I only like music class, art class. And for

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some reason, I loved English and creative writing. Those were like, I love that in school,

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and I got aces in those. So for some reason, I like to write. I'm the same now, you know,

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like we're on digital media, a lot of people on Telegram. You know, when I talk with someone,

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it will do like someone will send me a voice message, because they like to talk.

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And I more comfortable writing back, I barely ever send back a voice message, like I don't

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like to hit record and talk into that thing. I feel stupid. But I can write very eloquently.

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That's just how I am. So yeah, you know, I've been researching a lot, songwriting helped me a lot.

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So I write and rhythm and cadence and all that. So I'm comfortable with writing. I'm

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comfortable with talking. I went to school to be a radio broadcast disc jockey, like I wanted

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to have my own radio show. But I can talk to you. But I have a lot of trouble if I have to

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talk into my screen just without, you know, just go. But yet I write my films that way,

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but because I don't have to say the whole script. So what I'm really doing, if anyone's wondering,

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how are you writing these films? I do not write the Space Busters film out. I don't have a script.

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I know what I want to talk about. And I write a piece at a time. And then I say it and record

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it. So I'm not sitting there like reading a script and making a movie around it. I'm

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making a movie around little parts of what I say. I have no idea how the movie is going to end.

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I don't know where it's going. I just know what I want it to say. That's how I work.

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Oh, right. So you don't even have like an, like an overview.

31:55.610 --> 31:58.950
What's the word? Like like a summary, just just to kind of, you know, bullet points,

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you just go, so, oh, okay. Oh, interesting. But I know like a song has to have a verse

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and a chorus and it starts with a chorus. It's better. So what I do is I make an intro that I like.

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I just, I know what I want to make a film about. And I make a one or two minute intro that's

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kicking. So anyone who watches my films is like, yeah, it starts off great. And I just go off

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script and go off track. Then I know that eventually the end has to tie into the beginning

32:28.110 --> 32:31.630
like a song. You have to end with a chorus. If you start with one, I get it.

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So, but I'm figuring that out as I go. And it just always does because maybe because

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I song, right? Maybe because I ad-lib a lot at my job, you know, I have to, you know,

32:44.310 --> 32:49.150
working in the music on stage. I have to be versatile and ad-lib. We don't play the same

32:49.150 --> 32:53.930
song the same every night. Like it's different. And so I don't know. I just feel more comfortable.

32:53.930 --> 32:59.090
I can't write a script and then do that. I can't do that.

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I'm more comfortable doing this where, you know, we're like, what are we going to talk

33:05.170 --> 33:08.710
about? And we're like, I don't know, but I better go two hours and be great.

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I have no doubt we'll have no problem. No doubt that, you know, the easel flow.

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And I've got notes and when I'm more than, I know we're going to go, these are just

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bullet points. So I know we're going to range around it and go off on all sorts of

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tangents, which is fine, as I said, because you have so many topics that you've looked into.

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And some are, you know, I've looked into as well. And some are like, you're like far,

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far deeper than I've gone. So I'll just, you know, leave them to keep going with that.

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But I, well, I mean, there are some. So with, I mean, that all makes sense with the

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music moving into the writing and then again, into the space busters and producing the films.

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So, I mean, what took you into space busters and writing the films?

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Yeah. So I started writing because I was researching so much and everyone around me

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seemed to sleep. Yeah. The only reason people are listening to me is I was saying all the

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shit we're saying today, back in 2005 and six, and I was like way, way ahead of the game,

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like deep, but I wasn't really because there was G Edward Griffin, David, like, you know,

34:29.050 --> 34:33.790
I don't even agree with all these people said, but Bill Cooper and like, there was all these

34:33.790 --> 34:39.530
people back then who had been doing this for 30 years. But nobody seemed to be talking about

34:39.530 --> 34:45.450
it. You know, back then I was, I was like, well, I write well. And my friend was like, hey,

34:45.550 --> 34:49.230
I followed this newspaper and used to write articles on there. And she said, why don't you

34:49.230 --> 34:53.110
run the paper with me? I was like, yeah, same with the children's books. Like,

34:53.910 --> 34:57.270
because songwriting, you have to write a lot of rhyme and cadence and rhythm.

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And I grew up on Dr. Seuss. I saw I thought that guy was the greatest. And I was,

35:02.270 --> 35:07.610
I read my children, Dr. Seuss. And I love my favorite book of his was Oh,

35:07.610 --> 35:13.070
The Places You Will Go, which is it's like that. And then in the middle, it's like,

35:13.170 --> 35:17.630
it really dark. It just takes a way left turn, like, and everything will be great.

35:17.730 --> 35:21.970
But sometimes it won't, you know, and he just takes the kids like it's not all peaches and cream

35:21.970 --> 35:26.290
kiddo. And I was like, wow. And then he brings them up at the end. You know, I was like,

35:26.370 --> 35:32.530
that's amazing. So even with songwriting and with with growing up on Seuss and schooling

35:32.530 --> 35:37.810
my kids on Seuss, that's how the children's book became really a natural step for that.

35:38.330 --> 35:43.730
And the writing was easy. But then Ross, who's the real spacebusters, I'm not spacebusters.

35:44.410 --> 35:50.250
It's Ross Porter. He started spacebusters, just busting on like,

35:51.270 --> 35:56.710
NASA pretty much, you know, we weren't even flat earthers. We were just busting on NASA

35:56.710 --> 36:03.730
and all that crap. And and yeah, like lowbusters found us and like we had a tiny little channel,

36:03.930 --> 36:10.470
we had one video, nobody owns the air that got like 380,000 views on YouTube. And that got us

36:11.350 --> 36:17.030
advertising, like right to have commercials. And then like we got noticed by people and they

36:17.030 --> 36:21.290
started and I thought, oh, well, if you I can do this too, like that sounds fun. I'd like to

36:21.290 --> 36:26.930
make movies. Like if he's making little films, why can't I? And we made them together, you know,

36:26.950 --> 36:32.610
and I made my own and he made his own and like that's how spacebusters grew. And then I own the

36:32.610 --> 36:38.130
only reason I took off is because of Convid because I already had known Amanda Volmar like

36:38.130 --> 36:45.790
I already knew germ theory was BS back in 2006, five, six, seven, like I already knew it was BS.

36:45.790 --> 36:52.630
So I only made a couple of films for my subs. That's it. We had like 3000 subs. And I'm like,

36:52.690 --> 36:58.010
these people need to know this is a scam. And then, you know, one of those films was the first to

36:58.010 --> 37:02.730
get a million views on bit shoot. I was like the first guy to get a million, you know, like,

37:02.910 --> 37:08.370
holy crap. And then all these people started coming and Dr. Andy wrote me. Andrew Kaufman

37:08.370 --> 37:12.450
is like, are you Steve from spacebusters? I'm like, yeah. He's like, you want to make

37:12.450 --> 37:16.170
a movie together? I'm like, you know who I am. I didn't even think it was Andy. I had to double

37:16.170 --> 37:19.750
check. I thought it was like someone pulling my leg. I'm like, I know who you are, dude. But

37:20.810 --> 37:24.010
yeah. And then suddenly I'm just like sitting in the middle of all these like

37:24.990 --> 37:29.790
health people. And as you know, you know me, Don, like you, I've been to see you,

37:29.790 --> 37:35.310
you've been to see me like, I'm not a health guy. And I get a lot of shit for people

37:35.310 --> 37:39.230
like this guy smokes and drinks. And I'm like, I never said I didn't all my movies

37:39.230 --> 37:45.130
start with disclaimer. This ain't medical advice. Do what you want. I take cell salt. I know about

37:45.130 --> 37:50.530
biochemistry, cell salts, virology. I take them because I smoke and drink and party. I'm a rock

37:50.530 --> 37:55.250
and roll star. I'm not a doctor. I always say it. And I still get shit. They're like, look at

37:55.250 --> 38:00.490
this guy. I'm like, I've never told anyone to listen to me. But all these doctors listen to

38:00.490 --> 38:04.730
me because I know what I'm talking about. You don't have to be a doctor to understand

38:04.730 --> 38:11.970
these fields, right? It's like, you know, I was doing the tissue, cell salt talks with Lisa Sturbach.

38:12.270 --> 38:18.050
And that was one of her biggest views. And then these Natasha, I think Andrea Steller online,

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you know, they're making a new series and book based on my talk with her. So it's like I inspired

38:23.750 --> 38:32.390
real holistic homeopathic health practitioners to do some take it further. So you don't,

38:32.390 --> 38:35.710
you know, you don't have to be a diet, you know, this yourself, your whole books about this.

38:36.470 --> 38:41.110
Yeah, totally. Yes. I mean, that's one of the criticisms of, well, you haven't got a medical

38:41.110 --> 38:50.010
background ago. And but like you, you know, the research started. So I was comfortable with

38:50.010 --> 38:58.470
the idea that, you know, germs don't make you ill in 2009, eight, nine, because I mean,

38:58.470 --> 39:03.030
we did bring out a book in 2010, well published right at the beginning of 2010. So,

39:03.830 --> 39:08.310
you know, we'd prepared it in the sort of year or two before called why germs don't make you ill

39:08.310 --> 39:12.790
and drugs can't kill you. So, you know, I this was 2010. So again, you know, it was

39:15.370 --> 39:21.690
yeah, comfortable with that concept. And I think that's really where a lot of your films

39:21.690 --> 39:26.890
have made the point that it's not about I'm telling you what to do to be healthy,

39:26.890 --> 39:33.470
but it's it's absolutely debunking the germ theory nonsense. And that's so important,

39:33.470 --> 39:37.270
because it's not just a question of, oh, well, you know, then you don't take

39:37.270 --> 39:45.910
an antiviral or an antibiotic, it's so much bigger, because the germ theory pervades so much

39:45.910 --> 39:53.530
of our lives, so many aspects. And it's so insidious that I think people need to know

39:53.530 --> 39:58.790
more about that. And that's one of the aspects that, you know, I continually write about just to

39:58.790 --> 40:05.150
show that it's not just, you know, oh, you therefore you don't need, you know, any kind of injection

40:05.150 --> 40:12.730
or anti whatever is pill. It's so much bigger. It's so much bigger. And take that away. And so

40:12.730 --> 40:18.250
much of the false stuff falls away. And that's like, you did it too, that

40:19.130 --> 40:24.850
that eventually leads you into materialism versus spiritualism and physical, non physical, right?

40:25.430 --> 40:30.950
Once you understand what this really, really is, it's not germ theory, it's not flat earth, round

40:30.950 --> 40:38.510
earth. It's materialism, atomism, Jesuitism. Once you just get that, just like happened to you

40:38.510 --> 40:42.950
guys, you're writing books, you know, all your stuff now has nothing to do with what really

40:42.950 --> 40:49.530
makes you ill. It's you're going into the metaphysical part of it now. And anyone who really gets this

40:49.530 --> 40:56.230
does. So that's where it, as you say, you know, you got into it through your you were in the same

40:56.230 --> 41:01.630
position. Convid happened, you had already written a book long ago about this. So you're like, ah,

41:02.010 --> 41:05.670
it's just you were in the right place at the wrong, or the right time, but I call it the

41:05.670 --> 41:11.250
wrong time, but really the right time. And that's what happens is you start meeting all these

41:11.250 --> 41:16.310
other people because you're like, well, what is going on here? Which I think you're here. I think

41:16.310 --> 41:21.230
you want to call this talk asking the eternal question. The eternal question to me is what the

41:21.230 --> 41:28.750
fuck is going on here? That's the part. Yeah, it was it was actually the eternal questions.

41:28.850 --> 41:34.650
But I mean, that's, I mean, that that's the underlying one is like, what is all of this?

41:34.870 --> 41:38.950
Yeah, what is it? And that's why, and that's why, you know, even at the beginning, I know

41:38.950 --> 41:44.370
I was talking about, you know, what we know, but but the it's really, what do we know about

41:44.370 --> 41:49.470
the nature of what it is we're experiencing? And and in fact, the metaphysical stuff,

41:50.910 --> 41:56.410
my interest in that started before even the health stuff, because I came across the sort of

41:56.410 --> 42:02.230
natural reality stuff way back in 2002. Now, so I mean, that's, you know, I mean, that that's

42:02.230 --> 42:07.430
heading for 25 years ago. So I've been looking into this sort of stuff of who we are, what we

42:07.430 --> 42:16.910
are, what this is all about. And it is, it is has been is still being, it's an interesting journey.

42:17.410 --> 42:23.970
And and absolutely, it is, it is getting away from the physical and at the same time, recognizing

42:23.970 --> 42:29.790
that we operate within what appears to be physical. So that's where it is the left

42:29.790 --> 42:38.190
brain, right brain, you do need the harmony of the right brain working and in in the right way.

42:38.190 --> 42:42.710
So you're recognizing sort of the intuitive intuitive insights and whatever else is going on

42:42.710 --> 42:52.210
and operating in this seemingly physical. So it does require and I mean, that that's

42:52.210 --> 42:56.470
something okay, here's a tangent we can go down. Where are you on the actual

42:57.010 --> 43:03.890
the idea that there is, you know, a brain left right side, because I, you know, I hit in my research,

43:04.350 --> 43:10.030
and I know other people have looked into this as well, but from people, many people function

43:10.030 --> 43:16.690
without even having a brain. So you mean, you mean literally, though, because there's half the

43:16.690 --> 43:20.330
world's walking around like they don't have a brain when they do, but I know you mean,

43:20.910 --> 43:25.610
literally, their brain gets damaged or taken out. Yeah. Well, and yes, I mean, and

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quite often, these things have been discovered when some things they've had a health issue and so

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they've been sent for either some kind of scan or MRI or whatever it is. And it's been discovered that,

43:37.770 --> 43:44.030
you know, they don't have much of their brain or most of their brain is missing. And people can

43:44.030 --> 43:48.530
look this up. I've looked it up. And I found it didn't take me long to find at least half

43:48.530 --> 43:56.890
a dozen cases, one of them. And again, so let's jumping in. In some cases, these people had what

43:56.890 --> 44:02.050
is called hydrocephalus, which is we'll pop that because that's important. And one of the cases

44:02.050 --> 44:09.750
was a guy who was a he had been a student as he was in the, you know, genius type category,

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had an IQ of 126 and they found 90% of his brain was missing. So there's something that says,

44:16.650 --> 44:23.970
well, it's not the brain that is doing this functioning. And so what does this left right

44:23.970 --> 44:28.410
mean? And at the same time with the hydrocephalus means there's water, and we know there's

44:28.410 --> 44:34.270
something going on with water. So to me, that is very, very powerful. So it's something to do with

44:34.270 --> 44:40.470
the, the water, because it's, well, say water, it's a cerebro, cerebral spinal fluid,

44:40.470 --> 44:48.110
which is 90% water anyway. So again, that's what's within their brain, within their head that in

44:48.110 --> 44:52.990
the parts that would be their brain. So they are functioning. There's something that's going on.

44:52.990 --> 44:58.990
So whatever the brain is, the right left, I mean, what are your anyways, I've thrown a lot out

44:58.990 --> 45:04.250
at you. So take it away. What, what are your thoughts on all of this? Well, I'm, my, my,

45:04.370 --> 45:09.130
I'll just say I don't know, but I'm totally with you, the cerebral spinal fluid, I'm

45:09.130 --> 45:14.430
into the oil, the other 10% they don't talk about what it is, which is oil. But yeah, I'm

45:14.430 --> 45:18.290
into the water, you're right. There are people like missing their brains or even have lobotomies,

45:18.370 --> 45:22.630
they can still think, I think there's water involved, there's heart, I think it's energy

45:22.630 --> 45:30.070
fields. I think the brain might, might be, I'm not saying is the way some of us talk to it.

45:30.190 --> 45:34.290
If you know what I mean, to the signals, I used to be way into Bruce Lipton who said

45:34.290 --> 45:39.930
you have cell receptors and they're the antennas from the TV station and you're just a TV. And then

45:39.930 --> 45:44.930
I'm like, well, now we found out cells probably aren't even really in your body. And they definitely,

45:45.050 --> 45:50.650
the receptors are bullshit, even if they're ourselves. So it ain't that. But what he's saying

45:50.650 --> 45:54.570
is true when you're happy and everything, you don't seem to ever get sick. Like as soon as you

45:54.570 --> 45:59.310
got a new boyfriend or girlfriend or a new jet, when you're elated, you don't seem to even get

45:59.310 --> 46:06.010
the fricking sniffles. So I get it. Like just because he doesn't explain the cause doesn't mean

46:06.010 --> 46:12.970
the effect is an observable and the mechanism, it's just that the cause is wrong. You really

46:12.970 --> 46:20.190
have question mark mechanism effect. So I'm totally with you. It could be that we even

46:20.190 --> 46:25.090
have the toroidal field system wrong. We're saying the blue shift comes in through the head

46:25.090 --> 46:29.510
and the red shift comes out through the anus and this and that. But when, like Nicole Murphy

46:29.510 --> 46:34.910
says, when you look at a rainbow, actually the ones on the bottom, the heart, it might be that it's

46:34.910 --> 46:40.350
all coming from the heart intelligence. Actually, because you can be, which we've talked about

46:40.350 --> 46:45.890
is it's fake brain death is like a bullshit clinical thing as Andy Kaufman's talking about.

46:46.230 --> 46:50.050
But you can be brain dead or lobotomized like you said or have, it's like your brain

46:50.050 --> 46:55.890
taken out and you're alive and can think and all that. But your heart, I can promise you,

46:55.950 --> 47:00.270
if you take your heart out, you're dead. It's good. Like I've never heard of a guy,

47:00.390 --> 47:06.070
but he's missing his heart, but he's walking around just fine doing, you know, doing the

47:06.070 --> 47:13.670
New York Times Sunday. There, there. You know, I'm thinking, all right, is it the air and

47:13.670 --> 47:18.910
the blood and the heart and the cell salts and the corpuscles? And is it really internal?

47:18.910 --> 47:26.050
But I do think the brain is like involved in deciphering this somehow, but you're right. I

47:26.050 --> 47:32.250
don't think the brain is the source of consciousness, nor the sole governing factor of what's happening

47:32.250 --> 47:39.310
in our body. Oh, no, I mean, there's absolutely no evidence that the brain produces consciousness.

47:39.630 --> 47:45.230
I mean, you know, I think we might, yeah, no, we're going to go into that in part two.

47:45.750 --> 47:49.830
Yeah, that would be great. The consciousness part, yes, because I mean, that's so important.

47:50.390 --> 47:56.870
I know there are different ways of viewing, and again, we're limited by the words we can use

47:56.870 --> 48:04.010
to describe what we think when we don't actually know. What I tend to see of the brain is that it

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acts like a filter, because in the same way that, I mean, like our senses, so, you know,

48:11.670 --> 48:15.470
we can't hear things that dogs can hear. We can only hear in a range, certain range.

48:15.790 --> 48:21.530
We can only see in a certain range. You know, there are different creatures that can sort of see

48:21.530 --> 48:28.870
at different wavelengths. So our, it's not that it's limited, it's just as a human being,

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that is how we function within these ranges. So the brain is like a filter. I mean, that's

48:38.850 --> 48:44.850
I think it could be. I mean, the thing is, they don't they mainstream bullshit. They don't know

48:44.850 --> 48:51.990
either. And I don't know either, but it could be responsible. Like you say, it's a filter.

48:53.410 --> 48:59.630
People who are allegedly mentally retarded or autistic or down syndrome, right? They're like,

48:59.630 --> 49:03.170
Oh, their brains don't work. And you're like, Yeah, but they don't have an ego. I could

49:03.170 --> 49:08.070
actually see the brain being responsible for what we call an ego, which the spiritualists

49:08.070 --> 49:12.510
say there's no such thing. But I would say, Yeah, I don't think there is an ego with the

49:12.510 --> 49:18.810
frequencies coming in, whatever it is, water, air, plasma. I don't know. But I could see the

49:18.810 --> 49:24.670
brain being actually the bad thing. That's like, Oh, are my shoes okay? Do they notice

49:24.670 --> 49:29.390
there's my makeup? All right. Look at that woman, you know, all these, all these bad thoughts

49:29.390 --> 49:35.390
you have all day. And why would if you really think about this, if your spirit is coming

49:35.390 --> 49:40.870
from source, why would people's mind chatter be walking around all days? How much negative

49:40.870 --> 49:45.670
shit do people say in their head all day like tons, even when it's not super negative, you're

49:45.670 --> 49:49.950
like, for fuck's sake, lady, can't you bag your groceries? You're like, I do it all the time.

49:50.730 --> 49:55.190
I don't think that's coming from source. I think that's that could be maybe what the brain

49:55.190 --> 50:03.490
does is like an egoic layer onto thought like a signal disruptor or regulator. You see what

50:03.490 --> 50:07.070
I mean? I don't know. I could be totally wrong. People listening might be like this guy don't

50:07.070 --> 50:10.770
know what he's talking about. I admit it. But I could see that happening.

50:11.490 --> 50:15.750
Yeah. Well, I mean, like you said, nobody actually knows. I mean, they're very serious

50:15.750 --> 50:22.510
and I'm just pulsating what it could be. And these retarded people, they're really happy

50:22.510 --> 50:27.370
ever like Down syndrome and retarded people. They're like the happiest people ever. They

50:27.370 --> 50:32.210
have no ego. They're totally loving. They're like a dog. They're just having a great old

50:32.210 --> 50:38.950
time no matter what's going on around them. Yeah, the interesting thing and I'm sure you've

50:38.950 --> 50:43.910
you've gone into that as well. Like with the telepathy tapes, you know, these artists, they have

50:45.690 --> 50:51.290
they are connected to other areas of consciousness, if you like, for want of a better

50:51.290 --> 50:58.610
phrase. So they are more connected because they're not they're not limited by whatever

50:58.610 --> 51:06.050
the brain is feeling that the brain filters are off, if you like. So I mean, I'm using the

51:06.050 --> 51:13.950
language language that kind of works for me. But I'm I'm open to other ideas. And I yeah,

51:14.070 --> 51:21.870
I'm really, as I say, open. And the more I hear about all of this, it becomes more fascinating

51:23.690 --> 51:30.770
and more questions. So, you know, that's again asking the like, who are we? What is this?

51:31.390 --> 51:35.570
You know, like I say, the eternal questions. So yeah, there are so many.

51:35.970 --> 51:41.190
I'm with you. Like, it's I think the important thing is to just say we don't know just like

51:41.190 --> 51:44.590
you're saying you and I aren't sitting here today claiming to know any of this crap.

51:45.170 --> 51:51.130
But I think the way to be is to at least be thinking about this and looking at those kids

51:51.130 --> 51:56.330
and thinking differently than what we're told. I think the biggest problem is that I think the

51:56.330 --> 52:02.070
brain too is where school takes 20 years of bullshit and sticks it in the memory, you know,

52:02.070 --> 52:09.610
it might just be like a receptacle for bullshit, which is why they call it like Brian mind control.

52:09.850 --> 52:15.170
You know, so yeah, I think maybe these and not by the way, not all autistics have this

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power. It's it's not like all of them there. Oh, no, no, no. I was just gonna say just,

52:19.110 --> 52:23.970
you know, with the ones that they, you know, through the telepathy tapes, the one, you know,

52:23.990 --> 52:29.550
the children that they've spoken to. I mean, I was going to say, we're heading towards the

52:29.550 --> 52:37.110
first hour. I just want to see what was an hour. No, not not yet. I got about 10 minutes. It was

52:37.110 --> 52:41.270
just really what we wanted to cover to keep in that first, which doesn't have to be a strict

52:41.270 --> 52:47.190
hour, but in the first part for, you know, people who are just, you know, say just

52:47.190 --> 52:53.130
people who are subscribers and who are going to stay just I would like to talk about the book

52:53.130 --> 52:57.170
for the first three people. If you don't mind, because we have to pitch it and you helped us

52:57.170 --> 53:01.610
edit it, which is great. But before we go into the before we go into the members hour,

53:01.770 --> 53:08.950
if we can pitch the book a little because I have to know what you have to because it's

53:08.950 --> 53:15.950
it's a great book. And it's, well, again, not going to. So, okay, what inspired you

53:17.110 --> 53:20.890
to write? I mean, which ones do you want? I mean, you're talking about the jokes of Denzel,

53:21.010 --> 53:23.250
the goons, I mean, do you want to talk about both of them?

53:24.650 --> 53:28.870
Well, yeah, I mean, I mean, the newest book we have out is the goons laser balloons.

53:30.750 --> 53:36.390
And I actually wrote this, I can't remember it was 2018 or 2019, but it was when Paradise

53:36.390 --> 53:41.410
California got lit up by the dew weapons. We saw a paradise light on fire.

53:42.010 --> 53:46.870
Trees weren't burning, but you know, things made out of blue weren't burning, but houses were burning

53:46.870 --> 53:52.990
in half. Fires were jumping from one house to another, missing another, jumping over trees,

53:53.170 --> 53:57.770
which are flammable in California, in the middle of the dry season, impossible.

53:58.630 --> 54:04.190
You know, and later, so I had written a story and I had written a bunch of stories back then.

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And then we had what Felix and I now call the curse of the illustrator. So,

54:09.510 --> 54:14.550
my cousin was supposed to draw this book and then he got ill during COVID and passed away,

54:14.590 --> 54:21.390
nothing to do with COVID. Then Tracy Northern who illustrated the, so then we had Tracy start on

54:21.390 --> 54:26.070
the dukes while Ryan was supposed to be doing this. So we had Tracy do this while Ryan should

54:26.070 --> 54:31.590
have been doing this. And then Ryan died on this. So we had Tracy finish this and then

54:31.590 --> 54:37.370
we wanted her to do this. And she started like three drawings and she died. Sadly,

54:37.530 --> 54:42.270
rest in peace. We love you and miss you. Oh, we do. So this book's dedicated to her.

54:43.750 --> 54:49.890
So then we got another one who didn't want to do it. Then we got a guy who said, oh,

54:50.210 --> 54:56.510
he programs AI to get like his college degree was baking AI. So we're like, well,

54:56.550 --> 55:00.710
let's just try this AI thing. And he got like a, I don't know, 10 pictures done.

55:00.710 --> 55:04.490
And then he's like, I can't figure out how to get it to make the same characters.

55:04.870 --> 55:11.750
So there are some people, we, yes, we did end up using AI photographs. Now, the thing is AI

55:11.750 --> 55:18.430
is not drawing this AI is drawing like people in the 80s and 90s cartoons and books used to draw.

55:18.930 --> 55:24.490
Some people go, that's an AI illustration. It's like, no, that's AI drawing like humans

55:24.490 --> 55:32.030
used to draw in the 80s and 90s. AI is copying this too. So anyway, then he couldn't do it.

55:32.050 --> 55:36.730
We're like, shit, then Felix tried to get another girl. She wanted to do it, read the script and

55:36.730 --> 55:42.510
get it. Then another guy like, yeah. So then she, I don't know how she did it, but thank you.

55:42.670 --> 55:46.150
She got her AI to talk to the other AI and finished the book.

55:46.930 --> 55:55.270
She did. Can I just make it absolutely clear that the writing is all Steve's work?

55:55.670 --> 56:02.370
Yes. All the stories that we put out are not AI. It's all mine. None of the writing is AI,

56:02.670 --> 56:07.690
none of that. And for the people who are like, you can't put out AI pictures in your book,

56:07.850 --> 56:14.090
dude, we tried. We tried. Like our illustrators are all dying or quitting or couldn't do it.

56:14.930 --> 56:20.830
It's not that we didn't try. We really wanted that book to be organic because like the Dukes of

56:20.830 --> 56:27.630
Dents was Tracy had. But the message is anyway, the story is teaching the children about agenda

56:27.630 --> 56:33.550
21 and agenda 30 in a safe space because you're not supposed to be scaring the hell out of your

56:33.550 --> 56:43.050
children, but you are not supposed to be raising dummies who aren't prepared to grow up in

56:43.050 --> 56:49.390
it and are, you know, California, like Hawaii. They are burning and flooding our cities down

56:49.390 --> 56:55.370
that they want. They are. So the story is what's going on. There's these people, as you know,

56:55.890 --> 56:59.830
the toons and their northern neighbors are the nasty goons and they want their land.

57:00.310 --> 57:05.770
But we don't even make it close to reality. We make it talking about plum wines in the trees.

57:06.090 --> 57:11.450
But yeah, and these goons burn their town down and then a little girl witnesses it happening

57:11.450 --> 57:16.390
because they use laser balloons at night. And then she tries to tell the town who's trying to

57:16.390 --> 57:20.590
figure out how did our town burn down last night and how our house has gotten half.

57:21.090 --> 57:25.990
And they don't believe the little girls. So like all all of my books, like Dr. Seuss,

57:26.730 --> 57:31.390
there's a moral to the story or a lesson, you know, it has like I said, like that

57:31.390 --> 57:35.890
you start fun, you get a little dark and then you have to end fun and say,

57:36.310 --> 57:40.390
by the way, and then they build up the kids like, I know you're smart enough to get this.

57:40.390 --> 57:45.970
What do you think? What would you do? You know, so the parent or teacher, whoever's reading this,

57:46.050 --> 57:50.750
it's more like a homeschooling book, but anyone could read it. But so if you're not just reading

57:50.750 --> 57:56.050
your kid a bedtime story and like, good night, the end, you know, there's a part in all of

57:56.050 --> 57:59.730
our books where you stop and say, let's talk, let's talk about this. What do you think?

57:59.890 --> 58:02.030
How do you feel about this? What do you think?

58:02.770 --> 58:09.670
Totally. And encouraging children to ask questions, to be aware, again, you know,

58:10.630 --> 58:16.610
no pun intended with the name of this podcast, but you know, being disearning and being able to say,

58:16.750 --> 58:21.510
I saw something and speak up. So, you know, that's an incredibly important message

58:21.510 --> 58:28.250
that even though some people, you know, she wasn't believed, somebody did and I'm not going

58:28.250 --> 58:33.190
to say too much, not spirally, but I mean, it's really to encourage children to

58:34.950 --> 58:41.390
recognize their awareness or to be recognized that they are important. Because I think there's a lot of,

58:41.430 --> 58:46.110
you know, pushing down and that's part of the problem. A lot of what's going on,

58:46.290 --> 58:50.770
that children are diminished and, you know, they just, oh, you know, you just little

58:50.770 --> 58:56.370
and unimportant and no, they are in many ways more tuned in, which I'm sure we'll

58:56.370 --> 59:00.750
get into, which is what I was really saying with the autist, that they're,

59:01.950 --> 59:06.330
in the first few, well, again, the first few years and we can go into NDS and those sorts

59:06.330 --> 59:12.590
of things as well. But, you know, the first few years, they are less here, if you like,

59:12.630 --> 59:17.630
and they're more connected to other things. So, they can tune into what's going on,

59:17.710 --> 59:24.950
they're more aware. And when that's subdued and suppressed, that's the worst thing,

59:25.550 --> 59:32.410
I think, that happens to children. All of that is suppressed. And so, your book is wonderful

59:32.410 --> 59:41.130
because it's saying, this character saw something and was brave enough to speak out about it and,

59:41.250 --> 59:47.830
you know, just ask questions. So, again, it's all of this. It's saying, okay, we're going to

59:47.830 --> 59:52.830
listen to you instead of, you know, just shut up and, you know, sit in a corner or whatever

59:52.830 --> 59:58.610
it is. Yeah, which is what I, yeah, I, like, and now Tom Cowan's got a new book about parenting the

59:58.610 --> 01:00:05.050
same. He's saying the same. I raised my son the same. I'm like, what happens if whenever it might,

01:00:05.210 --> 01:00:09.870
you know, they all, when the kids are two or three, why, why, why? I just said, what happens if

01:00:09.870 --> 01:00:15.450
I, instead of just giving some dumb answer, I give a collegiate level answer to a four-year-old.

01:00:15.990 --> 01:00:20.310
So, I used, I did it as an experiment. He's, he used to go away and come back and think

01:00:20.310 --> 01:00:24.550
about it and he had answers. I was like, how the fuck did you understand that? I was reading him

01:00:24.550 --> 01:00:29.650
Orwell, like, not just Animal Farm 1984 when he was nine and he was figuring out the ending.

01:00:30.090 --> 01:00:34.310
And I've always thought the same as Tom. Like, I think the reason a lot of us grow up like dumb

01:00:34.310 --> 01:00:40.450
children as adults is because we were treated like dumb children as children. I think children

01:00:40.450 --> 01:00:46.490
mature the Jesuits themselves who are the biggest mind control entity on the planet said,

01:00:46.490 --> 01:00:51.770
give us a child till it's seven and it'll be a Jesuit for life. They know the formative

01:00:51.770 --> 01:00:57.890
years are where you make the whole life pattern. You know, so that, that's where I'm at. I'm like,

01:00:57.930 --> 01:01:03.950
why not make a cool children's book that's telling cool stuff without scaring the shit out of them,

01:01:03.950 --> 01:01:09.970
which is, you know, they need to save space of fiction as I call it. Yeah. But we could

01:01:09.970 --> 01:01:13.510
talk about that in part two, maybe more of the psychology of all that stuff.

01:01:14.370 --> 01:01:21.350
Yes. I mean, that's, that's an area that really fascinates me. And I, I mean, I didn't quite take

01:01:21.350 --> 01:01:27.390
the same tack with, with my son, but I didn't, I couldn't speak to him like a, you know, in baby

01:01:27.390 --> 01:01:32.530
languages. I was like, no. And, and besides which, what's the point of, you know, teaching them

01:01:32.530 --> 01:01:36.170
choo choo, and it's like, we'll teach them to train because otherwise he goes to choo choo,

01:01:36.250 --> 01:01:40.690
no, it's a train. You know, don't confuse and tell them what it is in the first place.

01:01:40.690 --> 01:01:49.810
Anyway, um, so I, anyway, I, I'm not going to do mistakes, but again, you know, you're just,

01:01:50.150 --> 01:02:00.090
it is important to, to encourage children to be themselves and to be forthright and not

01:02:00.090 --> 01:02:04.790
just suppress them and oppress them. So I think we had to listen to them and believe in them,

01:02:04.790 --> 01:02:10.570
even in this book, you know, and we say like, there's a part where it's asking the child, it's

01:02:10.570 --> 01:02:15.090
saying, what would you do if they all after you? But we're saying, would you listen to a believer?

01:02:15.310 --> 01:02:19.290
But we're saying like, even if you don't believe her right away, which is okay, we're not saying

01:02:19.290 --> 01:02:23.850
you have to believe everything everyone says. No, we're teaching the child, it's okay to be

01:02:23.850 --> 01:02:29.750
skeptical. But, but look what happened. Oh, by the way, these are on most Amazon platforms,

01:02:29.750 --> 01:02:35.790
apparently not all of them. Felix showed me, I keep saying all Amazons and they're not, but like

01:02:35.790 --> 01:02:40.730
most of the main ones. But yeah, like if you need a, you know, if you're homeschooling, you need a

01:02:40.730 --> 01:02:45.330
birthday present or a Christmas book, or I don't know, it's coming up now, it's solstice.

01:02:47.290 --> 01:02:52.350
Foon's laser balloons and the Duke's a dance yet. Yeah. And, and they're just the beginning

01:02:52.350 --> 01:02:58.830
because you've got other ideas for other books, if I'm not mistaken. Oh yeah, we'll talk about

01:02:58.830 --> 01:03:01.930
that in the private hour, because we're going to get canceled by the third books.

01:03:02.610 --> 01:03:06.370
Okay, no, no, no, no. The left's going to cancel us on the third book.

01:03:06.630 --> 01:03:12.390
We don't, we don't have to, no, we don't have to talk. But what I'm saying is that these are

01:03:12.390 --> 01:03:17.550
going to, these are the first of a series that there are going to be more. More. That's

01:03:17.550 --> 01:03:24.590
the important. So, you know, you're still writing and got other ideas with how to help

01:03:24.590 --> 01:03:30.430
children. And with Tom Cowan's parenting, but I actually have that as well for another reason.

01:03:31.290 --> 01:03:35.190
Is it good? I haven't read it. I've only heard him talk about it. Oh, okay. No, no, no, no. I've

01:03:35.190 --> 01:03:40.990
almost finished it. It's, yeah, it's, yeah, very good. And a lot of it is, if you've heard him

01:03:40.990 --> 01:03:48.110
talk about that on his videos, then, then there's a lot of that in there. So, yeah, it's, it's

01:03:48.110 --> 01:03:58.790
just to, not just, it is to recognize that children are members of society that, you know,

01:03:58.890 --> 01:04:04.030
they're, they're not machines, you know, they, they each, each one has a personality and they

01:04:04.030 --> 01:04:12.650
contribute and they're open. And that's how we, that's how we have to, I'm sorry, I'm just

01:04:12.650 --> 01:04:17.150
thinking, so I just got in my head. That's the way forward, you know, that's how we go forward

01:04:17.150 --> 01:04:23.210
is, is encouraging children to be open-minded, to think. So again, asking questions, you know,

01:04:23.350 --> 01:04:27.670
being open-minded and being able to ask questions without parents or

01:04:28.810 --> 01:04:32.690
authorities or gradants, whatever, just saying, oh, you know, shut up and sit there and,

01:04:32.810 --> 01:04:38.090
you know, do as you're told. No, listen to them ask. And yeah, I mean, maybe sometimes

01:04:38.090 --> 01:04:41.690
it might be a silly question. And other times you've got, actually, that's an interesting

01:04:41.690 --> 01:04:48.150
question. And to have that dialogue, like you say, to, to not treat them as

01:04:49.350 --> 01:04:54.370
silly, because then they'll, they'll collapse and they'll have all kinds of

01:04:54.370 --> 01:04:59.330
psychological problems as they grow up and all of that. So and get to the, well, I mean,

01:04:59.350 --> 01:05:04.310
I think that's a lot of why we're where we are at the moment. And, you know, so yeah,

01:05:04.490 --> 01:05:08.990
we'll dive into, we'll dive into that in the second part, like you say, with the psychology.

01:05:09.650 --> 01:05:17.910
Um, so was, uh, well, yes, because, uh, yeah, we're also going to look more. I mean,

01:05:18.010 --> 01:05:21.890
I know we haven't covered that here, but we will in the second part talk about your films,

01:05:22.010 --> 01:05:27.250
and your deep dive into the whole Antarctica. Oh, yeah, that one's, that one's heating up again

01:05:27.250 --> 01:05:32.670
now too, just when I thought it was all over here. We go again. So yeah, that's interesting.

01:05:32.990 --> 01:05:37.170
Well, yes, it's like they're, they're not quite prepared to, um,

01:05:37.170 --> 01:05:43.010
lie down and shut up. So they're going to fight back a little bit. But I think, you know, once

01:05:43.010 --> 01:05:47.690
people see the amount of information that you put forward in your three,

01:05:48.970 --> 01:05:55.990
three films about that is, I mean, that, that is just phenomenal. I mean, they are

01:05:55.990 --> 01:06:03.610
three more phenomenal pieces of work. So, um, I think, yeah, well, I think we'll,

01:06:03.610 --> 01:06:11.130
we'll leave that for, um, for this first part. So thank you for everybody, uh, to everybody for

01:06:11.130 --> 01:06:18.610
listening and please join us, um, subscribe to join us for the second part. So, um, thank you.

01:06:19.090 --> 01:06:24.050
Thank you for listening. And yeah, see you either on part two or on the next episode.

01:06:24.310 --> 01:06:28.310
Yeah. And subscribe to Dawn. Yeah. We'll take five and then we'll hit part two

01:06:28.310 --> 01:06:30.830
because I've got some good juice on Antarctica.

